Agents and Taking Chances!

This is kind of a follow on from my last post about the randomness of good luck and how ‘word of mouth’ can set off a chain reaction of happy outcomes. For me last month that started with HarperCollins approaching me because they loved the fantasy map I created for one of their new authors, Anna Smith-Spark, and that led to them wanting me to be an official HarperCollins illustrator!

Pencil portrait of poet Ben Okri by Sophie E Tallis

Pencil portrait of poet Ben Okri by Sophie E Tallis

Well, what I didn’t mention, as it happened so soon afterwards, is that I was also approached by an agent! Yes, an agent! Again, how this happened was so so weird.

I work at a library, a very inconspicuous job and one I love – who wouldn’t love being surrounded by books all day?! Now, apart from doing my normal library duties, I also paint murals on the huge glass panels of the library windows, which not only brighten the whole library up but do encourage kiddies and more people through the doors. I did a Christmas scene from Narnia, a huge homage to Roald Dahl and the latest one, my own version of ‘Twas the night before Christmas’, complete with my old cat, Kitty.

My mural interpretation of Quentin Blake's Roald Dahl character, Fantastic Mr Fox by Sophie E Tallis

My mural interpretation of Quentin Blake’s Roald Dahl character, Fantastic Mr Fox by Sophie E Tallis

Anyway, one random day last year, just before Christmas, a customer came into the library and asked if I did the windows. I said yes, then she asked if I was an illustrator, again I said yes, then she revealed that she worked in publishing, specifically children’s publishing and loved my artwork! I was gobsmacked. I told her I had written a children’s book and was busy illustrating it and she was very keen. We exchanged email addresses and emails then after Christmas she contacted me again and asked to see the book. I sent her the text, layout and a few sample illustrations then waited. About two weeks ago she got back to me. They loved it. It wasn’t an immediate “yes we’ll take it now”, but it definitely wasn’t a “no”, they gave me really detailed feedback to tweak and improve it then want me to re-submit it to them in the next few weeks. OMG! 😀

Pencil portrait of poet Benjamin Zephaniah by Sophie E Tallis

Pencil portrait of poet Benjamin Zephaniah by Sophie E Tallis

It’s just such a bizarre set of circumstances!
So, all this arty madness and my continuing daily Artmaniac Challenge on Facebook, got me thinking…yes luck plays a great part in getting opportunities, what were the chances of an agent coming into the library and approaching me? Zero I would have thought. But, by that same token, we can do more to try and maximise and even create those opportunities. Ten years ago I would never have had the confidence to speak up, if a agent had complimented my work I would have said thank you and left it at that. So yes, we do have to push ourselves out there whenever we can.

Pencil portrait of musician Rick Wakeman by Sophie E Tallis

Pencil portrait of musician Rick Wakeman by Sophie E Tallis

Simple truth – shrinking violets don’t get anywhere.
All that lovely good stuff got me thinking about taking chances, being more proactive beyond the usual internet stuff we all do, which let’s face it, doesn’t really get us anywhere beyond having a good time chatting to our friends.

So, in a mad flurry, I decided to enter the Sky Arts Portrait Artist of the Year 2018, a national art competition which is televised of all things, where professional and amateur artists have four hours to paint a celebrity sitter then have their work judged. Believe me, the last thing I want to do is expose my wobbling chins on television, but this was something so totally out of my comfort zone I just felt I had to at least try.

Pencil portrait of actor Al Pacino by Sophie E Tallis

Pencil portrait of actor Al Pacino by Sophie E Tallis

First stages of my self-portrait by Sophie E Tallis

First stages of my self-portrait by Sophie E Tallis

Given that I haven’t actually painted in years (and many of my oil paints are so old they’ve gone hard!) and it’s been twenty years since I painted a self-portrait (the pre-requisite for entering the competition), it was a totally mad idea! So, with the deadline being Friday 3rd March midday, I started an oil on canvas self-portrait the day before! INSANE!

Next stage of the self-portrait by Sophie E Tallis

Next stage of the self-portrait by Sophie E Tallis

With literally a minute to go (and yes I mean one minute), I finished the portrait Friday morning, quickly filled out the online form and submitted it before I could think too much about it.

Work in progress of the self-portrait by Sophie E Tallis

Work in progress of the self-portrait by Sophie E Tallis

A few minutes later, I got the confirmation email saying they had received it, wow, I actually did it! I also got another lovely email from one of their assistant producers asking for a higher res photo of my artwork, which I did.

Now, I have no delusions of grandeur here, the likelihood is that my art won’t even be longlisted let alone shortlisted, but you know what, that almost doesn’t matter. I took a chance, a mad chance and really pushed myself out there. I’ve learnt that things I thought I couldn’t do anymore I actually can.

Progress on the self-portrait by Sophie E Tallis

Progress on the self-portrait by Sophie E Tallis

So…the next challenge? I HAVE to put that same energy, that same risk taking, chance taking in my writing. I’ve been frozen on the writing front for so long it’s now a joke. Yes I eventually managed to get to the dodgy first draft stage with my second novel, but I know it’s such a long way from being finished – what the hell has been holding me back? Illness plays a large part, but not all, I’ve been using that as a crutch, I realise that now. It’s fear. Fear that I can’t do it anymore, that all I can do is short stories not novels, fear that the second book will be a failure, that it won’t be as good as the first book, that it will be crap. FEAR.

So folks, this has been my very round about way of saying…

TAKE CHANCES GUYS!

You may fail, most likely we all will, but by god it will help you, inspire you, push you out of that rut you’ve fallen into without even noticing. If you fail, fail gloriously, fail having taken that chance not having stayed on the couch and ‘what if’d’.

So there you go. Opportunities are what we make of them, be brave and challenge yourself. Good luck guys, good luck to all us creative crazies! 😀 ❤ xxx

Final oil on canvas self-portrait completed Friday 3rd March 2017 by Sophie E Tallis

Final oil on canvas self-portrait completed Friday 3rd March 2017 by Sophie E Tallis

YOU SHALL NOT PASS!!!!

When it comes to writing or any creative endeavour that you are serious about i.e. not a hobbyist, but that you actually want to make a paying career from (again not fame & fortune, if you crave that you’re in the wrong game – go join a Big Brother house or Britain’s Got (f**k all) Talent), we are so often faced with failure.

So often I feel like the Balrog on the bridge in Khazad-dûm, trying to gain access to a path closed to me, a world full of closing (or slamming) doors.

Just need to add the appropriate sentence ending:

“YOU SHALL NOT PASS – this slush pile.”

“YOU SHALL NOT PASS – this competition’s shortlist (or even longlist).”

“YOU SHALL NOT PASS – this agent’s/publisher’s criteria.”

even “YOU SHALL NOT PASS – this selective writing group.” etc., etc.

Trying to make a living out of any creative field in a marketplace so utterly saturated with other writers and artists, is tantamount to wading through tar to reach that Avalon-like island on the horizon. It takes a hell of a lot of hard work, some random luck, some ‘who you know’ and a decent product that you’re trying to sell.

Unfinished pencil study of James Norton by Sphie E Tallis

Of course writing and art are completely subjective, what one person considers to be masterful, another perceives as being rubbish. But I still think some basic principles apply – the mechanics of writing a good sentence or drawing a good picture, of forming those images whether in the mind or on canvas.

Sadly, the path to success is littered with amazingly talented people who never quite got to grips with marketing, social media, ‘branding’ or simply had the bad luck not to reach that agent or publisher at the right time who might recognise their genius.

Pencil portrait of James Norton.

Pencil portrait of actor, James Norton by Sophie E Tallis

Annoyingly, the path to success is also littered with those who seemingly had only a tenth of the talent needed, but who were either fabulously well-connected (all areas of working life will always have an element of nepotism, the famous name, the ‘who you know’ element etc.), or were either bloody lucky in their timing when approaching said agent/publisher, or were so fantastic at the marketing/branding side that they had tremendous success before people realised the tripe they were actually peddling.

In writing terms, the author E.L. James comes to mind, whose actual writing (aside from the dubious pro-abuser content) is simply dreadful. In terms of the art world, for me, Tracey Emin is also the perfect example of brilliant self publicity/PR with minimal talent required. As a former history of art and fine art student & artist myself, I am not anti-modern art at all, just people like Emin. Damien Hirst may not be to everyone’s taste, but like Louise Bourgeois, Jenny Saville, Rachel Whiteread etc., they had a huge underlying skill level. I actually saw Hirst’s early work before he made it big as part of the 1990’s Brit-Art explosion and the guy is actually very talented. Although I cannot pretend to like a lot of his work, the guy CAN at least draw, his draftsmanship skills are very good, he just chooses to explore abstract and conceptual art. For me, as a drawer and artist, that is my benchmark for art, as it is for writing, that the person needs to have good basic skills in their chosen art-form. Emin cannot and never could draw proficiently, even the most basic forms, her drawing ability is quite frankly poor, and no, the irony that she was employed a few years ago as the Professor of Drawing at the Royal Academy of Art is not lost on me. 😦

Pencil portrait of actor, Trevor Eve

Pencil portrait of actor, Trevor Eve by Sophie E Tallis

But back to writing. At the heart of the matter, the writer/author needs to have skill at stringing words together, at spinning a yarn, telling a compelling story, writing memorable characters etc., etc.

“YOU SHALL NOT PASS!” goes the voice in our heads as we contemplate sending work off to the latest narrowing submission window, chasing any opportunity that passes no matter how fleeting – like too many bees chasing the one elusive queen, or in fantasy speak – butter spread over too much bread. We’re all chasing the same thing, the same elusive target – to be published, to have an agent, to make a living from what we love to create.

For me, so far this year, the successes I have seen have definitely been in my art rather than my writing. As dearly as I would love more people to read my work and review it and yes, love it, I am still yet another small voice amongst the din, I know this (I will be doing a separate post on ‘branding’ with some tips I’ve picked up and stolen!). But, my illustration work has, rather surprisingly, started to take off and accrue a real momentum of its own!

Pencil portrait of Stephen Fry

Rough pencil study of Stephen Fry by Sophie E Tallis

Some of that is due to content, to being prolific. As a writer I have always been glacially slow, I’d like to think it’s quality over quantity, but in truth I wish I found writing as easy as drawing. I struggle with illness, concentration and mental exhaustion to get the words down, it seems to use a part of the brain that simply is not needed when I’m busily drawing. I don’t have to try to thread complicated plotlines together and continue a narrative over a long period of time when I’m drawing. Art allows you to switch off the brain and just use your eyes, instincts and fingers to form the image you want. Because of this, I have been able to create new artwork every day as part of my daily 365 day Artmaniac Challenge, whereas sadly I seldom manage to write every day no matter how hard I try. 😦

So, success definitely is due at least in part, to being prolific, having more content out there for people to look at, assess, discuss etc. Something I fear I may never achieve with my writing. 😦

Another element which I have seen first hand, is the ‘luck & who you know’ factor I was talking about. In my case it was a simple snowball effect. The lovely Juliet E McKenna heard in fantasy circles and shared contacts that I was an illustrator and specialised in fantasy maps. So she contacted me and I ended up doing a fantasy map for her and her wonderful ‘Secret Histories of the River Kingdom’.

watermarked-300dpi-finished-map-amended-bw-version

Then, because of that and again ‘word of mouth’, the equally lovely Anna Smith-Spark asked me to do a fantasy map for her debut novel, ‘The Court of Broken Knives’, to be published in June 2017 by HarperCollins. That in turn led her editors at HarperCollins to look at the map I did and my other illustration work, which then led to the Head of Fiction Art at HarperCollins contacting me directly to say how much everyone at HC loved my work and to offer me a contract to be an official HarperCollins illustrator (supplier)! *SQUEAL* 😀

The contract came through two weeks ago and yes, I signed it straight away! 😀

Since then I have had almost daily requests from various people to do commissioned artwork for them, including from a New York literary group who want me to do the main image for their magazine and website. It’s insane, I don’t even advertise and am now having to say, “No, sorry, I can’t take anymore commissions on at the moment!”

Madness!

HarperCollins were also lovely enough to tell me that I had been MASSIVELY undercharging people and advised for me to raise my rates. I did, a little, but not as much as they were suggesting otherwise that would stop any Indie Authors from being able to afford me and I know how damn hard it is for indie and self-published authors anyway, so I’m certainly not going to price myself out of their reach. 🙂

So, yes, creating more content and having that ‘word of mouth’ and lucky break does play a massive role in creating success. Now, if only I could apply that and get the same reactions to my written work! 😀

If you’re having the same struggles or successes, do let me know! 😉 xxx

Pencil portrait of Rayleigh Ritchie

Pencil portrait of actor Rayleigh Ritchie by Sophie E Tallis

 

Climbing Mountains – January blues and 31 days of madness!

As we start February I look back at the madness that was January. From the world being plunged into the realities and dangers of Trumpland to the usual January blues. At this dull time of year, after the festivities and fun of the festive period I always think of CS Lewis’s words:

“I’ve always found this a trying time of the year.  The leaves not yet out, mud everywhere you go.  Frosty mornings gone.  Sunny mornings not yet come.  Give me blizzards and frozen pipes, but not this nothing time, not this waiting room of the world.”

January inevitably, is always a pensive time, a time of anti-climax, of looking back at the past year and looking to the future – sometimes in hope, sometimes in anxiety. I suppose now with the turmeric turd (as I call him) ensconced in the White House, there is more reason than any to be anxious about what the future may bring. For me personally, being such a lover of nature, a conservationist and environmentalist at heart, I worry about his ignorant, unsubstantiated (and quite possibly insane) views and denial of climate change as merely a ‘Chinese hoax’. That instead of listening to the independent views of thousands of scientists and climate experts around the world, of proven facts about climate change resulting from human activity, that Trump’s ego and his love of money and power could easily cause unparalleled environmental damage that may take years to reverse, if it can be at all. We don’t own this world, we are merely custodians, another animal species that rely on it for life itself. This world is such a precious place, its eco systems so fragile, its wildlife under so much threat from humanity already, that 4 years or dare I say it, 8 years of Trump insanity, of arctic drilling, fracking, extra oil, gas and coal exploration and pollution, may well be too much to recover from. Only time will tell.

January is also about setting goals especially life goals which are always tricky, the positive vibes of saying to yourself that THIS year will be different, this year you will lose those annoying pounds (or stones), achieve those long held goals and dreams, that this will be YOUR year.

It’s a double-edged sword. Yes you should have aspirations, goals, dreams, things that make you happy, but the reality of not achieving them can be dreadful. January is also a time of year that I often find myself falling back into bad habits and bad thinking – the time when depression often rears its ugly head.

So, as a way to combat those feelings and that awful January inertia, back in November I had an utterly mad idea…

painting-outside by Sophie E Tallis

Being Facebook friends with the lovely Children’s Laureate, illustrator extraordinaire Chris Riddell, I’ve been watching his posts all through the year. Every day Chris draws or sketches in what he calls his ‘Laureate Log’, a wonderful visual diary of creativity. Well, as Picasso himself said “The best ideas are stolen!”, I decided to do my own daily art record – what I call ‘The Artmaniac Challenge’!

So I set up a friendly inclusive group on Facebook – the Artmaniacs – open to anyone to draw, sketch, paint, sculpt, create a new artwork EVERY DAY for 365 days, starting from January 1st 2017 – January 1st 2018 and post it online in the group and anywhere else they fancy! It was a way for focusing the mind, being productive and a way of forcing you to be creative every day, even on days when all you want is a cuppa and a duvet to hide under.

I had no idea if it would work, but it has, we already have 27 members and growing! It’s been a wonderfully positive thing, a great way of driving out those damn January blues and giving a real sense of achievement to those participating. So in the mad 31 days of January, I and others have 31 pieces of art to show for it, an ever-growing portfolio – and the lovely thing is that it doesn’t matter if they are rough sketches, finished drawings, doodles, paintings, experiments, photography, anything goes! 😀

For someone like me, who has found it so hard to put pen to paper in regards to writing, doing this daily challenge has actually helped me in my writing too, because, if I can spare a few minutes to draw every day, if I can force myself to create something every day, then I can do the same for writing! WE CAN DO THIS!!!

So, here is the gallery of my first month of art, some good, lol, some not so good! 😀 xxxx

Dragon and warrior sketch by Sophie E TallisFallen Angel by Sophie E TallisSaw Gerrera character sketch (from Rogue One) by Sophie E TallisPen & Ink sketch of my dog, Korrun by Sophie E TallisCharacter sketch from my short story, Silent Running by Sophie E TallisRough sketch of Fenn, given that he only sat still for a few seconds before moving! by Sophie E TallisHand study in pen & ink by Sophie E TallisMy rough illustration from my children's book, The Little Girl Who Lost Her Smile', by Sophie E TallisThe Little Girl Who Lost Her Smile by Sophie E TallisCharacter sketch of Lord Perral from White Mountain by Sophie E TallisDragon sketch by Sophie E TallisRough sketch by Sophie E TallisSketch in blue by Sophie E TallisCouple Portrait by Sophie E TallisFinished Couple Portrait by Sophie E TallisBenedict Cumberbatch's Sherlock character study by Sophie E TallisRough fairy study by Sophie E TallisView of Kallorm 'City of Light' from White Mountain by Sophie E TallisDragon sketch by Sophie E TallisSelf=Portrait in blue by Sophie E TallisStudy in blue by Sophie E TallisMy blue toned drawing of Carrie Fisher as Princess Leia by Sophie E TallisWolf study in purple by Sophie E TallisBurnt umber and ochre study by Sophie E TallisLong-Tailed Tit by Sophie E TallisPortrait study in blue by Sophie E TallisFigure study in purple by Sophie E TallisPen & Ink pheasant study by Sophie E TallisOde to John Hurt RIP by Sophie E TallisPen & Ink drawing of my dog, Tolly by Sophie E Tallis'Do not be silenced' watercolour pencil study by Sophie E TallisChinese New Year dragon rough sketch by Sophie E Tallis

Well that’s it – the good, the bad and the ugly! Let’s see what the next month brings. 🙂

N.B. I will also let slip, that a couple of weeks ago, I had some VERY good news involving HarperCollins… I’ll let you all know once everything is signed and sealed. Watch this space…! 😉 xxx

Passing 20,000 and planting seeds of success!

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Spring has finally sprung and thank the gods that it has!

Everywhere, I see the signs of winter being discarded like a weary woollen coat that has out-stayed its welcome – too heavy, too grey and too oppressive for the youthful zest of crocus colours, the flash of dazzling daffodil yellow and the yearning of the trees to sprout new growth. Spring is here! YAY!!! 😀

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Well, with all the wonderful signs of nature being awoken and the inherent hope and optimism that brings, together with the oh-so-welcome warmth of our first sunny days, I too have begun to plant some seeds of my own, in the hope of them growing into fresh shoots of success! A few of these seeds I shall keep private for now, but others I wanted to share with you straight away.

So, as my little blog passes the heady heights of 20,000 visitors (for which I am hugely grateful and tremendously humbled), I begin another chapter in my strange little life and take somewhat of a spring leap!

890Having completed a BA (Hons) Degree in Fine Art, way back in the mists of time when my hair was blonde and I was…ahem…a little lighter on my feet, I was an artist. Yes, a takes-herself-way-to-seriously-full-of angst-entirely-black-clad-deep-and-meaningful-and-more-than-a-little-pretentious artist!

998It was the 1990’s. I was seriously into grunge music, Soundgarden, Pearl Jam, Nirvana, Alice In Chains, even Mother Love Bone and Soul Asylum, as well as heavier rock bands like Guns N’ Roses and Metallica. I took to wearing all black, apart from the odd green or red lumberjack loose shirt, a kind of torn uniform for all us Seattle-loving-grunge-rockers. I had the usual paraphernalia in my student room – incense burner with sticks and various yellowed bottles of pungent fragrance, a load of melted candles (much of the wax embedded into the carpet fibres), LOTR posters and music posters, my ‘ghettoblaster’ and Hi-Fi with a large selection of tapes and vinyl and near the end of my student days, some new fangled CD’s, an Indian throw with other ‘very cool and multi-cultural’ objects around the room and yes…the ubiquitous bright orange flashing traffic cone! Don’t ask me why, but every student HAD to have a traffic cone! But amongst all this ‘stuff’, there was me and my ‘art’. Huge canvases, some way too large to transport in my VW Beetle, ‘Mr. Jiffy 2’, even with the roof off, and so these had to be carried right through the centre of Cheltenham up to the art college – a prized moment to show off to people, as the plastic wrappings to protect the canvas would invariably waft open, revealing snatches of the masterwork beneath…dear dear!

050 - CopyAnyway, despite the pretentiousness of all art students, and yes, we’re ALL like it, I really did just love to draw and paint. Above everything, any crap that was happening in my life, any traumas and dramas (for which there were many) …for me, I was never happier than when I was either reading a book, writing a story or holding a paintbrush. I still LOVE the smell of linseed oil, liquin medium (alkyd resin), white spirit…ahhhhh….glorious concoctions in messy jars, palettes so encrusted with paint you could hardly use them but always did, brushes stiff from hardened oils, the excitement at the sight of the massive roll of canvas…then stretching them like giant sails across the floor. A quick trip to B&Q with some tw0-by-fours, a handful of nails, a saw and a staple-gun, and suddenly you had a stretched canvas panel, ready to be primed in white wash, ready to be made into something…astonishing. A world of possibilities just there in that bobbled linen fabric! 🙂

013 (3)Yes, I loved it, every single moment of it. In fact, back then, without the life experience I have now, the only thing I didn’t like about art college, was the selling part – having to ‘talk the talk’, sell yourself as ‘creator extraordinaire’ and your work, as the next big undiscovered super-talent. I simply couldn’t do it back then. I didn’t have the confidence or the inclination. I saw other ‘artists’ who couldn’t draw a damn, had no idea about composition, had lousy technique and really just couldn’t paint to save themselves, excel far above those of us who did have the talent and skills. Why? Because they understood the dynamics of it better than we did. Art to them was a business not a vocation, not a way of soulful expression, but a way of getting ahead, getting to where they wanted to be. They could ‘talk the talk’, spout poetic jargon phrases that made no sense to those of us that knew, yet elicited the cooing responses of the ‘art world crowd’. They made contacts, and used them effectively, they succeeded where the rest of us failed.

Am I bitter? Certainly not. For me, my art was never about being ‘in fashion’, and I was never about being the focus of attention. I wanted the work to speak for itself, rather than me spout some pretentious twaddle about what a certain brush stroke meant! So no, I had several very successful exhibitions, beat off those art schmoozers and over 10,000 other students across the country to get second place in a very prestigious national photography competition with my work exhibited in London, and sold a few paintings to very happy customers along the way. The point is, I never fell out of love with art, because I never viewed it as a business. I was and am simply small-time me, not showy, not shouting, not glaringly anything. Just little old me, now wearing other colours rather than just black, still listening to my music at ear-splittingly loud levels, still lighting candles and standing in my garden staring at the stars at 2am, still forgetting to wash my brushes properly and sniffing linseed oil like it was Chanel No.5. Just me! 😛

So…why all this elaborate walk down memories past?

Because, finally I get it! Chapter Twenty-One - Into The Light (4)

Much like life itself, things are never really just black or white, we all live in shades of grey…er…no, not that crappy book, lol, I mean…life is beautiful and complex and full of hard edges and soft fuzzy bits…it’s a messed up fruit salad of emotions and happenings and all we can really do, despite our yearnings for control out of chaos, is simply to dip our spoon into the bowl and see what fruit lands on our plate!

In other words…all these years later, I still LOVE to draw and paint, it’s still a huge part of who I am and how I function, but I don’t need to get so damned pernickety about it. Art and business CAN live together, without one diluting the other. I finally got what those students were dong all those years ago, using their heads as well as their hearts.

Sophie E Tallis Watermark - CopyAnd so, with head and heart in tow, I have decided to combine what I love to do with how to make a living. I have started a business, Sophie E Tallis Illustrations!!! Yes, a business, albeit in tiny baby steps, but a business of illustrating books and producing original commissioned artwork for other authors…and I absolutely LOVE IT!!!!

I’ve only done a few commissions so far, one of which involved creating 7 pen & ink illustrations for a children’s book, Snort and Wobbles http://www.willmacmillanjones.com/snort–wobbles.html, by multi-talented author, Will Macmillan Jones http://www.willmacmillanjones.com/, but I adored every second of it. Already, with just a few illustrations on LinkedIn and some other places, I have a small publishing house in Kingston-Upon-Thames who is interested in having me on their books as an illustrator, have several authors asking me to do some illustrations and book covers for them and I have just set up a sparkly new website http://sophieetallisillustrations.weebly.com/ (and Facebook page https://www.facebook.com/SophieETallisIllustrations) and loaded some of my illustrations and paintings on there! Already the response has been tremendous and utterly overwhelming! Why oh why didn’t I do this years ago???!!!! 😀

Finished Chapter 1 S&W

So, my little Spring seeds…it is never too late to change direction and change your life, to shake things up and remember what it was that you loved all those years ago. For me, it was remembering my loving and wanting to do something creative for a living, and now it is finally happening. What better way to make a living than to combine the two things I cherish most in the world – books and art!!!

Lol, Spring is definitely in the air, as I plant my little art seeds and see them take root and grow…who knows what tomorrow will bring! Check out my new website guys! http://sophieetallisillustrations.weebly.com/ 😀 xxxxxxx

SET photo

A HUGE thank you to all my family and friends and my lovely fellow bloggers, all 20,000 of you, who got me through my illness and the last difficult year and who have helped me to stay positive and to see all the marvellous possibilities of life…!

Thank you, Thank you, Thank you! 😀 xxxxxxxx