Meh – Dealing with Despondency.

How you do you deal with those flat moments? Times when you’re just not feeling it, when you’ve lost or misplaced your mojo, find yourself in a rut or a creative desert, drained of energy, ideas or just dealing with extreme prolonged fatigue.

Those blank moments you find yourself struggling in, like wading through tar, can really test your mettle. Creative endeavours regardless of whether it’s writing, illustrating, art or craft and trying to run a business with those creative endeavours is tough at the best of times but nigh on impossible when you’re hitting that wall.

I’ve tried all the handy tips and tricks to ‘work through the impasse’, I’ve set achievable goals, organised my time and materials better, managed to say ‘no’ to people when their commissions clash with other projects I already have lined up (rather than always saying ‘Yes’, which just leaves you like a blue arsed fly dashing around trying to please everyone as you run yourself ragged then crash).

The 2019 Maker’s Yearbook by Nicola Taylor that I bought in January and wrote my last blog about has hugely helped BUT, even with it’s support, it’s fab daily goal setting and organised tasks, it can’t give you energy, stretch the time space continuum and find that lost mojo, and when you throw illness into the mix then you really struggle.

Antibiotics for a nasty chest infection which then triggered severe asthma bouts in addition to the usual vestibular neuritis, M.E, and fibromyalgia etc basically wiped out the whole of February. The only goals I managed to achieve is to have set up my first series of silk painting workshops in a local Arts Centre later in the year, where I’ll be tutoring people in how to use and apply silk paints.

I managed to send out some feelers too regarding local arts exhibitions, shops to sell my work in and competitions, but again besides continuing the map work I’m committed to, I haven’t been able to do any new work for either my Etsy shop or for the art fair I have coming up in a few weeks. Not producing new work is a major stresser when you’re working in a highly competitive field like the Arts, where your work and name is up against hundreds of thousands of other artists (of varying talents) who may be able to churn out new work far quicker than you and therefore gain an advantage in keeping their work high in the public eye.

Competition is good but it can also be a barrier if you find yourself slipping behind and trying to play ‘catch up’.

The only solution I can see, besides self flagellation (which I’m an expert on), is of course to take a leaf out of Maya Angelou‘s wonderful book ‘Wouldn’t Take Nothing For My Journey Now’ (an astounding book to live your life by full of such wisdom!).

“If you can’t change a situation, change the way you think about that situation.”

I can’t get back the month of February and the work I wasn’t able to do, so I wipe the slate clean and start afresh in March, onward and upward.

Don’t look behind, keep your eyes on the horizon ahead!

If your year has faltered somewhat, don’t worry, it’s never too late to make a fresh start and go from there.

So to that end, as we leave Winter behind and head into Spring, have a blossoming 2019 everyone and may your goals and dreams come true! ❤ xxxx

Reality Bites – A Year of Art, Wolf Problems and Hard Decisions

2018 has, for many people I know myself included, been a really tough year. In terms of family, we’ve been through a lot of hard times, worst than most, and survived it, though it’s fair to say that my family now is considerably smaller. That means that close family friends we’ve had for years, and in some cases my entire life, really do mean the world to us! ❤

I learnt years ago that family is not about blood, it’s about who loves you unconditionally and who you love unconditionally, about special friends, people you can rely on in good times and bad and people you’d do anything for. I’d jump in front of a bullet for either of my darling Goddaughters and would do anything for my lovely supportive mates in deepest darkest Wales who I feel such a kinship with.

So when we faced the prospect of losing several very close and dear family friends to various cancers, including my lovely Godmother (who thankfully beat all the odds and the grim prognosis she was given); it makes you reassess things and clarify what is really important – a case of “Don’t sweat the small stuff!”.

While I’m able to produce a lot of high quality art relatively quickly, something I admit has always come easily to me, I must stop beating myself up for being less prolific in my writing. As much as I love writing and it’s always been a part of who I am, it does take a greater toll on my health and tends to burn me out quite badly.

Part of recovering from illness is being honest with yourself about what you can and can’t do and not castigating yourself for your limitations. Too many of us are our worst critics and being too critical of oneself can be tantamount to creative paralysis!

So despite being the world’s slowest writer (George R.R. Martin ain’t got nothing on me!) I’m determined not to spend 2019 procrastinating over how slow I am. I WILL finish Book 2 and Book 3 and finish the series, but I’ll have to do that at a pace I can cope with. Ironically, I actually have two brand new short novellas out, A Friendship Forged and The Siege of Kallorm, published by Grimbold Books on December 1st 2018, which are set before the events in my novel White Mountain, so at least that’s something new for my incredibly patient and loyal fans. 😀 ❤

This year it’s been great to see my illustration business take off and how ridiculously busy I’ve been with commissions, but the dominating factor has been the sadness surrounding one of my four wolfies becoming disabled. Anyone that knows me, knows how important my boys are to me, I’m called the ‘Mistress Of Wolves’ for a reason! So facing a horrible inherited disease that has no cure, that we can do nothing about and that is always fatal, Degenerative Myelopathy (DM), has been a devastating blow. 😦 My two white German Shepherds turned 9 years in June, not exactly old dogs, but long before that my beloved Tolly was diagnosed with DM.  😦  We’ve spent thousands we can’t afford on trying to fight this horrific disease but to no avail. The only comfort we have is the fact that we’ve tried our very best even using the latest cutting edge veterinary techniques like Platelet Rich Plasma to help combat this disease. It’s been heartbreaking to see Tolly’s startlingly swift decline over the year from running around in the snow in February to being unable to walk or stand by the end of August when he lost the use of his back legs completely and had to have a doggie wheelchair. We now face another devastating realisation that his biological brother, Korrun, is also now showing clear signs of having DM too. 😦

In a strange way, it was Tolly’s illness that pushed me onto creating more artwork this year (to pay for extortionate vet bills) and was the catalyst to me eventually opening my first Etsy Shop – Sophie’s Artisan Arts, which has really helped since setting it up in July. The highlight of the year though was being a shortlisted ‘Best Artist’ in the 2018 British Fantasy Awards and being an Artist-In-Residence for Dan Holloway‘s fabulous Oxford University funded game, Mycelium, which was launched in October and for which I created all the artwork (50 images in total). Still so proud to be involved in such an amazing project.

The other unsaid thing, which will remain unsaid by me for a while until I’m ready to talk about it, has also been all consuming this year. I’ve battled it alone as I just haven’t been in a place where I feel comfortable sharing it with anyone or asking for help (something I’ve always been bad at).

What the future brings, I don’t know…lol, but my life has certainly never followed a conventional path! 😀

Even when I was a kid I knew that certain paths were not for me. I never wanted that fantasy princess day, walking down the aisle in a white dress, centre of attention, to exchange one man’s name for another. Hell no. I know it works for most people, so good for them, but it’s not for me. I’m a great believer in personal freedom and in everyone choosing the path that suits them best rather than ‘doing the norm’. Life’s too short to waste it following someone else’s idea of how to live rather than what works for you and makes you happy.

With that in mind…I’ve decided NOT to make any New Year resolutions. 😀

2019 will bring what it will bring. I have aspirations I’d like to achieve, but I know life rarely follows the route you think it will, so I’m just going to plod on, try to learn to say “NO” to people when I know I don’t have time to do something (rather than killing myself to get it done in time) and just ‘roll with the punches’!

So…Happy New Year everyone, I hope 2019 brings you happiness and peace in whatever form that means to YOU.

😀 ❤ xxxx

Shortlisted for a British Fantasy Award! Eeeek!

It’s taken a couple of weeks to sink in, hence the delay, but I’m thrilled to say that I’ve been shortlisted for the 2018 British Fantasy Awards in the Best Artist category!!! Yay!!!!

Can’t quite believe it but seeing my name listed as a shortlist nominee is surreal and a little overwhelming, but in a good way! 🙂 I’ve been nominated in the Best Artist category for the two hand drawn pen & ink maps I created for HarperCollins last year, for Anna Smith-Spark’s brilliant ‘The Court of Broken Knives’ and Anna Stephen’s wonderful ‘Godblind’!

It’s been a lovely surprise especially given that this has been a tough year for me personally, health problems, one of my beloved wolfies (Tolly) has been very unwell, massive financial worries (colossal vet bills!) and the latest gut punch – my wonderful Godmother (who I’ve known and loved my whole life and has been there for us through some pretty traumatic times) is desperately ill with ovarian cancer. It fact she’s having her operation tomorrow to try and cut all the cancer out. We’re all very worried and fighting back tears at the moment, so having something lovely like this happen has definitely been a much needed ray of sunshine in amongst a sea of crap.

I won’t find out if I’ve won until the swanky awards ceremony (October 21st). So in a mad dash, despite the fact that I’m totally skint, I booked up the hotel and tickets for FantasyCon 2018 up at Chester (October 19th – 21st) and will be sitting there during the awards ceremony with fingers and toes crossed while practising my ‘I’m not really disappointed’ face when someone else wins it! 😀

A massive THANK YOU to the British Fantasy Society and to everyone who voted for me. Amazing to see the other artists I’m nominated with:

Best Artist
· Ben Baldwin
· Jeffrey Alan Love
· Victo Ngai
· Daniele Sera
· Sophie E Tallis
· Sana Takeda

I also want to shout out my other friends who have been nominated too. Firstly a massive congrats to the lovely Joanne Hall who has been nominated in the Best Short Story category for her story ‘Illumination’ taken from the anthology ‘The Book of Dragons’ by AJ Dalton published by my publishers, Kristell Ink (an imprint of Grimbold Books). Congrats to Joshua Cornah another fellow Grimmie from Kristell Ink, who has been nominated for Best Comic/Graphic Novel for his hilarious Grim & Bold cartoons. Grimbold Books themselves (worthy winner of the Best Independent Press at last year’s BFS awards) are also again nominated this year as well! Woo hoo! xxx

I also want to make a huge shout out to Anna Smith-Spark who has been nominated for Best Fantasy Novel and Best Newcomer for ‘The Court of Broken Knives’! Way to go Anna! 😀 xxx

Yay!!! So stupidly excited and very honoured and humbled by the whole thing.

To check out more of my work, pop by my website: Sophie E Tallis Illustrations or if you want to BUY any artwork, check out my new Etsy shop: Sophie’s Artisan Arts!

Thank you folks! ❤ ❤ ❤ xxxxx

BristolCon 2017 – Art, Fantasy & Maps!

Last weekend was BristolCon, the largest sci-fi & fantasy convention in the west country, UK and by far my favourite con. For the last nine years BristolCon has flourished at the Hilton Double Tree hotel in the heart of Bristol, a single day SFF convention that always signifies a glorious mix of panels, events, signings, workshops, art, and of course books! Amongst the flurry of bookish activity, one the things that makes BristolCon so damn special is that feeling of inclusiveness, a welcoming family for old friends and new, with no cliques, no judgements, just a genuinely open, friendly and ultra cool ethos of – “come along folks and have a great time!”

What made BristolCon 2017 extra special for me this year, besides being thrilled that my lovely publisher, Grimbold Books (and our leader the wonderful Sammy HK Smith) has subsequently won the BFS Award for Best Independent Press, is that I wasn’t just there as an author and panellist (moderating an uber cool panel on ‘Mapping in SF & F’)…but that I was there as an artist too! 😀

*gulp*

Yes, after being talked into applying to exhibit in the famous Art Room at BristolCon by the lovely vice chair, John Bav, with extra encouragement from Mark Robinson and the lovely ex-chair, Joanne Hall, I actually plucked up the courage and applied and got in! For me this was a huge thing. Although I’ve been drawing and painting my entire life (before I could even walk apparently), and although I did a BA (Hons) Degree in Fine Art and had won an MA place at the Slade School of Fine Art (which I stupidly didn’t take up), I’ve only actually been illustrating for the last 2 or 3 years. In fact, it’s only since my teaching career ended due to illness that I’ve even had the time to do more art.

So, in the last 2 years, I’ve illustrated about 12 books so far (with a few current ‘in the works’ projects). The highlight undoubtedly had been creating the fantasy maps for Juliet E McKenna and the two HarperCollins commissions for Anna Smith-Spark & Anna Stephens, and now I am busy creating another cool fantasy map for Penguin Random House – Yay! 😀

But actually exhibiting my artwork was an entirely different thing. I haven’t exhibited since my art student days, twenty years ago! Despite starting prep for it months ago, finding and buying the right frames, getting all the ‘s’ hooks needed to hand them etc etc. I’d actually forgotten just how much work is involved! The framing and mounting card alone took ages, the picture prep, sorting out illustration portfolios, transporting the art and putting it up. Thank goodness for Andy Bigwood (Mr Art himself) who runs the Art Room and helped me find my feet and for the vital Friday pre-BristolCon Art Room set up time! I was there at the hotel until 11pm the night before BristolCon, knackered and nervous but I can’t explain how great it felt – being in that atmosphere! A mixture of pure fear, excitement, exhilaration and total imposter syndrome! Lol, when you’re there in the Art Room next to the likes of illustrating greats like Jim Burns and Chris Moore and BFS Award winning Sarah Ann Langton (who did the cool cover for the ‘Fight Like A Girl’ anthology), you suddenly feel very quickly out of your depth!

BUT, despite all those daft fears, the whole thing felt RIGHT. It felt like THIS is what I should be doing, coming full circle, coming home to art – my love of it, my solace, my saviour through mental health problems and depression, my relief, my method of self-expression when I can’t muster the words.

I admit, with only an hour and a half sleep, I was a walking zombie when Saturday actually came. Apologies to a couple of customers as my brain freeze took over a couple of times – so weird that when you’re that exhausted you slip into daft old sayings as your brain stops processing new information. By the end of BristolCon I was so out of it, I honestly can’t remember how I drove home! Oops!

But it was brilliant and I loved every second of it.

I’d decided to show some of my best portraits (30 of them all framed in lovely black box frames) for a cool ‘Game Of Thrones’ idea I had of having them all clustered together for a ‘wall of faces’ (aka GoT season 6) which became an interactive ‘Game Of Faces’ where people had to try to identify as many of the portraits as possible and the winner would win a piece of original artwork of their choice! Cool idea, eh? 😀

Well, it worked beautifully! I had loads of people coming to view my work and participate. I also displayed some of my silk paintings and my maps (all framed in lovely matching black frames) and one of my ‘works in progress’ (the steampunk map I’m working on for the lovely Kate Coe) so people could view my creative process at constructing them. 🙂

In fact, I had so many people coming to visit my art display that I couldn’t finish writing up my art price list! Lol, I eventually finished it after I’d already sold a load of silk paintings and was dragged off by the lovely Robyn Fulton to actually eat something before I dropped.

After a hurried but much needed lunch I went off to my ‘Mapping SF & F’ panel about one fo my favourite subjects – fantasy maps!  I was moderating the panel in the big conference room with the lovely Anna Stephens, Juliet E McKenna, Joel Cornah and Andy Bigwood. It went wonderfully, in fact myself and all the panellists could have talked for three or four hours and only got through half of my questions!

The whole day was a delightful blur of meeting old friends and new – people I’ve been friends with for years on Facebook but who I hadn’t actually met yet (like RB Watkinson, Judith Mortimore and Jessica Rydill) and chatting to the lovely people who bought my art – THANK YOU! ❤

 

 

 

When you’ve lost your way…

Battling depression – and losing.

As writers we all have times when we face a crisis in confidence, often being plagued by terrible self-doubts. In my case, those anxieties are magnified. Certainly out of all the friends I know, especially writer friends, I would say I’m by far the least confident as a writer. I see them saying things and doing things I wouldn’t dream of saying or doing, conducting themselves with the reassurance that they are right and know what they’re talking about. I never think that, certainly not where writing is concerned. The most confident I am, is with my artwork, I know I can draw and paint well, though I’m utterly crap at any digital art.

But writing although it has been a apart of me since I was three apparently, the earliest in the whole school to read and write, writing, particularly in recent years (since I got ill in 2013) has also been my Achilles Heel and something I admit that I am terribly insecure about.

But recently, those nagging insecurities, self-doubts and paralysing fears have been given tangible substance and I admit, it has triggered a terrible reaction in me that I’m struggling to control. Because so much of my identity of who I am and what I am, is tied up with writing, to suddenly find that something I was so proud of, something I thought was fantastic, poetically written, tense, engaging, historically accurate (I did a History A Level on the subject), something I had done exhaustive research on and which had filled my imagination for months and months…was in fact crap, has been like an earthquake to me. I honestly believed it was one of the best stories I’ve ever written. I still don’t know what is actually wrong with it, the feedback I’ve had focused on different areas, but I still don’t know what it was about it that they disliked so much, what made it a bad story, because honestly, re-reading it, I still think it’s great even though now that’s tinged with my brain saying – no Sophie it’s shit, remember, you’ve been told it’s subpar, deal with it.

Criticism is something we all get, and up til now I’d always dealt well with it, I’ve had a life time of practice after all. But something about this just broke me. I can’t put it anymore plainly than that. It triggered the very worst of those negative voices I carry around with me, and unfortunately triggered an awful lot more – my depression and the worst of my dangerous feelings and feelings of worthlessness. It symbolised that not only was I wrong, not only was my writing not good, but that my judgement was WAY off!

How can a writer continue if they can’t trust their judgement? If what they think is good is crap, or vice versa?

It also meant that a book, Ravenwing, that I have been working on (80,000 words+), which has so much of me and my life in and which when I pitched it to a couple of friends received a luke warm reception to say the least, is also crap. That book has the exact same character in it as the crap story and is written in exactly the same manner, so if one is rubbish, the other will be too.

For someone like me who struggles against an illness that robs writers of their voice, that steals away my short term memory, to the point where I can’t remember books I’ve read only months before, and that makes mental fatigue and a 30min max concentration span so overwhelming – to have yet another obstacle in my way has been more than I can deal with. I don’t need anyone else tearing me down, I do that well enough on my own, but yes, the whole experience has broken me.

I don’t know where I go from here. I can’t trust my judgement and I can’t trust any writing ability I may or may not have. Not only will I never write another short story again, I’m now left wondering if I can ever write anything again. The mountain is too high as it is, but now my hands and feet are tied and I’m blindfolded.

So yes, depression has sunk its claws into me and I would quite happily bury myself in a hole and never reappear again. My energies are spent, my confidence (such as it was, under my ‘bubbly facade’) is in tatters and I genuinely don’t know where I go from here. I’ve never felt like giving up more than I do now. Giving up on everything. What the fuck is the point?

So I’m taking a break from everything, from FB, social media and the constant whirr of noise that hits you, the ups and downs of people, the dramas, the tears and smiles, the narcissistic selfies, the congratulatory patting of backs, the woes, the worries, the inner thinkings, the copious piccies, all of it. I need a rest, I need space. I can’t take the optimism and confidence of people, especially my friends when I’m feeling as if a black hole has swallowed me.

I wish everyone well, I always do, and I love my friends. But no-one can help sort out what’s in my head. I know they’ll be back chat and talk from some people and inevitable bitchy comments of  – “really? oh ffs, what’s she making a fuss about?”

What am I making a fuss about? Nothing, absolutely nothing…that’s kind of the point.

😦

How to Make A Living as a Writer!

Apologies to all my US, NZ and Aussie writer friends, this post is very UK based so won’t apply to most of you, but feel free pick up ideas. 😀

On Wednesday 24th May 2017, I attended my first Society of Authors (SoA) event in Bristol, at the Arnolfini Gallery, a place I used to visit all the time when I was a struggling art student some twenty years ago! In fact, I first saw a young Damien Hirst exhibit his work there before he made it huge with his pickled sharks, and I marvelled at the huge architectural spiders of artist Louise Bourgeois (a thing of fear for an arachnophobe like me!). The Arnolfini itself is perched on the banks of the River Frome in the heart of Bristol and although it has changed a bit (more sleeker than I remember), thankfully it was still recognisable with it’s impressive exhibition spaces and relaxed bohemian vibe. If you’ve never visited it’s well worth a look. In fact the whole of the Bristol Docks/Quayside area is a lovely place to spend some time especially in the summer, very arty with almost an Amsterdam feel to the place with all the boats, barges and canal ferries going up and down the water, the smell of street food wafting through the air, acoustic guitar strumming in the background, cafes and restaurants spilling onto the cobbled streets, now pedestrianised, and of course the Watershed Arts & Media Centre one side of the river and the Arnolfini Gallery the other, linked by the stunning architectural Pero’s Bridge.

The SoA event was a very topical one – ‘How to Make a Living as a Writer’ – something every writer I know would like to do! As most SoA events are centralised in London, a criticism made by one of the members there, I was absolutely determined to attend this rare outside of London event. As usual my body had other ideas…as I had dared to go to a last minute Grimbold Books work/social on the Monday evening which was fab but left me exhausted the following day, I ended up paying for it on the Wednesday. Annoyingly I went to bed on the Tuesday with a migraine, woke up on the Wednesday with a terrible migraine and one that decided to get progressively worse through the day with my usual vertigo and sickness, to the extent that I was then unable to drive and had to ask for a lift in. 😦

The event was upstairs in one of the gallery ‘Reading Rooms’ and one with very little air conditioning on one of the hottest days of the year! I was shocked and delighted that the whole thing kicked off with the chair reading a quote from Gareth L. Powell, a brilliant Bristol based writer who I happen to know and who wanted to be there but the tickets had sold out! How weird and wonderful is that?

“There are two kinds of courage. There’s the kind you get from knowing that what you’re doing is right. And there’s the kind you get from knowing its hopeless and wrong, and just not giving a damn.”  ― Gareth L. Powell, The Last Reef

It began with an interesting Q&A session chaired by Sarah Baxter who advises SoA members on publishing contracts and issues, handles literary estates, including print permissions and amateur stage licences. She also administers grants for writers in need including the Authors Contingency Fund, PD James Memorial Fund and Authors Foundation grants. The SoA’s newest contracts advisor, Theo Jones, who used to work for Oxford University Press, also joined her and I had a rather nice chat to him during the break.
During the Q&A various topics were raised including issues about competing titles, the new Amazon buy button (which is worrying a lot of people), the difficulty of earning a living through writing, the rise of celebrity authors and I mentioned the problem of author signings in chains like Waterstones. To my delight I wasn’t the only person who had found a problem trying to get Waterstones to stock books from smaller authors and small presses, as well as indies and how once James Daunt took over Waterstones, their policy changed towards signing events – where now most shops only hold signing events for big celebrity names. Yet another door/opportunity closed to struggling writers. The discussion around celebrity authors was very pertinent and how even well established authors are finding themselves squeezed off the shelves in both bookshops and libraries and are finding it harder to get publishing contracts because celebrities are swamping the market. I myself mentioned the whole Miranda Hart problem I had encountered where I’ve had to completely re-write my entire picture book along with illustrations because her upcoming first foray into children’s fiction is almost exactly the same as my concept. Years of work wasted. Grrrrr. 😦
I kept taking notes and trying to listen as I battled the migraine which was now pounding away behind my eyes with a regular persistence and tried to ignore the rising temptation to vomit. No-one likes throwing up, but vomiting in public is one of my fears. We had a break for refreshments and after a brief chat to Theo Jones I scuttled off to the toilets in the hope of being sick so I’d feel better after. No go. I came back and found myself cornered by an overly enthusiastic writer putting the world to rights. Normally this wouldn’t be a problem, although I’m not naturally very social, I can go into my ‘social façade mode’ and chat with the best of them. The problem here though, was that apart from my sweating profusely through a mixture of meds and unbearable heat, this particular woman was actually shouting. Obviously she had a problem hearing above the general chit chat, but shouting in an animated fashion only inches away from my banging migraine was something akin to torture! 😦

We returned to our seats for the meat of the matter – a one hour panel discussion on ‘How to Make a Living as a Writer’. Sarah Baxter was joined by Helen Chaloner (CEO of Literature Works*). Helen worked in publishing PR for over nine years, at Penguin Books, Macdonald Publishing and, latterly, at Faber & Faber. She was the National Director of the Arvon Foundation and Chief Executive of Farms for City Children. She is a lover of fiction and principal short story reader for the Bridport Prize. The panel was rounded off by writer and fellow SoA member, Patricia Ferguson, who has published seven novels and a volume of short stories so far, teaches Creative Writing for the University of Bristol, and was Royal Literary Fund Fellow at Reading University for three years.

*I admit I’d never heard of Literature Works before – a strategic literature development charity for South West England who are a National Portfolio Organisation of the Arts Council England. Literature Works’ role is to fundraise for the Literature Works Annual Fund, a support and grant scheme providing small awards for literature activity across the region, and where possible securing funding for larger regional projects with delivery partners, advice, advocacy and partnership. There mission is to support, understand and advocate regional literature in all its contexts, for everyone, for all ages, etc.

Sarah Baxter mentioned the South West Writers Directory (Literature Works) and that we should all get ourselves listed on there (something I have done this afternoon). Write Now was also mentioned as an initiative being piloted in Birmingham and Bristol – a scheme to find, mentor and publish new writers with different stories to tell and is in correlation with the BBC Writer’s Room. Writers from communities under-represented on the nation’s bookshelves. It is sponsored by Penguin Random House and I must say, anything that promotes greater diversity on our bookshelves is very welcomed by me.

I’d love to say some magic wands were discussed, some instant thing we can all do to suddenly become full time writers who can pay their bills exclusively through just writing, but if it was discussed, then those were the bits I missed…

Annoyingly, during this most crucial part of the event, I was desperately ill, teeth clenched, mouth clamped shut fighting the urge to barf, and so embarrassingly twice I had to leave in front of everyone. The second time I only just made it to the Arnolfini toilets before projectile vomiting everywhere. The only good thing is that it was with such force that I had no disgusting sick on me, it was like some comedy water canon being switched on. Apologies to the cleaners, I tried my best. 😦

Dear dear…you can imagine the state I was in, trying to concentrate and put on a professional front and write down copious notes for myself and friends while struggling with a howling migraine and nausea. Ugh. NOT my finest hour. I later made my apologies to Sarah Baxter and Poppy Rosenberg who were running the event and they were lovely. Then, exiting as quickly as I could, I found a bench overlooking the harbour, under the dappled shade of a sycamore tree and waited for my ride to pick me up as my head pulsated and swirled as if it were trying to copy Michael Ironside’s exploding cranium in horror film, Scanners.

So, what can I tell you about the outcome of all this?

Well, apart from the fact that you are not alone in struggling to make a living solely from writing, there really were no instant answers.

A few helpful hints were given though to raise your profile, perhaps get financial help and get paying writing work, so I’ll pop them here in no particular order (apologies for any obvious ones):

  • Literature Works – have resources, advice and help for writers.
  • South West Writer’s Directory – its free, get yourself on there! (sorry west country only)
  • Bid writing – Using your transferable skills ie. professional writing expertise in writing for companies, charities and organisations needing a more comprehensive and literate approach to their communications, fundraising and marketing.
  • Join a local writer’s group, not only as a means of fine tuning your own writing but as a networking tool.
  • Royal Literary Fund – The Royal Literary Fund is a UK charity that has been helping authors since 1790. It provides grants and pensions to writers in financial difficulty; it also places writers in universities to help students develop their writing.
  • National Writing Day (June 21st) – get involved with libraries and schools to celebrate this day.
  • Arvon – Was discussed a great deal and the grants and support.
  • Caroline Summerfield was mentioned and The Eugenie Summerfield Children’s Book Prize.
  • The Bath Novel Award was mentioned as well.
  • Mailing lists were discussed as a good way of building your fanbase.
  • It was discussed that as authors we needed to find a way of incentivising publishers to sign authors who are not celebrities, of finding a way to break that repeating cycle which is not only detrimental to professional authors whose sole income is writing, but also in some cases, floods the market with yet more substandard writing!
  • The organisers were very keen to start up a Bristol SoA chapter, as currently, despite there being apparently 481 SoA authors in and around Bristol, there is no Bristol group. I’d certainly be up for joining one, especially if there was a speculative fiction based one (Gareth?). Unfortunately a lot of this discussion and networking no doubt happened in the networking/socialising with drinks portion of the event, held afterwards in the Watershed bar and which I had to leave due to illness. 😦
  • Apparently the average earnings of a writer had now dropped from 18K a year to 11K. I must confess, my earnings from writing is nowhere near this. My illustration work with HarperCollins is the money maker for me, not my writing.
  • Promote your local connections through local libraries, bookshops, schools and writing groups – local radio is a resource as well as newspapers, use them.
  • Put yourself forward to teach creative writing courses at festivals etc. huge amounts of experience are not needed, it can be done with just a single published book under your belt.
  • Podcasting – as a visual means of raising your profile and getting more of your content out there on channels such as YouTube.

There, that seemed to be the majority of what was discussed. 😀

For me, a very handy contact gained, was meeting Judith Gunn who runs the Gloucestershire & Neighbouring Counties SoA group. I explained that unfortunately I’ve never been able to attend any of the meetings and events as they are always held during the day usually on Monday or Tuesday when I’m working. Judith said she had been discussing possibly opening up the group to hold an evening session every so often, so keen members like me who work day jobs, can attend. I certainly think that would be hugely beneficial not only to me, but other SoA writers I know, like lovely fellow fantasy writer, Jules Ironside who was working on Wednesday so couldn’t attend. Watch this space!

Are you prepared for SUCCESS?

Despite not being well at the moment it has been a good year so far. It’s funny, I don’t know if it’s a Brit thing – being humble not ‘hooting your horn’ or wanting to be seen to show off, or if it’s just a me thing, but I’ve always been prepared for failure not success.

On the relationship front – yeap, I’m pretty much a human tsunami, a total disaster zone. It’s true I never wanted to get married or trapped as I saw it (hardly surprising given my childhood and family) but I did and do still want kids…something I’m going to have to do something about sooner rather than later.

On the professional front – I fell into a career (teaching) I never intended to do, and though to my own surprise I was very good at it, it was hugely draining and creatively very unfulfilling. But, I thank that career for my house and mortgage and the boring adult life stuff it gave me.

On the creative front – yes, I’ve always been blessed with the ability to draw and paint to a high standard, even from the age of 3 apparently. It led me to do a National Diploma in Foundation Art followed by a BA (Hons) Degree in Fine Art/Visual Arts, which I loved every moment of. But, having completed said degree and not having any money, I foolishly turned down the MA place I had secured at the prestigious Slade School of Fine Art in London. Instead, after yet another disastrous relationship break up and a marriage proposal (yes, I still have feelings for him but no I have no regrets saying “No”), I escaped as far away as I could, 15,000 miles away to New Zealand for four months – backpacking in blissful solitude and stunning landscapes! I’d never been happier. 😀

On returning, without a job or prospects of getting one, I did a post-grad teaching course and fell into teaching for 16 long years – many of which were enjoyable but many of which were not.

Life passes so frigging quickly…how the hell did I get here?

Then, my first completed novel, White Mountain, was published. I was ecstatic, a childhood dream and passion had actually come true and to make things more perfect, I had illustrated my epic fantasy novel too, combining my two great loves.

What happened?

Well, an 8 date Waterstones book signing tour and numerous independent bookshops, sold a ton of books, which gave me my membership to the Society of Authors, newspaper interviews, things were moving fast and brilliantly and then…it all promptly collapsed. Despite my jubilation at being published, it was with such a thoroughly unscrupulous and dreadful publisher who had ruined my book (something I had taken ten years to write and research), had given me possibly the worst contract terms in the business, broken that same contract numerous times, bullied me terribly and finally shafted me out of hundreds if not thousands of pounds of royalties. I left them and after only 4 months of the book being out there on shelves and in bookshops, it was withdrawn and I skulked away badly battered and bruised by the whole ordeal.

It very nearly stopped me from ever writing again and certainly contributed to my permanent illness and my problems ‘getting the words down’. 😦

Fast forward, amazing thing upon amazing thing happened and my beloved book was taken on and re-published by another publisher, the wonderful Grimbold Books based in Banbury (and their imprint, Kristell Ink Publishing). It was re-edited, re-formatted, given an amazing new cover from the dreadful one it had been landed with and was completely overhauled and released out into the world once more as a beautiful fresh thing! 😀 ❤

I was thrilled and elated beyond words. That elusory second chance had come along and the book was how I had always dreamed it would be. BUT, despite Grimbold being utterly brilliant, which they are and the book being brilliant too, that initial momentum had been lost. Yes sales were steady, but not the fast flow they had once been and in the intervening time Waterstones had changed their policy about small press authors signing, and so suddenly, despite having sold well in every Waterstones I had signed in, the doors were slammed shut. I believe, slowly, that is beginning to change…we’ll see.

Now, with a crippling illness and mental constrictions on what I can do (short term memory loss and severe mental fatigue as part of my ME/CFS and Vestibular Neuritis), I have struggled on, writing a slew of short stories, novellas and poetry and trying my hardest to still write the second novel and follow up to White Mountain. Now at least I finally have a first draft of Darkling Rise from which to work.

I kept drawing, painting, mostly for myself and friends and started doing book illustrations. Nothing major, all very enjoyable but hardly paying the bills, especially as once my teaching career ended I found I physically and mentally couldn’t work fulltime anymore – I work part-time in a library now, a job I love.

So yes, some ups, undoubtedly, but lots of downs and certainly lots of practice for failing.

Then suddenly, this year after a strange string of ‘word of mouth’ and luck coincided, along with a large dose of THANK YOU to author, Anna Smith-Spark, I was actually approached by the big boys – HarperCollins! 😀

They had seen the hand drawn fantasy map I had done for Anna Smith-Spark and her wonderful fantasy debut, The Court of Broken Knives, and seen my other illustration work and wanted me to be one of their illustrators/suppliers! It was a strange dream, but a wonderful one.

Of course I jumped at the chance and quickly found myself doing a second commission for them only weeks later, for Anna Stephens and her highly anticipated fantasy debut, Godblind.

But here is where the – are you prepared for success?, comes in…

Because I really, REALLY was not ready. Suddenly I had HarperCollins contacting me on almost a daily basis, tight deadlines thrust on me, and yes…MONEY! They were valuing me and my work in a way I was unprepared for.

I was having to deal with purchase orders and invoices. I’d always given clients a receipt if they wanted it, but no, these were bonafide invoices, each one for a different hardback edition then paperback edition of the books the maps would be in and each for a handsome amount.

I was stunned. I still am. I just received 6 purchase orders from HarperCollins a few days ago, for me to send back with 6 different invoices. Then, I got contacted by Dutch Publishers, Luitingh-Sijthoff, who want to use the same map too, and Orbit from the USA will be using one of them as well, etc., etc. OMG!!!

It’s been utterly bewildering. For someone not used to any kind of success (other than the fleeting kind), despite all my hard work, efforts and dreams, to have this happening now is frankly bizarre.

To all of you out there, plugging away as I have been, trying to find that magical ingredient to finding a market for your work, or ‘making it big’, finding success, having your dreams realised…take some heart. Although I’d never claim that I’ve ‘made it big’ because I haven’t, I have suddenly found myself in the big leagues in illustrative terms at least, with the prospect of making a good living from what I create – there is now a small space for me at the grand table.

So keep working at it guys, keep having those dreams, don’t give in, work your ass off and grasp every opportunity that comes your way because they don’t last and may not come again.

I for one have no idea where all this will lead me and am convinced it won’t last, but I’m hanging on for the ride with every intention of staying on this rollercoaster for as long as I possibly can! 😀 xxxx ❤

Meeting Deadlines – Remember to Breathe!

It’s Easter today – Happy Easter everyone! 😀

As I sit trying to recover from a very scary asthma attack I had at 4am, when I woke up suddenly unable to breathe, it’s forced me to be reflective on the last few weeks.

It was a manic March and so far April has been equally busy. Having kept up with my daily art challenge – The Artmaniac Challenge, for the whole of Jan and Feb, I fell off the art wagon in March, although ironically Sophie E Tallis Illustrations went from strength to strength – most notably being taken on by HarperCollins in February as one of their illustrators! 😀

This manicness started with a last minute dash to get a dark fantasy short story (Cern) finished for its anthology (Underskinn) deadline of Feb 28th and continued when I had the daft last minute idea of painting a self-portrait to enter the Sky Arts Portrait Artist of the Year 2018 (deadline March 3rd)! I blame the inspiration of a few close friends (and cake nutters) for this and their unbridled passion and enthusiasm for just ‘going for it’, taking chances, pushing boundaries, going outside of your comfort zone – “hell why not?”.

I made the deadlines on both with literally 1 minute to spare, yes 1 minute! My short story has been accepted (as far as I know) but in the end my portrait wasn’t shortlisted. But I must say I have absolutely NO regrets, other than starting the painting the day before so it wasn’t finished properly! 😀

That manic flourish seemed to encapsulate March as I started my next commission, a painting for a New York client and his literary group – for it to adorn the front cover of their literary journal/magazine and website. Seemed like a great opportunity to once again do something different and widen my skill set and reputation for quality original art.

He was a slightly unusual client in that he clearly had never commissioned any artwork before and needed everything to be explained several times. But I’m very patient and being a perfectionist by nature I always want all my clients to be 110% happy and so far they all have been. Some of that perfectionism isn’t just in the standard of the art I produce but in making sure that each client is involved in the whole creative process every step of the way. By doing that, not only are you including the client in the work and all decision making but it becomes a great creative partnership and ensures that you deliver EXACTLY what they want. 😀

Unfortunately despite going through ‘the process’ with him several times to ensure he understood exactly how each stage works and what to expect, there were often occasions where he seemed to get confused – an example being when I sent him the first inked up artwork and he asked where the colours were even though I had explained that I couldn’t move onto the final painting stage until he was 100% happy with the inked up work!

I chalked it up to a difference in culture and language causing a few blips in communication. Mmmm, I should have listened to my spidey senses.

I had purposely set aside the whole of March for his artwork commission, having at his behest moved other projects to the side (including my own picture book that I have two agents waiting to see. So I won’t be doing that again!). Throughout the entire month he kept asking me when he could see the full colour version, even at the beginning when I was only at the graphite drawing stage.

The day of the deadline came, 31st March, as always I delivered the artwork on the deadline as agreed. That’s when it quickly appeared that there was something rotten in Denmark.

I sent the finished artwork to him with a watermark, as agreed, yet he didn’t even acknowledge it and instead kept asking for the finished work without watermark. A flurry of increasingly weird and then aggressive emails came, demanding the artwork without watermark as I kept explaining that he would get it as agreed the moment payment had been made. I’d spent a whole month working my ass off on this, doing exhaustive research, sending copious sketches, colour samples, drawings, asking 101 questions, etc., just to be screwed at the end by either an incompetent idiot or a crook. I couldn’t believe it. 😦

Friday rolled into Saturday when he then switched tack and suddenly said he didn’t like the artwork. I was bereft, utterly exhausted, stressed and upset that I’d worked so hard, which he knew, had kept giving him the artwork at every stage and given him every opportunity for the work to be amended/changed etc. as required yet he had said nothing until after the deadline. It seemed yet another ploy to get the artwork without watermark so he could use it without paying and shaft me in the process – commission my services, time and artwork for free.

Finally I sent an email threatening legal action. To be honest I’d given up hope of ever being paid by this idiot. What made the situation worse was wasting a whole month of my precious time when I could have been doing other projects. In fact half way through March I had received another email from Terence the Head of Fiction Art at HarperCollins asking if I could do another fantasy map commission (for the lovely Anna Stephens and her highly anticipated grimdark debut, Godblind, published with HC in June 2017). The problem was that this one had a tight deadline.

Because of my professionalism I said I was already committed to another client so couldn’t start the HarperCollins one until after the NY commission, April 1st earliest. Boy, April 1st really ended up being a joke on me! 😦

I was so stressed out by it and upset that of course it made me ill. I didn’t sleep for two nights and was vomiting profusely with all my usual vertigo and migraine symptoms. But I had no time to be ill, I had the HC commission to do so I plunged into it, using it as a great distraction from being screwed over. It was also lovely working with Anna Stephens and Terence from HC, two thoroughly lovely and decent people, the complete opposite to the client I had just had.

The week passed with me stressed out of my gourd until the NY git, under the threat of legal action and realising that he wasn’t going to get any artwork from me for free, finally paid up! OMG!!! :O

To be honest, I was totally shocked, I still am, because of the awful way he was behaving I had completely written off ever being paid by him.

But because of his actions, it also meant that I was having to work 12/13 hour days to try and get the HarperCollins commission finished by the deadline of 14th April.

I managed it, just, and I’m really proud of the final artwork. As always I gave it my all and it does look great. Most importantly Anna and Terence love it. Phew! 🙂

But of course, all of this has taken a toll – hence my asthma attack last night. 😦

So what have I learned from all this madness?

Sadly, that I now won’t take on any new commissions from individuals I don’t know, it’s just too risky. From now on I’ll stick to HarperCollins commissions only and indie authors I know…at the end of the day life is tough enough without dealing with unscrupulous people and we all need to make a living and protect ourselves especially in the highly changeable creative arts (writing, artwork, acting, singing etc.).

So folks, whatever field you work in/make a living from, PLEASE make sure you protect yourself, your work, your skills, your time and your health!

Hopefully once my lungs start working again properly, I shall return to my picture book project which I have to get ready for the (hopefully still interested) agents who are awaiting it at the end of this month – in only 2 weeks time!

Wish me luck folks! 😀 xxxx

Holding Your Nerve!

A great deal of success, beyond the working your ass off, talent and smattering of luck, is also down to you ‘holding your nerve’. Recognising that moment, that opportunity which could go either way, and making sure you swing the pendulum towards the ‘YES WE WANT YOU’ direction and not the ‘THANK YOU, WE’LL PASS’.

Holding your nerve is a deep breath as you plunge through the ice and hope you don’t drown kind of a moment. It catches your breath and if you play it wrong, you’ll be self-flagellating yourself for years to come, bemoaning that one last chance, that one opportunity you had but messed up.

So, that’s the precarious limbo I find myself in now, trying to swing that pendulum my way.

Shortly after my last post about possibly getting an agent, or at least having an agent interested in me, I hit an unforeseen road block in the shape of posh celebrity funny woman, Miranda Hart!

Yes, the same Miranda Hart that used to have the TV show on BBC 1 called ‘Miranda’ and who, apart from being posh and famous, is also fabulously rich.

Well, like a slew of other celebrities, Miranda Hart has decided to go into the realms of fiction, specifically children’s fiction, after all to write a children’s book is the easiest thing isn’t it? That’s what Madonna did and David Walliams does? Sigh.

Now, normally this wouldn’t elicit much of a response from me, beyond the usual groan that once again here is a celebrity that had never written a book before they were famous and who, now they are a well known name, decide to capitalise on that fame and invade the bookshelves of our local library and bookshop (often at the expense of full time writers who depend on writing as their sole income and who don’t have the celebrity lifestyle, bling, fame, money etc., and do not have the cache of having an instantly recognisable name).

I don’t mean to sound bitter, but it does piss me off. The publishing world is tough enough for all writers, especially those like me from a small press or many of my indie author friends, so to have even well established authors squeezed off the shelves by sparkly, shiny celebrities, seems grotesquely unfair and means we have zero chance of getting there ourselves. I don’t have a problem with the endless celebrity cookbooks and autobiographies, but I do have a problem with them invading the fiction shelves with an automatic get out of jail free card – ie. an unfair advantage that no one else has. Even well established authors will not garner the massive publicity, the huge marketing budgets, the momentum, the TV interviews and media coverage that these celebs get, just for being celebs! If they always wanted to write, then why did not one of them write a book before they became famous?

Our library, like many around the country, reflects this trend. So while I’m doing my job I’m seeing Judy Finnegan, Richard Madeley, Fern Britton, Dawn French etc., etc., etc. It’s depressing tbh. Perhaps some of them are good writers, but they have used their celebrity status to get huge publishing deals most authors could only dream of, and remember, they hardly need the money!

Well, on this occasion, this latest celeb to go into fiction has made a huge and direct impact on me personally, in all the worst ways.

A few days after my last post I received a very sweet email from the interested agent giving me a head’s up. It was terrible news.

http://www.thebookseller.com/news/miranda-hart-turns-childrens-book-author-499821

The children’s book I wrote back in 2013, when after 16 years of teaching I suddenly lost my job and career through a nasty long term illness which I have for life, and when, at the same time I also left my dreadful ex-publisher and was utterly heartbroken over how they had treated me and ruined my beloved book, it was fair to say that 2013 was an awful pissing year. As such, I not only lost my way that year but I also lost my smile for a long time. It was those events that inspired me to write my children’s book, ‘The Little Girl Who Lost Her Smile’, in the hope of it helping me to find my smile again and start over.

Well, I wrote the book back then and have been slowly and meticulously designing and drawing the 24 illustrations needed for it (for a normal 32 page layout picture book). It was this same book that these agents were interested in.

What happens? Miranda bloody Hart has written a book with an almost identical title and by the sounds of it an almost identical story! So after 4 years of hard work, writing, drawing and polishing this children’s book, in one swoop it’s all gone up in smoke! Thank you Miranda millionaire Hart! To say I’m gutted and annoyed is an understatement! All that work, all those years, for nothing! 😦

I am now left in the precarious position of having to completely rework my story and illustrations for these lovely waiting agents, and yes, the pendulum has severely swung away from my direction towards the ‘Thank you but no’ side. It is up to me to now ‘hold my nerve’ and produce something amazing out of the hat to show them, something that will allay their fears about another very similar book already heading for the shelves. The only advantage I have, is that my book is aimed at a younger audience than Hart’s.

But boy oh boy, talk about bad timing, bad luck and sheer annoyance.

“Fuckity, fuckity, fuck, fuck, FUCK!”

So, here I am, holding my nerve, grasping the nettle and stepping off into the ether and hoping against hope that I’ll be able to still grab onto that fleeting opportunity.

Wish me luck folks and if you do see or know Miranda Hart, give her the middle finger for me please! 😀

2016 – The Year of the 4 B’s – Bowie, Brexit, Broken Friendships and Bigotry

It’s 2017, thank the gods! Like many people around the world, I was very keen to welcome 2017 and see the back of 2016, a bloody awful year. 😦

This year has seen the last vestiges of any innocence die a death, of what remained of life’s rosy tints fade to a newer, harsher reality of what the world is really like rather than what we’d like it to be or thought it was. I’ve always teetered between being daftly optimistic on life or darkly pessimistic, this year has definitely brought out the latter.

That’s the reason I have written this very long post – to cathartically and finally put 2016 and all its negativity behind me, so I can start the new year afresh. To move on, live, love and find the beauty in life again.

Warning: If you’re feeling low at all, just skip on down to the positive stuff at the bottom! 😀

bowie_on_tour[1]The year started terribly, the death of one of my all time heroes who I affectionately described when I was a 6 year old dressing up like him, as my ‘space pirate’, yes, the death of David Bowie hit a lot of people hard. He was this insanely exotic and magical figure, my space pirate, then the Goblin King then as a teenager, he was a refuge, an outsider just like me, someone who didn’t fit in. He looked different and felt different and celebrated that diversity rather than trying to adhere to other’s rules. As a teenager I withdrew from friends, from everyone, from life, the weight of dealing with a family imploding in on itself, was too much to bear, an ultra violent alcoholic and abusive father who was determined to destroy his family and tear his children down. I didn’t fit in. I wasn’t worrying about make-up, exams and boyfriends, I was worrying about what lies to tell my friends when they asked why the police were around our place again, why we were seen being chased down the road in bare feet and our bedclothes as he wielded a knife, an axe, a broken bottle. I was worried about being killed, throat slit or head caved in as he threatened or having my mum killed, yet another dreadful statistic of domestic violence. So yes, I sought refuge in fantasy fiction, in writing and drawing and my beloved Bowie, the ultimate outsider.

After Bowie passed, the year saw more of our heroes fall, one after the other, unrelentingly so, most recently Carrie Fisher our beloved Princess Leia and her mother just the day after.

5dea49e85d1672067a19ae1306b8ba353e1eac91be17d09a3ee9a50c3fa7db8d1I admit my mental health has not been great this year. I’ve battled with extreme depression on and off for most of 2016, swinging from manically happy to manically low, and I’m sure this has skewed many things and heightened my reactions to things. The thing about depression is that you can be surrounded by friends yet feel utterly isolated and alone. A couple of times this year things have been very bleak indeed and I’ve teetered on the edge. I’m not excusing myself, even in my blacker moments I’ve never attacked those I love or anyone. But I know I’ve been incredibly angry this year, not like me at all, and the whole Brexit debacle has definitely played a huge role in that.

In February, I was driving to work when a woman smashed into my car ploughing it off the road and writing it off in the process. I was gutted, out of pocket and in pain. As anyone knows who is involved in an accident even a clear cut case like mine where the other party admitted culpability, it drags on for months! 😦 Crash

The year wore on and with it my physical health continued to dip, several trips to the doctors, a couple of collapses and a couple of low key hospital visits together with a shed load of meds later. It’s a drag but it’s not life threatening, pain is something you learn to deal with, its just when the vertigo and vomiting kicks in that you feel like an invalid as you truly can’t walk or even stand and can do nothing but crawl on all fours like a howling toddler. Sigh. But, I know people have it far worse, so I’m grateful for the health that I do have.

The war in Syria continued to escalate, the sheer cost of human suffering is almost unfathomable and yet the West seems utterly unable to help the innocent who are paying the cost with their lives. The world is a very scary place right now. 😦

51s1l6rh6cl-_sx311_bo1204203200_1In April came a wonderful highlight, the launch in Bristol for the awesomely awesome anthology, Fight Like A Girl (a strangely prophetic title given how the year turned out!). Wow, what a wonderful day! Martial arts, gritty readings, a panel and a mass signing, it was like a glorious mini-con and I eventually got to meet fellow AWB matey, the lovely AFE Smith who had travelled all the way to Bristol to support the launch. It was lovely meeting her after nearly 6 years of knowing her! Thank you to BristolCon, Joanne Hall, Roz Clarke and the amazing Sammy HK Smith for everything, I do feel very blessed to have you all in my life. Love to you all. ❤

Then we had the toxicity of Brexit. OMG, what can I say?

First, lovely Jo Cox, an amazing Labour MP, thoroughly decent human being and mother to two young children, was brutally murdered by a fascist right wing nut. She was a staunch supporter of the Pro-Remain side along with the rest of her party, leader and the vast majority of left wingers and Labour party supporters. She died for what she believed in, an inclusive, forward thinking and compassionate country, not an inward looking, anti-immigrant island of ‘them and us’.  It was an utterly brutal and horrific attack. jo-cox-labour-mp1

Did it change the outcome of the Brexit Referendum? No, not one jot.

13510824_10153736311815840_6984061545886519550_n1Myself, along with 16 million other people, the 48% of people in Britain who rejected the right wing rhetoric, the xenophobia, narrow mindness, racism, bigotry and poison spouted during the ‘campaign’, not to mention the endless fear mongering and lies (£350 million going to the NHS eh? Uh, no), truly believed that we lived in a better country than we do. We were proved wrong. I’ve never been so sad and so ashamed of my country. 😦

Massive divisions opened up, and yes, there was mud slinging on both sides. No-one escaped Brexit untouched and unsullied. But what was shocking to me was how intelligence was suddenly vilified, experts in fiscal studies, economics, trade, heads of business, the IMF, corporate CEO’s, scientists, academics, all of them were ignored while ignorance itself and mistruths were applauded, the ‘now we have our country back’ brigade were out in force.

Brexit was utterly toxic, divisive and caused deep rifts in families, friendships and communities up and down the country, rifts that still remain today. lr-by-party1

On a personal level, which I admit has really shaken me, it also heralded the end of a close friendship I had for nearly 5 years. I won’t mention his name, I’m not into ‘outing people’, it’s unfair and unnecessary so most of you will have no clue who I’m talking about, only a very small handful will know and they know anyway.

It was a strange friendship, granted, but a good one I thought. Despite often telling me that we were basically the same age (thanks for that), there was actually 18 years between us, he is nearer to my Mum’s age than mine. Age never mattered to me though, anyone who writes fantasy tends to be young in themselves regardless of the passing of time, but in this case it seemed to play a part. As with much of the country, we fell into the age demographics of Brexit. He was a vehement Pro-Leaver/Brexiteer as most of his ‘baby boomer’ generation were (the 60yr olds +, the ones who benefitted from free education, early retirement, golden handshakes, low cost housing, plentiful jobs etc., opportunities the younger generations could only dream of) and I was a staunch Pro-Remainer along with most people in their 40’s and younger (many of them unable to get on the housing ladder and crippled by huge debts). Of course there are exceptions, my mum and her friends in their early 70’s were all left wingers and Pro-Remainers and a percentage of younger people also voted to Leave, but generally the vote was pretty clear along age, political and educational lines.image1

 

13498097_1209717079039636_4890768423205541922_o1Running up to the Referendum, for weeks we had had awkward conversations on FB, especially privately. He’s a very forceful personality and was actively interjecting his opinions all over FB most notably and deliberately on Pro-Remain posts, to such a degree that a mutual friend threatened to defriend and even block him! It didn’t seem to diminish his fervour, in fact he seemed to actively enjoy the arguments as if it were mere banter. I hated it. I admit I was very fervent myself, very angry, but unlike him I was ONLY commenting on my fellow pro-Remainers posts, a mutual commiserating and supporting of each other during a traumatic time. I’d no sooner start trolling Pro-Brexit posts than fly to the moon! Suffice to say, he was rubbing quite a few people up the wrong way and was either blissfully oblivious or found it a strange ego-boost in some way. I can’t fathom that kind of thinking to be honest, I hate confrontations, I’ve had a lifetime of them and they make me ill, but then I don’t have his unrelenting self-confidence.

With each new comment I became more shocked at how entrenched he was, which of course, only made me equally intractable, that’s how arguments escalate, like sides in a war. brexit-shorthand-charts-1_11

Things came to a head when, after he had pushed me to the point of breaking, ignoring my repeated pleas to him not to discuss politics (he’s one of those characters that think of themselves as being very sensitive to others when in reality they are utterly clueless and just bulldoze over people) I had asked him to back off, stating that I would not discuss politics with him, that I would walk away every time he commented on something. Fine.

Then came the vote itself. Despite feeling awful at the outcome, he, on the winning side, still continued to blissfully push his opinions on everyone, cheerily telling Remainers who were in shock, dismay and were mourning the result, that things would be rosy and fine, that their genuine fears were wrong – NOT the thing to do! Again, a mutual friend had to forcibly tell him to BACK OFF. Despite all this, I private messaged him offering the olive branch, trying to reconnect with him and explain why I had asked him to back off and had been so emotional.

What did he do? He verbally attacked me. I never knew he had a nasty side, I do now. Among other things, he accused me of calling him a racist, something he knows damn well I never said and never would. It couldn’t have been further from the truth. I knew full well his reasons for voting the way he did, he saw the EU as some all evil Empire, it had nothing to do with immigration. I was deeply hurt, outraged, bloody furious, how dare he? After all the crap I’ve put up with from him, the bullshit, the exaggerations, the lies, the ulterior motives. I’d never blamed him for repeatedly recommending me to join our old awful ex-publishers, for pushing them so hard, it was my mistake not his, I had signed with them without checking them out first because I had trusted the opinions of him, my friend. He’d later admitted that he wanted as many people to join them as possible to make them successful and help his own books. The experience scarred me more than I can say and almost stopped me from ever writing again, but I never once blamed him for my own misfortune. It was my mistake, not his. I’d always been supportive, putting my own personal feelings to one side when he did things I didn’t like, as I’m sure he did for me, after all, that’s what friends do, they respect each other’s differences and idiosyncrasies. Having been cheated on myself in the past, I find adultery abhorrent regardless of the circumstances, but when he got involved with a married woman (whose husband was apparently dying), I was genuinely thrilled and supportive for him, because I just wanted to see him happy – again that’s what friends do!

I asked him to show proof of where I had accused him of such a heinous thing (knowing he wouldn’t be able to). He ignored my message for two long weeks. I was devastated. How could a close friend be so vicious, so unkind, so untruthful? I shared my shock on FB, being careful not to mention his name, as I was so upset and needed the comfort of friends. What did he do? – attack me again for sharing my feelings on FB – and here’s where it gets truly nasty. He had done the exact same thing to me, but worse, he had done it the day before (when I was in ignorant bliss of his awful feelings towards me) he had openly vented over FB on a mutual friend’s post, spreading lies about me, about how a close friend of his had called him a racist and how he’d been battling with racism his whole life etc etc. Then in a typically underhanded and hypocritical move of him, he had secretly contacted the mutual friend and asked him to remove the thread, when that friend refused, he then went in and edited out all the crap he said about me – but too late, I had already seen it! To then have the audacity to pretend he was somehow the victim instead of the attacker and accuse me of something he himself had done the day before just beggared belief!

I know how terribly trivial this all sounds, especially given the dreadful global things that have happened this year – the crumbling of a friendship is hardly worth moaning about. But it was one of the worst most hurtful things I’ve gone through in quite a few years, made worse because I was in a vulnerable state and hadn’t expected a friend to behave like that.

To be honest, politics, deceitfulness and verbal attacks aside, the thing that has devastated me the most is the fact that running up to this whole horrible debacle, I had repeatedly told him that I was in a bad head space, that the whole Brexit thing was actually making me ill, that I was really struggling etc., and he couldn’t give a shit. From someone who has been afflicted by depression himself, the ‘black dog’ as he fashionably likes to call it, and as a close friend he knew I had struggled with bad depression for years, including two suicide attempts. I had always been SO fucking supportive of him when he was in a bad head space, even though I know he exaggerates everything, I’d been on the same drugs as him which hadn’t affected me at all, but none of that mattered. I know when it comes to mental health everyone deals with it differently and gets affected by it differently. But here was the crux, I’d always been very supportive and caring of when his bad times hit, and to a certain extent he had been relatively supportive of mine. Yet, when it came to Brexit, he had ignored every single one of my pleas, he didn’t give a shit that I was struggling, that I was repeatedly telling him I was in a bad way, none of that mattered, only that he was right and me along with 16 million others were wrong. His ego, his unwavering self-belief was far far more important than a friend in need. It was the final demonstration, if I needed it, that this was a man so utterly up his own arse that if anyone needed help, he’d be the last person to see it. Like a teenager desperately seeking attention, only HE was the one that mattered, only his depression, his feelings, his opinions.

After two weeks passed he eventually responded to my private message. I admit, I never read it. I was too hurt by the whole thing and could tell straight away that it wasn’t an apology or anything like it. He had attacked me in such a nasty way, he had hurt me terribly to assuage his own bruised ego over most of our mutual friends saying how wrong he was over his Brexit stance and he had taken his frustrations out on me, a soft target. Ironically I saw how he reacted to our mutual friend who had threatened to defriend and block him and who quite rightly told him where to stick his opinions in a hilariously forceful way. Did he attack him back? No, of course not, he replied with a single word answer, “Peace”. Strange how differently he had reacted to me, but then our mutual friend wasn’t a soft target and I was.

To me, that was pretty unforgiveable. Like a divorce, the end of a friendship is never easy and always painful. Things went on. We didn’t speak or communicate at all. When my birthday rolled around I knew I wouldn’t be getting a birthday card from him, but I admit, seeing him active on FB that day and not bothering to even press a button to send one of those automatic FB birthday messages, something that takes no effort to do, I finally realised that things were over for good. The pretence that we were friends was over, what was the point of hanging on and just being continually kicked in the gut? So the day after my birthday I finally defriended him. It hurt, it still does to a certain extent, maybe that will give him some pleasure, I don’t know and I no longer care. I only know that after a lifetime of being hurt, of being kicked in the guts physically and figuratively, that I am too old and too worn down to allow so called friends to hurt me, my tolerance for cruelty is zero. I’ve never knowingly hurt anyone in my life, never attacked anyone, never cheated, never lied about someone. I have been a carpet, I admit, but my fiery temperament is definitely taking over now and I’m not prepared to take anymore shit.

None of us deserve to be treated badly, none of us.

I’m all for forgiving people, god knows I’ve forgiven people a hell of a lot and then been shitted on again. But in the end, life is too short, too hard, too fucking difficult to keep climbing that hill with all our baggage while those we hold dear kick us as we stumble. I am very fortunate to have a few very very dear friends, Heather who I’ve known for years and who made me godmother to her first child; Sammy, my amazing publisher but far far more importantly, an amazing and very dear friend who I share so much with, Kate Coe and Jo, two of the truly loveliest people you could meet, Roz too and actually all my fellow Grimbold authors who are such darlings and such truly remarkable and wonderful people. I love them all and am very thankful to have them in my life. ❤

But I admit, more than the awfulness of Brexit, of Trump’s hideous bigotry and election win, of our heroes dying, what has marked this year as being particularly awful for me, was the ugly end to what I thought was a great friendship. It leaves me feeling wary, jaded and nervous of trusting people again and I know that is not a good disposition to have.

So…my New Year’s Resolution is simply this – to be open, to be positive and to be happy.

Darkness won in 2016, but even in the dark there is always a light.

So, looking to the positives…this year has also seen a very close family friend of some 50 years, battle and survive cancer, which is to be celebrated! We are so thrilled she has made a full recovery and is doing so well. 😀 ❤ The growing closeness of my other friends is something I am so so thankful for and as some of them embark on a whole new chapter in their lives, I am so excited and thrilled for them. shadows-of-the-oak

This year has also seen the publishing of two books with my stories in, the wonderful, Fight Like A Girl in April (with an amazing book launch in Bristol), and most recently, Shadows Of The Oak which also has two of my illustrations in. I am so happy for improved health and happiness of those I hold dear too, especially my mate Sammy who has overcome so many things and is an inspiration to all of us. Love you sweetie. ❤

My illustration business has continued to flourish with great word of mouth keeping me very busy. My most prestigious commissions to date were for the wonderful Juliet McKenna and her Shadow Histories of the River Kingdom, and now Anna Smith-Spark and her new HarperCollins book due out next year, The Court of Broken Knives.

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I also managed to win my second NaNo this year (50K words in a month) which I was thrilled about and have just wrangled into existence a first rough draft of my second novel, Darkling Rise, after struggling for two years with it!

Now, I have two more short stories to write this month for two different anthologies, yet more illustration commissions lined up and Book 2 to knock into shape. 2017 also heralds a very personal milestone that I am going to try my hardest to achieve…watch this space! 😀

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So, I hope you guys have had a better year than me and wish you a gloriously happy 2017. But if you have had a tough year too, then take heart, things always change and WILL get better. I know 2017 will have a lot of struggles of its own, after all we will all be entering Trumpland, but I truly believe if we remember to treat each other well and not give into hate, that we can make the next year a great one.

Love to you all and HAPPY NEW YEAR!!!!! 😀 ❤ xxxxx

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