Organising your arse and getting serious about your business!

Being a creative nerd I’ve never had a head for business or even considered anything I do as being a business and I know I’m not alone in that thinking.

Last year I took a deep breath and followed Lady Gaga and “jumped in at the deep end” by opening my first Etsy Shop – Sophie’s Artisan Arts. It was terrifying and exhilarating, and while I haven’t exactly set the world alight, I have had a solid first year, helped no end by my incredibly awesome and supportive friends – THANK YOU!!!! ❤ ❤ ❤

I admit I always thought that creativity and business weren’t harmonious bedfellows. But anyone creative who needs or wants to make a viable career from doing what they love (whether it’s writing, art, design, making crafts, photography etc etc), needs to develop a head for business.

Trust me, nothing makes me squirm more than the thought of dull accountants, business records, paperwork, profit margins, checklists etc etc., to me those are the antithesis of living a spontaneous and creatively fulfilled life. It’s just not how my brain works! 😀

 

But in simple terms, if you love what you do and you want to make a sustainable and consistently reliable living from what you do, then you need to sell what you create/make and that means developing a business brain and a strategy to help you achieve your goals.

Once you’ve realised this, then the next step is working out how the hell you go about doing that, especially when your chosen field is absolutely swamped by thousands of others doing what you do or something very similar (though no doubt to a poorer standard). 😉

Standing out from the crowd is the obvious first step, but to do that not only must the product you create be original and brilliantly created (quality NOT quantity – sadly so often talent only gets you so far and not to the winning post), but you need to market it expertly, get people to take notice of it and you. You need to approach what you do as a business not a hobby.

If people don’t know about the amazing things you create how can you sell any of them and make a successful business?

It’s the difference between being an amateur hobbyist and someone who is a professional in their field and is serious about pursuing their dream of making a career and a whole life based around what they love to do.

Not approaching your creative life seriously is a massive obstacle to your success, so snap out of it!

After a long chat with my fellow arty mate, Linda (and fellow giggly work colleague), where we discussed business plans and what we hoped to achieve this year and in the future, I followed Linda’s advice by getting the Maker’s Yearbook 2019, by Nicola Taylor, a goal setting workbook and planner specifically for artists, makers and handmade business owners.

WOW!!!! MIND BLOWN! 😀

Unfortunately I was too late to get the book which sold out, so I bought the PDF version and printed it off at home on 120gsm quality paper and popped it in a folder. I’d never heard of this Maker’s Yearbook before and even though I didn’t purchase it until halfway through January, I’ve been addicted to it ever since!

For a scatterbrain like me, who has all the business acumen and ICT proficiency of a fish on a bicycle, this has helped me no end!

I cannot recommend this enough. It breaks everything down into small achievable goals, so straight from the beginning you’re achieving something positive and succeeding rather than failing. It helps you to structure your business, your thinking, to get you to work more effectively and efficiently rather than just working harder and chasing your own tail while making no actual forward progress and burning yourself out. It makes you review the previous year (2018) and really identify what worked, what didn’t, what mistakes you made, what expenses and costs you had, what money and actual profits you made and how you divided your time between actually doing the creative thing you love and just flitting around like a headless chicken trying to gain attention in the hope of some sales.

It was a very interesting and reflective exercise. It made me realise how terrible my time keeping is, how unbalanced my life is, how disorganised and chaotic I am, how exhausted I’ve been and ground down, and how little progress I made, despite all my efforts, compared to the previous year (2017).

What a jolt to the senses!

Already, at the end of this first month (after only 2 weeks of having this Maker’s Yearbook), I have already booked an Art/Craft fair for March, have contacted numerous art centres, shops, exhibitions etc,. will be meeting the head of an art centre next week and have a clear plan and strategy about the year ahead – something I’ve NEVER had!

The moment I finish the long term map commission I’ve been working on for far too long, then the rest of my plans will start to kick in. For possibly the first time in my life, I actually feel that my creative life can actually have a viable commercial/business future and I actually will be able to make a career from doing what I love. It’s very early days, but finally… I HAVE A PLAN!!!! 😀

So to all my creative buddies out there trying to live off the thing you create, many of you struggling as I have, some of you on the brink of giving up while others are enjoying successes, DON’T GIVE UP or GIVE IN.

KEEP GOING, get yourself organised, set yourself real weekly and daily goals which all take you one step further to achieving your overall aim and GO FOR IT!

No-one can climb a mountain in one go, you start by climbing a low foothill first. Get that first achievement under your belt then move on and the same applies here.

Is it easy? Of course not, nothing important ever is. For me personally, one of my biggest challenges is overcoming my social anxieties and crippling self-doubts. This goes WAY beyond ‘imposter syndrome’ for me, this is more like paralysing fears, actually having to winkle myself out of my hermit hole and converse with actual real human beings, having to cold call places, put myself forward, try to exude confidence while my nervous sweats start in.

People that don’t know me well imagine I’m the height of confidence, the big bubbly girl, but I’m collapsing inside. Yes I know I have some measure of artistic talent, I could always draw and paint better than most of my friends even from an early age, but I am NOT a professional at networking, marketing, at selling my products to the actual public. Just doing one Art Fair last year showed me just how out of my depth I was. To me it seemed that everyone knew what they were doing, these were people who had been setting up stalls and selling their goods for years and had it down to a fine art. Their tables were eye catching and professional looking, they had prints of all their work so even if a customer can’t fork out a large amount for something they’ll still buy something small for £4, ie. they still make a sale and the stall exudes success which draws more people in. It was both awe inspiring and utterly terrifying!

Any introvert will know what I’m talking about. You just want to shrink into the background or hide under your tablecloth, but you have to sell yourself and your work and do both justice – so no, it’s definitely NOT easy, but like most things, it is a skill you can learn and improve on with practice. ❤

After all, we learn from failure and success.

 

Wishing you all the very best for 2019, may it make our dreams and goals come true!

❤ ❤ ❤ ❤

 

Frantic Fun at FantasyCon and BristolCon!

The last two weeks have been a manic blur of fun, meeting friends, train frustration, award nominees, artwork, dizzyness and desperately trying to get something to dry! 😀

This year I was humbled and honoured to be shortlisted as Best Artist in the 2018 British Fantasy Awards, held on the last day of FantasyCon in what is always a fun awards ceremony. This year it was held in Chester, a town drenched in Roman history that I’d never been to before. The Queen hotel where the event was taking place was COLOSSAL! You kind of felt that you had dropped into Pan’s Labyrinth itself!

I was staying at the hotel in a beautiful Chinese decorated room with a shower door that didn’t close properly and a Nespresso machine, so despite flooding the bathroom floor twice I at least started every day fully caffeinated!  🙂

FantasyCon itself was a manic blur, but in the nicest way. Meeting up with most of my fellow Grimmies (Sammy, Jo, Roz, Steven P, Steven G, Pete, Kate, Joel, Jason) and seeing other friends (Adele, Chloe, Juliet McKenna, Cheryl, Rosa, Anna Smith-Spark, Anne Stephens, Jen Williams – such cool people!) is always so lovely. The Grimbold Books table looked fab, (we have SO many awesome books!) and the panels I went to were so interesting. There were many highlights, but for me it was probably the panel on artists working in the SFF genre, as an illustrator myself I was keen to hear author and publisher thoughts on artwork in books and the process of using an illustrator.

I was flabbergasted though when Joanne Harris (of Chocolat fame) came into the room and sat down as a panellist! She wasn’t on the programme at all so it was a fab surprise and yes, I had to blurt out in a geekish fashion that “I love your books!”. 😀  Ian Whates, head of NewCon Press, was there as the panel moderator and hearing his thoughts on commissioning illustrators and artwork was really interesting. SUCH an incredibly useful talk and at the end of it I actually got to speak to Joanne Harris and give her my business card – it seems she’s on the look out for an illustrator for her next book! Eeeek! Fingers crossed! I also got to chat briefly with Ian Whates and his wife from NewCon who are always looking for new illustrators to use too, so some really useful contacts made there! He he he!

The only irritation, and I know I sound like an old fart here, is that a young 17ish kid decided to gravitate towards me, showed me her (ahem) drawings, which I dutifully smiled, nodded and praised, then continued to draw throughout the panel, not listening to what was being said and actually kept interrupting proceedings to languidly talk about her father writing a poetry book that she did some drawings in!!!!! WTH? If you’re going to be rude enough to interrupt rather than listen, then at least ask a question about what was being said, don’t interrupt in a totally inane and bizarre manner! Ian and Joanne were incredibly sweet and kind natured over the whole thing and probably guessed as did I, that this young girl had some problems. Hey ho.

But that’s the great thing about Cons, not only are you meeting friends, making new ones, soaking up the creative atmosphere like a sponge, making connections and contacts, expanding your own business reach and hanging out with lovely like-minded folk, but cons are incredibly welcoming and open to everyone, that’s their strength, so you get to meet people who may not ordinarily cross your path which is always very cool! 😉

FantasyCon ended in the awards ceremony and no, I didn’t win Best Artist. That accolade went to a very well established American illustrator from New York, Jeffery Alan Love, who has won several other awards and whose work is great. I was disappointed naturally but really didn’t expect to win so it wasn’t a surprise. I was just genuinely chuffed to bits to be shortlisted amongst such amazing artists! I was also thrilled that Jen Williams won Best Fantasy Novel for Ninth Rain, Well done Jen! 😀 ❤

FantasyCon ended I only had a few days breather before BristolCon, where I was exhibiting my artwork in the Art Room there. I showed a selection of my fantasy maps, silk paintings (many of them SFF themed) and my portraits which I set up on the Friday before the Con. I decided to show my portraits in a Game of Thrones style ‘Wall of Faces’ or ‘Rogue’s Gallery’ again but with new portraits in, including one of fab sci-fi writer, Gareth L Powell who spotted himself! 🙂

To add to the manic art making, I’d been asked by Vice Chair, John Bavistock in August to do a secret portrait of BristolCon’s Guest Of Honour this year, my lovely mate Joanne Hall (who is not only a kick arse uber-talented writer, but actually ran BristolCon for 8 years!). It took me about 4 weeks of full on painting to complete as, to make it extra special, I decided to do an oil painting portrait on canvas rather than my usual pencil portraits. Lol, BUT, that meant I HAD to get it finished before I left for Chester to give it a week and a half to dry in time for BristolCon! Hairdyers were definitely used in the last manic hours! 😀

BristolCon went brilliantly well as did the Silk Painting Workshop I ran there, where my lovely 5 students produced some gloriously wonderful silk paintings, and yes I’m looking at you Roz Clarke & Rosa – your work was sublime!!!!! ❤ It was lovely to see fellow Grimbold Books mate, Pete Sutton launch his awesome new book, Seven Swords, which I can’t wait to read (having been mesmerised by Pete’s short story collection A Tiding of Magpies which I read on the train home from Chester) and it was fab to watch the Q&A panel with Roz grilling Jo on subjects as diverse as writing, running BCon, life on the farm etc.

But I admit my highlight was seeing Jo being honoured as Guest of Honour for all her incredible hard work over the last 8 years as well as her amazing writing achievements…and seeing her reaction to her surprise secret portrait was just comedy gold!!! 😀

A gloriously lovely two weeks all round…now time to REST!!!!! 😀 ❤ xxxxx

❤ ❤ ❤

Shortlisted for a British Fantasy Award! Eeeek!

It’s taken a couple of weeks to sink in, hence the delay, but I’m thrilled to say that I’ve been shortlisted for the 2018 British Fantasy Awards in the Best Artist category!!! Yay!!!!

Can’t quite believe it but seeing my name listed as a shortlist nominee is surreal and a little overwhelming, but in a good way! 🙂 I’ve been nominated in the Best Artist category for the two hand drawn pen & ink maps I created for HarperCollins last year, for Anna Smith-Spark’s brilliant ‘The Court of Broken Knives’ and Anna Stephen’s wonderful ‘Godblind’!

It’s been a lovely surprise especially given that this has been a tough year for me personally, health problems, one of my beloved wolfies (Tolly) has been very unwell, massive financial worries (colossal vet bills!) and the latest gut punch – my wonderful Godmother (who I’ve known and loved my whole life and has been there for us through some pretty traumatic times) is desperately ill with ovarian cancer. It fact she’s having her operation tomorrow to try and cut all the cancer out. We’re all very worried and fighting back tears at the moment, so having something lovely like this happen has definitely been a much needed ray of sunshine in amongst a sea of crap.

I won’t find out if I’ve won until the swanky awards ceremony (October 21st). So in a mad dash, despite the fact that I’m totally skint, I booked up the hotel and tickets for FantasyCon 2018 up at Chester (October 19th – 21st) and will be sitting there during the awards ceremony with fingers and toes crossed while practising my ‘I’m not really disappointed’ face when someone else wins it! 😀

A massive THANK YOU to the British Fantasy Society and to everyone who voted for me. Amazing to see the other artists I’m nominated with:

Best Artist
· Ben Baldwin
· Jeffrey Alan Love
· Victo Ngai
· Daniele Sera
· Sophie E Tallis
· Sana Takeda

I also want to shout out my other friends who have been nominated too. Firstly a massive congrats to the lovely Joanne Hall who has been nominated in the Best Short Story category for her story ‘Illumination’ taken from the anthology ‘The Book of Dragons’ by AJ Dalton published by my publishers, Kristell Ink (an imprint of Grimbold Books). Congrats to Joshua Cornah another fellow Grimmie from Kristell Ink, who has been nominated for Best Comic/Graphic Novel for his hilarious Grim & Bold cartoons. Grimbold Books themselves (worthy winner of the Best Independent Press at last year’s BFS awards) are also again nominated this year as well! Woo hoo! xxx

I also want to make a huge shout out to Anna Smith-Spark who has been nominated for Best Fantasy Novel and Best Newcomer for ‘The Court of Broken Knives’! Way to go Anna! 😀 xxx

Yay!!! So stupidly excited and very honoured and humbled by the whole thing.

To check out more of my work, pop by my website: Sophie E Tallis Illustrations or if you want to BUY any artwork, check out my new Etsy shop: Sophie’s Artisan Arts!

Thank you folks! ❤ ❤ ❤ xxxxx

❤

BristolCon 2017 – Art, Fantasy & Maps!

Last weekend was BristolCon, the largest sci-fi & fantasy convention in the west country, UK and by far my favourite con. For the last nine years BristolCon has flourished at the Hilton Double Tree hotel in the heart of Bristol, a single day SFF convention that always signifies a glorious mix of panels, events, signings, workshops, art, and of course books! Amongst the flurry of bookish activity, one the things that makes BristolCon so damn special is that feeling of inclusiveness, a welcoming family for old friends and new, with no cliques, no judgements, just a genuinely open, friendly and ultra cool ethos of – “come along folks and have a great time!”

What made BristolCon 2017 extra special for me this year, besides being thrilled that my lovely publisher, Grimbold Books (and our leader the wonderful Sammy HK Smith) has subsequently won the BFS Award for Best Independent Press, is that I wasn’t just there as an author and panellist (moderating an uber cool panel on ‘Mapping in SF & F’)…but that I was there as an artist too! 😀

*gulp*

Yes, after being talked into applying to exhibit in the famous Art Room at BristolCon by the lovely vice chair, John Bav, with extra encouragement from Mark Robinson and the lovely ex-chair, Joanne Hall, I actually plucked up the courage and applied and got in! For me this was a huge thing. Although I’ve been drawing and painting my entire life (before I could even walk apparently), and although I did a BA (Hons) Degree in Fine Art and had won an MA place at the Slade School of Fine Art (which I stupidly didn’t take up), I’ve only actually been illustrating for the last 2 or 3 years. In fact, it’s only since my teaching career ended due to illness that I’ve even had the time to do more art.

So, in the last 2 years, I’ve illustrated about 12 books so far (with a few current ‘in the works’ projects). The highlight undoubtedly had been creating the fantasy maps for Juliet E McKenna and the two HarperCollins commissions for Anna Smith-Spark & Anna Stephens, and now I am busy creating another cool fantasy map for Penguin Random House – Yay! 😀

But actually exhibiting my artwork was an entirely different thing. I haven’t exhibited since my art student days, twenty years ago! Despite starting prep for it months ago, finding and buying the right frames, getting all the ‘s’ hooks needed to hand them etc etc. I’d actually forgotten just how much work is involved! The framing and mounting card alone took ages, the picture prep, sorting out illustration portfolios, transporting the art and putting it up. Thank goodness for Andy Bigwood (Mr Art himself) who runs the Art Room and helped me find my feet and for the vital Friday pre-BristolCon Art Room set up time! I was there at the hotel until 11pm the night before BristolCon, knackered and nervous but I can’t explain how great it felt – being in that atmosphere! A mixture of pure fear, excitement, exhilaration and total imposter syndrome! Lol, when you’re there in the Art Room next to the likes of illustrating greats like Jim Burns and Chris Moore and BFS Award winning Sarah Ann Langton (who did the cool cover for the ‘Fight Like A Girl’ anthology), you suddenly feel very quickly out of your depth!

BUT, despite all those daft fears, the whole thing felt RIGHT. It felt like THIS is what I should be doing, coming full circle, coming home to art – my love of it, my solace, my saviour through mental health problems and depression, my relief, my method of self-expression when I can’t muster the words.

I admit, with only an hour and a half sleep, I was a walking zombie when Saturday actually came. Apologies to a couple of customers as my brain freeze took over a couple of times – so weird that when you’re that exhausted you slip into daft old sayings as your brain stops processing new information. By the end of BristolCon I was so out of it, I honestly can’t remember how I drove home! Oops!

But it was brilliant and I loved every second of it.

I’d decided to show some of my best portraits (30 of them all framed in lovely black box frames) for a cool ‘Game Of Thrones’ idea I had of having them all clustered together for a ‘wall of faces’ (aka GoT season 6) which became an interactive ‘Game Of Faces’ where people had to try to identify as many of the portraits as possible and the winner would win a piece of original artwork of their choice! Cool idea, eh? 😀

Well, it worked beautifully! I had loads of people coming to view my work and participate. I also displayed some of my silk paintings and my maps (all framed in lovely matching black frames) and one of my ‘works in progress’ (the steampunk map I’m working on for the lovely Kate Coe) so people could view my creative process at constructing them. 🙂

In fact, I had so many people coming to visit my art display that I couldn’t finish writing up my art price list! Lol, I eventually finished it after I’d already sold a load of silk paintings and was dragged off by the lovely Robyn Fulton to actually eat something before I dropped.

After a hurried but much needed lunch I went off to my ‘Mapping SF & F’ panel about one fo my favourite subjects – fantasy maps!  I was moderating the panel in the big conference room with the lovely Anna Stephens, Juliet E McKenna, Joel Cornah and Andy Bigwood. It went wonderfully, in fact myself and all the panellists could have talked for three or four hours and only got through half of my questions!

The whole day was a delightful blur of meeting old friends and new – people I’ve been friends with for years on Facebook but who I hadn’t actually met yet (like RB Watkinson, Judith Mortimore and Jessica Rydill) and chatting to the lovely people who bought my art – THANK YOU! ❤

 

 

 

Distant Worlds – Welcomes Sam Dogra!

This is the seventeenth outing of a new blog series, as I dabble my toes into the mysterious waters of author interviews!

Having watched so many fantastic interviewers (Tricia Drammeh and her Authors to Watch, AFE Smith (see below), Katrina Jack and her New Authors section and Susan Finlay’s Meet the Author to name a few of the best – please check out their wonderful blogs), I’ve always been a little reluctant to throw my hat into the ring…but here goes!

One of my all-time favourite worldbuilding PC games, is Sid Meier’s ‘Alpha Centauri’. So, in homage to that (and a shameless rip off of BBC Radio 4’s ‘Desert Island Discs’ and AFE Smith’s brilliant blog series Barren Island Books), here is my own author interview series – Distant Worlds.

The Distant Worlds strand started a few months ago, focusing on fellow fantasy and sci-fi authors from ultra-cool UK publishing house, Grimbold Books and their imprints, Kristell Ink and Tenebris Books – a bunch of uber-talented and whacky characters who I am also proud to call friends. Check out their cool titles while they’re still at bargain prices! hyperurl.co/GrimboldBooks 

A World Of Their Own – an awesome anthology of fantasy, sci-fi and literary short stories, with ALL profits going to charity!

But now we’re branching out and will be zoning in on an extraordinary group of people, The Alliance of Worldbuilders (AWB), who I am also VERY proud to call close friends.

The AWB – a bunch of uber-talented fantasy and sci-fi writers and artists who met on the HarperCollins writing site, Authonomy, back in 2010. We formed The Alliance of Worldbuilders, a friendly, inclusive and wacky group and our collective friendships have seen us through some very hard times, including the sad loss of one of our own, Lindsey J Parsons. In honour of Lindsey, our dear friend who tragically died in January 2014, the AWB have created an awesome anthology of short stories, which was published in glorious paperback and e-book on 4^th September 2015! It makes the perfect prezzie and ALL profits go to charity, the World Literacy Fund, fighting illiteracy around the world, so grab a great book and help a great cause too! Amazon UK & Amazon US

Right, now to our seventeenth author interview, and our fifth AWB member, the Vice Captain (VC) herself, the doctor of chaos and large weapons of mass destruction (she’s soon to be a REAL doctor!), dark paranormal fantasy writer and artist…

Sam Dogra

Sam, YOU find yourself cast adrift in deep space, your colony pod’s life support is failing, your only chance of survival is a distant habitable world…

What 5 essentials would you choose to help you survive?

Wow, talk about being thrown in the deep end! Well, I’d probably want my medical bag (which I take to work; it has all sorts of useful equipment in it), a water bottle/ container of some kind, my smartphone and its solar powered charger (is that two items?), and my old tent.

What 5 personal items would you salvage from your crashed ship before it explodes?

My paperback copy of Sabriel, a photo of my family, a stash of chocolate/ cake I’d undoubtedly be carrying, my cuddly toy dragon and my sketchbook!

Would you seek life-forms for help or go it alone?

Seek life-forms for sure, I’m definitely not the outdoors type.

What 5 fantasy/sci-fi books would you have to keep with you and why?

Well, Garth Nix’s Sabriel, as aforementioned. It was the first fantasy book I read and it remains my all-time favourite. I’d also take Alison Croggon’s Books of Pellinor (if I’m just allowed one it would be the fourth one, The Singing), as this was the first ‘heavy’ fantasy I actually like [sorry to say I am NOT a fan of Tolkein at all!]. I’d also bring Diana Wynne Jones’ Tough Guide to Fantasy Land, as I love how it makes fun of various fantasy Tropes. I’d then bring along the third book of Julia Golding’s Companions Quartet (The Mines of the Minotaur), as it’s a fantastic look into the relationship between mythical creatures and humans. And last but not least, Bardo by Chris McKenna, a fun-filled adventure exploring the theme of reincarnation and rebirth.

What 5 songs or albums could you not live without?

To be honest I’m not that much of a music fan, and my taste is pretty acquired! I’d be happy with my Japanese Vocaloid songs, and I also quite like the talented violin work of Lindsey Stirling. I also like the work of Hiroyuki Sawano, who does a lot of anime soundtracks.

You are all alone on a distant world with little chance of being rescued…do you choose water, vodka or coca-cola to drown your sorrows?

Could I mix the coca-cola with the vodka? (Absolutely!)

Random comet question: Marmite – love it or loathe it?

I’ve never tried it so…something to add to my lists of regrets?

You have 30 seconds (max 100 words) to tell the alien approaching you about your latest book. Remember this is more pressurised than an elevator pitch – screw up and he’ll eat your brains! Go! 

Crikey, right then! My book follows Eliza, a girl who falls prey to a curse that forces people to fall in love. She’s ‘Bound’ to Ryan, a bounty hunter with secrets of his own. So, Eliza must break her curse, before Ryan finds out they’re Bound and before his past catches up with him. Of course, Eliza gets more than she bargained for. So, as she searches for a cure that’s not guaranteed to work, and has her heart turned inside out with feelings that aren’t her own, she also needs to come to terms with how her choices affect those around her.

How would you choose to spend your time on this distant world?

Well once the basics of food, water and shelter were covered, I’d like to explore, study the wildlife and plants, and perhaps draw them in my sketch book. In between sending transmissions for help, of course!

What 5 things would you miss most about Earth?

Internet! My family too, along with video games, the concept of dessert, and of course my friends.

What 5 things would you NOT miss about Earth?

Mobile phone companies, traffic, bigoted know-it-alls, deadlines, and people who are two-faced.

Time-traveller questions (for Dr. Who fans): What is the one thing you wish you could turn back time and change?

Hmm…nothing immediately springs to mind! Perhaps being more sociable at University and that I’d kept in touch with more people.

If you had the chance again to go on this deep space adventure, would you take it?

To be honest, no! I am firmly on the side of Earth exploration when it comes to whether we should explore space/ home first (and I’ve got a book in the works addressing this topic…)

What 5 indie authors and books you would recommend to any carbon based lifeform – and why?

Hmm…well I’d recommend Bardo by Chris McKenna as above, as it’s so much fun to read. I’d also recommend Simon Wilson’s Yuko Zen is Somewhere Else, which has an adorable quirky style. The Binding Stone by Lisa Gail Green is a great character study involving djinns, and I’d also recommend Thorn by Intisar Knanani, a very well-written take on an old fairytale for when you just want to be swept away. Finally I’d also recommend The Spirit Keeper by Melissa Garrett, an enchanting romance with Native American themes.

What advice can you give to fellow space travellers (writers and readers) out there?

No idea is stupid, but unless you give it structure it can end up that way! So even if you’re one of those ‘write it as it comes’ authors, please do not underestimate the importance of having a framework to maintain consistency.

Before we leave you and blast into another parallel universe, please tell us about yourself and your inspirations!

Sam in her own words…

I am an (overworked) doctor working for the NHS. I’m in my final year of General Practice training and exams pending I’ll be a fully-fledged GP by next August. In between seeing patients, writing reports, and doing home visits, I dabble in fantasy fiction writing and digital fantasy art, the latter of which you can sample at http://sam241.deviantart.com .

Unlike most other writers, I’m not particularly inspired by books; I take a lot more from video games and Japanese anime (my age is showing 🙂 ). The Binding came about as I was doing my hospital job shadowing (way back in 2011) and was taking some blood samples to the lab. I just saw an image of a girl sitting alone in a dark forest because she had a vulnerable heart, and everything just sprang from there. As a wild guess I’d say the Kingdom Hearts series (video games) was probably the main influence, as well as the anime Romeo x Juliet as I borrowed a few of the aesthetics from there. Not to mention my general dislike of the romance genre and its mistreatment of plot 😉

Sam’s Amazon UK Author Page

Sam’s Amazon US Author Page

Bio:

Sam Dogra is a junior doctor working in the UK, and is currently training to become a General Practitioner. Between reviewing drug charts and X-rays, taking blood, saving lives and getting grilled by consultants, she also writes fantasy fiction and is a fantasy artist. She has co-written ‘Fated: A Timeless Series Companion Novel’ with author Lisa Wiedmeier, and has also published her first novel The Binding, and its sequel, The Parting, with a third book in progress.

She’s widely travelled, and has enjoyed her visits to France, Germany, Norway, Greece, Egypt, Israel, Rhodes, Turkey, Cyprus, Lesvos, India, Dubai, Australia, Canada and Idaho, Washington, New York, Seattle and Alaska, USA. Her other main interest is fantasy art.

In what little spare time she has, Sam also enjoys reading, baking, shopping, watching movies and anime, astrology, video games, collecting cuddly toy animals, and photography.

Additional Links:

Website/ blog: http://indigolightning.blogspot.co.uk

Facebook: https://www.facebook.com/pages/The-Chronicles-of-Azaria-Series/229718793739428

Twitter: https://twitter.com/MadDoctorArtist

 Artwork: http://sam241.deviantart.com

Latest Book Blurb

When your feelings are false, what’s left to believe in?

After the revelation of Ryan’s secret, Eliza is determined to reclaim her lost freedom. Her only hope lies in the Holy Runes—the mysterious symbols linked to the creation of the Binding spell itself. Now with her best friend Adam and the haughty Lady Navinka, Eliza must journey across Azaria to forge a power great enough to break her curse.

The Binding isn’t going down without a fight, though, and the runes aren’t without ill effects of their own. As if that wasn’t enough, a dark cult seeking revenge is out for Eliza, and she must deal with her troubled feelings for Ryan and Adam. Struggling on all fronts just to survive, Eliza’s freedom will be hard-earned, but will the final price be too much to pay?

***

Sam’s other fabulous books!

Thank you, Sam. Congratulations, you are survivor! A passing medical drone ship has honed in on your distress beacon, you’re going home!!!

Happy Horizons! 😀 xx

The Artist

She squeezed the cadmium in a bright yellow streak across the palette.

She had painted in every medium, every material possible, but she still loved the richness of oils – that wonderful buttery smear of vivid colour, the smell of the linseed, the texture of the paint as it glided across the canvas.

All of it seemed more real to her than anything else. A life of its own, raw, visceral.

She dipped the sable brush in her own concoction of white spirit and linseed, to thin the paint whilst keeping the gloss. Too much white spirit would dull the verdant hues, too little would make them too sticky, too slick.

Her movements were erratic, not the usual smooth motions of wandering mind and sparkling imagination. She’d often complete a commission in a daze, almost unaware of where she was or what she was doing. Her conscious self, the side of her that was always acutely cautious, would be suppressed, allowing her hands to take over, her fingers to find the form she wanted.

That was where the magic lay…not in the end result, but in its creation.

Today was different.

Today, she was painting for her life.

The music swelled to a crescendo, pushing her adrenaline forward, hurrying her hand. The mottled texture of the canvas swirled before her eyes, a flamenco dance of colours.

Titanium white, a flash of cerulean, a dab of burnt umber and then the thinning haze of vermillion, red as flesh, peering out at her, reminding her of her slowing heart, the constrictions of her arteries, the pulsating electricity through her veins, which told her she was running out of time.

She worked fast now, pounding the canvas until the wooden stretcher creaked beneath the pressure.

The outside noises had faded away. No traffic, no loud Saturday night voices and wailing sirens. It was silent everywhere but inside her head.

Mixing now, hurried new hues emerging from the clogged up mess. Phaltho blue enriching the green she had created, a hint of lemon, a sparkle of ultra-marine.

Throat dry now. Hands shaking, fingers slipping on the brush shaft.

She HAD to finish this.

Shadows clouded her vision. The music soared as eyes emerged from the canvas, eyes she knew so well, eyes staring into her soul, accusing her, condemning her, gloating at her demise.

“I won’t give in, I won’t!” she muttered feverishly.

Mars black, thick and glossy, impenetrable, unfathomable…she was losing the fight.

“Why did you leave me?”

Amber liquid pooled in the crevices, little streaks finding a route through the strokes, dripping in splashes at her feet.

She was always fighting gravity, as most women do. Always fighting, yes, her whole life she had been fighting.

Through the gloom, the full image stared back at her.

“So, you finally painted me? Finally… It only took you fifty years,” it sneered.

“I…I couldn’t do it before. I couldn’t see you,” she stuttered.

The painting smiled at her. “Are you pleased with yourself?”

“No…no…I, just had to see you. I had to say sorry.”

“But it’s too late for that now, isn’t it?”

She dropped to her knees. Her chest compressing in on itself, pain shooting through her shoulder, her arm, down her right side. She knew what this was.

“I need you to…forgive me.” She panted, fighting to breathe, her jeans soaking up the puddles of paint on the floor, seeping slowly through the fibres to her bruised knees beneath.

“PLEASE!”

The painting watched as she slumped forward, struggling to keep conscious, fighting as she had done her whole existence, fighting to try and hold onto something…love.

“Please…” her voice was raspy, desperate, forcing itself through closing valves, through density of flesh, through spasms of life.

The painting stared down at her as the music floundered.

Thump, thump, thump…

“You don’t deserve forgiveness,” it whispered to her coolly. “You know what you deserve.”

Thump, thump…

“Pleaseeee!”

“You let her die, didn’t you? What did you do to save her?”

“I tried…I…”

The painting took pity on the thing before it, crumpled like an old newspaper, suddenly a child itself, curling up as an infant, as her infant had been curled up when she found it, smashed by the roadside, barely recognisable. Her baby, her life, gone, snuffed out in a moment of stupidity and violence.

It had been her fault, she was late. She should have been there as she had promised. Instead her daughter had taken a ride with a friend, a drunken friend. What was left behind didn’t even resemble a car anymore.

It had been her fault.

“Pleaseeee…” she drooled, words slurred, barely audible.

The painting sighed, better to quicken her misery than give her hope. “No.”

Thump…….thump…………

Thump.

*

*

Sophie E Tallis © 2013