Ever since I was a young child, I’ve had an absolute fascination for maps.
The ‘tone and timbre’ as I call it, of an old map, holds within it such beauty and mystery. The texture of the parchment, the ink used and how it has aged over time like the best of wines. To follow the winding paths and coastlines, the mountain ranges and sprawling settlements. Every mark, every crease, every nuance holds a story. As objects, they are works of art and are simply gorgeous to look at.
But of course, maps can and have been highly divisive. History shows us that in the wrong hands they were the latest and most effective tools of warfare, propaganda, divisions of state, ideology, ethnicity. They were the bringers of colonialism and with it, the most terrible atrocities and suffering through the destruction of indigenous tribes, the conquering of nations and the carriers of disease. In a world without the internet, without weapons of mass destruction, the nation with the most skilled mapmakers found themselves at the top of the ruling tree. Empires were made or broken by those who could claim the seas and conquer the new chartered lands. Maps were the driving force of every expansionists dream.
But, in literary terms, maps can be the most wondrous of additions to any story!
Cartography, and particularly fantasy cartography is the stuff of dreams.
As a child I would get utterly lost in the detailed maps of Milne’s 100 acre wood from ‘Winnie the Pooh’, Lewis Carroll’s ‘Alice in Wonderland’, C.S. Lewis’s ‘Narnia’, and of course Tolkien’s ‘The Hobbit’ and ‘Lord Of The Rings’. Now, maps are just as prevalent and cherished as they ever were, from Warhammer to Jordan’s ‘Wheel of Time’, Paolini’s ‘Eragon’ and George Martin’s ‘Song of Ice and Fire’.
Maps serve as keys to the imagination, holders of knowledge, portals to lose yourself and unlock the greatest flights of fantasy…
Below, my own flight of fantasy, ‘The Lay of Fendellin’ taken from my debut novel, ‘White Mountain’ – Book 1 of ‘The Darkling Chronicles’.
The only limits, are our own imaginations!
I have a map similar to yours. It’s of Prince Edward Island in Canada and depicts the world of Anne of Green Gables. Great fun to see.
Thanks! Aren’t they just wonderful?
I have a gorgeous copy of a John Speede map of Gloucestershire dated 1610 which looks amazing, but I still prefer the maps I found in my favourite story books!
I always favour my map book over the sat nav when I’m travelling somewhere I don’t know. You just get a better feel for where you are with a map.
I think the same goes for when you’re reading you can’t beat having a good map of the world you’re reading about. I love the detail in your map of Fendellin. 🙂
Oh thank you, Lindsey!
Totally agree with you. I was given a sat nav and gave it to someone else! MUCH prefer using a map, especailly when I’m charting the unknown waters of a new novel. Just love them! 😀
Ditto! I’ve always felt this way about maps . . . especially for fantasy worlds!
Absolutely! Being a huge lover of fantasy books myself, those with maps in them just fascinate me. I guess it’s the literal, or should I say the visual way, they set out the world which the book is set in. Just wonderful! 😀
When picking up a fantasy, the first thing I look for is an engaging map. If the author has created a visually stimulating Cartesian world (such as your own), then I know the book will be worth the read.
Lol! Oh thank you, Ryan! I’m totally with you there. I always feel disappointed if I start reading a fantasy book and there isn’t some kind of map or illustration of a city, land or world that’s depicted in the book.
I shall have to do another for Book 2, maybe a city map of Kallorm? 😀
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