The Realities of Writing…

soa_member_rgb1As a member of The Society of Authors (SoA), the longest running society helping authors (actually celebrating its centenary this year) and certainly the nearest we have to an ‘Author Union’, I received my quarterly SoA magazine ‘The Author’ a few weeks ago.

‘The Author’ is always a fascinating read, a thermometer of what’s going on in the literary world, in publishing, what’s trending and in writer’s lives themselves. It’s full of really interesting articles, all written by writers for writers on issues as diverse as copyright, publishing & publishers, literary festivals, contracts, public lending rights (PLR), author events, public liability insurance, awards and grants, writing tips, sales, bookshops, Amazon, research, booktrade news in addition to its own ‘Quarterly News’. Lol, to be honest, the first thing I always do is look to see the names of new members and if I recognise anyone. 😀

Anyway, in amongst the magazine was a ballot paper for this year’s Election to the Management Committee. Now I won’t say who I voted for, I don’t want to invalidate my ballot, but reading their candidate statements was really interesting and, considering most of these people are big names, quite surprising. I don’t know why, but I suppose we all have stereotypes that we fall into from time to time and certainly I imagine that these writers, the ‘big names’, all live a dream life of never having to worry about money or bills or mundane things again, that their writing has brought riches and fame and therefore they are a world away from the harsh realities that myself and my fellow writers live in day in day out. But, to my surprise, I couldn’t have been more wrong. It is precisely because these writers have made it big, that makes them so sympathetic and empathetic to the struggles and plights of others because they remember what life was life before that bestseller.

One writer in particular who grabbed my attention was Alice Jolly, talking about writing as a career and how hard it is for most writers just to keep their head above the rising tides.

In her own words:

“The position of the writer is a paradox. On the one hand, authors appear to be powerful. The UK general public love authors. They spend approximately £2.2 billion on books a year and 60% cite ‘author’ as their dream job. The UK has approximately 250 literary festivals some of which attract audiences of 200,000.

But despite all that, the reality of an average author’s life is grim. The median annual income of authors is £11,000 (substantially below the minimum wage based on a forty hour week). The hours are unsocial and authors are continually asked to run workshops or make visits to schools for free.

So how can we writers capitalise on the power we have in order to ensure that writing is a career, not a hobby? How do we make sure that the current seismic changes in the publishing industry take us into a world where writers have more control over their careers?

There is no simple answer but that change certainly will not happen unless we all work together.”

What makes Alice Jolly’s words particularly pertinent is that she has experience in a range of fields, from teaching creative writing at Oxford University, having two novels published through Simon & Schuster, to four plays produced in the theatre to crowdfunding her latest work. It’s somehow reassuring to know that people like Alice, or Joanne Harris who are widely known and respected, are able to relate to the problems and struggles that we small press and indie authors face every day – that struggle not only to write in itself, to get published (in whatever way that means to you), but also to make ends meet, pay the bills, survive.

The romantic notion of the starving artist in their garret or isolated writer in their shed, is all well and good, but starving in reality does not help creativity – it stifles it. If your mind is continually pre-occupied by how you are going to keep the roof over your head and food on your plate, if you are literally starving, you are not going to be concerned by writing the next great tome. Your energies and efforts will be spent on trying to survive so you have a future where you can write.

I find these issues particularly relevant to me and my own situation. Not only have I found writing my second novel particularly hard (due to major writer’s block caused by health issues), though I have been able to write several short stories/novellas, my own personal circumstances are more than a little precarious in both financial and personal terms. All of which, the stress, the worry, health issues and the counting of pennies, really does not help the creative process.

So, what is the answer?

Alice Jolly is right, there are no simple solutions. As with everything in life, the randomness of luck always plays a part, simply being in the right place at the right time, and yes, sadly, the old adage of ‘who you know’ plays a major part. Would Christopher Paolini really have been published and pushed into the limelight if his mother hadn’t been in the industry and placed his novel in front of an agent rather than it doing the rounds of the slushpile? I think not. But we are also masters of our own destinies. I see the flamboyant and endless energy of self-published authors Ben Galley and Debbie Young who both simply do not settle for resting on their laurels. They are so determined, so inventive and so driven they have made it happen for them. Ben Galley recently revealed that he’s selling 400 books a month in the US and tours around the country and can be seen at most conventions, Debbie Young set up her own Literary Festival from scratch (the Hawkesbury Upton Literary Festival) with Katie FForde herself opening the inaugural event. She’s now planning the 3rd year of the festival next year and is also the main collaborator for ALLi – The Alliance of Independent Authors and tours the country doing talks and events.

So, is this the future and answer to making writing a career that can actually pay the bills? The honest answer is…I don’t know. I’m thrilled for both Ben Galley and Debbie Young, both of whom are not only thoroughly lovely people but also terrific writers. My problem is this, as much as I would dearly love to be a full-time writer (it’s been my dream since I was a kid) and be able to make an actual living from it as with any other career (yes, writing paying bills), I simply do not have the stamina or funds to do half the things that they do, I dearly wish I could. This year for instance, as I’ve been concentrating on writing so much, my marketing and publicity has, in all fairness, been crap. I’ve just found it far too hard to be able to do both things effectively.

So, the question remains, what is the answer? If you’re unable to travel much, are not techy at all (I’m an IT idiot tbh and still don’t understand what the hell, Thunderclap is!), and health and circumstances curtail what you can do, then how do you turn your imagination into something that can actually pay those bills?

Well, in truth I’m still working on that one. What I will say is in a strange parallel to other industries such as farming for instance, I think a big part of success or at least survival and self-sufficiency, is by diversifying. Look at what you can do, what you’re good at (apart from writing) and try using those skills to aid not only your writing but to also pay the bills.

For me, that has meant illustration work: –  Sophie E Tallis Illustrations. Being a trained traditional artist, with a BA (Hons) in Fine Art and an MA place, I illustrate books and do fantasy maps (having just completed a commission for the wonderful Juliet McKenna and her fantastic ‘Shadow Histories of the River Kingdom’ and am currently working on a map commission for grimdark author, Anna Smith-Spark and her upcoming Harper Voyager book, ‘The Court of Broken Knives’). In fact as I can adapt to any illustration style wanted, I can pretty much do whatever the client wants (lol, though not digital art, my computer skills are crap!). Now, although I’m not raking in huge amounts, as far as paying for those damn bills, it is definitely helping!

watermarked-300dpi-finished-map-amended-bw-version

So, for we small authors to continue writing as a career not a hobby, we have to use every trick in our arsenal, diversify, think outside of the box, focus on what you can do rather than what you can’t.

Good luck guys, may we all succeed at that elusive goal – full-time writing AND survival! 😀 ❤ xxx

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This Latest Publishing Disaster

Here is a cautionary tale indeed for all new authors out there. Before signing ANY publishing contract…DO YOUR HOMEWORK!!! Check out your prospective publisher. There are so many inexperienced, incompetent and in some cases, predatory publishers out there, quite happy to take the dreams of a new author and crush them for every penny they can make.

Whether it’s making wildly exaggerated claims, breaking promises, dodgy dealing, bogus addresses (Amy Metz has a great blog post on this, how unscrupulous publishers try making out they have offices here, there and everywhere when they are just post office boxes), no professional cover artists, no professional marketing/sales team, poor resources, poor contacts (or total lack of), incompetent editing, lack of impact in the marketplace, having authors leave them, trying to change contracts after they’ve been signed, offering authors less than the standard 7% RRP despite not paying advances, poor professional standards across the board, trying to acquire more rights than they are entitled to and higher percentages of rights (do not give publishers ANY of your film/TV rights, they have no claim over these!) etc.

If your publisher has been trying any of these shady dealings, be warned, you’ve probably signed with a bad one. What are their sales like? Have they got a good reputation amongst booksellers/the industry? Check out Absolute Write and Preditors & Editors, if they have ever negatively featured on either of those sites, then run away as fast as you can! It simply doesn’t matter how open and honest a publisher may claim to be, always, always do your homework and have a solicitor look over your contract before signing. It’s not simply worth the heartache, believe me!

Check out this very salutary tale from Tricia Drammeh’s blog and don’t let yourself be the next victim! 😦