Magic and Mental Health

It seems both poetic and ironic that on World Mental Health Day (10th October), that my own mental health which has not been good this year (particularly of late), has turned a corner.

It’s true that I have been plagued by depression since I was 13 and have had some pretty dark times. I once described it as being a meal on a menu, once you’ve been down that dark road you’re never quite the same again and that meal option keeps popping up – an apparent ‘easy’ way out. Which of course is illusory, nothing in any aspect of life is ever ‘easy’.

But, demons aside and crippling self-doubt, it is amazing what a piece of good news can do for your self-esteem and yes, for your mental health.

It’s horrible to think that my mental health is so fragile and unstable that it can be shaken by bad news and improved by good news. I’ve always prided myself on being a very tough cookie, after all I’ve survived a lot of things that would simply have buried other people, so there is a hard tenacious streak somewhere in me.

But I suppose, when I’m feeling low, stressed and upset, that’s when mental health can be particularly fragile and susceptible to outward forces. I just have to accept that and try not to be so affected by others and the outside world. Being a hermit after all has some benefits! šŸ˜€

The trick to any mental health crisis, is not to beat yourself up. You can’t help how you’re feeling and you’re not in full control of how you behave either, I’m not talking about behaving like an asshole to others and using it as an excuse, there’s never an excuse for being a dick. But, when you’re in that dark hole, the world and everything in it is skewed, you are viewing people and situations in a very altered state. Paranoia, fear, isolation, loneliness and self-destructive thoughts run rampant and things that appear minor and trivial to others, become massively important to you, through a microscope lens.

The only advice I can offer to fellow suffers, is just that it WILL pass, if you let it. Everything in life is transitory.

Happiness never lasts, neither does love, but then neither does unhappiness either.

We are all flotsam on a tide of emotions that ebb and flow, appear and disappear. So if you are feeling miserable, take heart that you will not feel like that forever. And if you are happy or in love, make sure you treasure every moment because life is so fleeting.

So…for me, as writing has been causing me so much pain of late, I have temporarily hung up my pen. I will always be a writer and I WILL finish Book 2 of The Darkling Chronicles, Darkling Rise and the third and final book, even if no-one reads them and my other novel projects, including Ravenwing. But for now, novels and short stories (which I’m still not convinced I should do anymore of), are being temporarily shelved.

I’m concentrating on something I know I CAN do and do well – ART!

2017 has been a pretty monumental year art wise. I established the Artmaniac Challenge and FB group, where people share their art and try to do something arty and creative every day (a very hard ask), as well as videoing my first art tutorials on YouTube and doing my first art exhibition in the Art Room at BristolCon (the first exhibition since my art student days)…but I have also found myself being wooed by HarperCollins to become one of their illustrators! A dream come true! That resulted in my creating two awesome maps for their highly anticipated grimdark debut’s Anna Stephen’s Godblind and Anna Smith-Spark’s The Court of Broken Knives. The response I have had about these maps has been nothing short of phenomenal and they have made their way around the world being picked up by Random House and Orbit in the USA and by Dutch and German publishers etc etc.

Well, it’s happened again! Out of the blue, another major publisher contacted me on my illustration website and wants me to work for them! No less than Penguin Random House! šŸ˜€

I’m so chuffed! Yes I know my art skills are good and I’m a total perfectionist, but as we all know, having any measure of talent does not guarantee you a damn thing. How many multi-talented people do we all know who should be wildly successful but aren’t, while decidedly mediocre folks seem to rise to the top? 9/10 times, it’s simply who you know, your connections that get you where you want to go and not your acumen or talent. Tough but true.

But on this occasion, it genuinely seems to be my skills as a mapmaker that have brought me to Penguin’s attention. Woo and hoo! šŸ˜€

So yes, as I finish a current map commission, start work on a brilliant new projectĀ being funded by Oxford University no less, and prepare for my scary art exhibition and being on two panels at BristolCon (including moderating one)…I will also begin a scary new commission for Penguin Random House! šŸ˜€

So…dare I whisper it, but I am starting to feel a lot better and my depression is (hopefully) on the wane even as I enter a very hectic and stressful period. But that’s the thing about mental health, it can affect any one of us and at any time. So please, if you know someone who is struggling, no matter what the cause, just listen and be there for them and remember to look after yourself too.

Peace, good mental health and love to you all. ā¤ xxxx

ā¤

 

Are you prepared for SUCCESS?

Despite not being well at the moment it has been a good year so far. It’s funny, IĀ don’t know if it’s a Brit thing – beingĀ humble not ‘hooting your horn’ or wanting to be seen to show off, or if it’s just a me thing, but I’ve always been prepared for failure not success.

On the relationship front – yeap, I’m pretty much a human tsunami, a total disaster zone. It’s true I never wanted to get married or trapped as I saw itĀ (hardly surprising given my childhood and family) but I did and do still want kids…something I’m going to have to do something about sooner rather than later.

On the professional front – I fell into a career (teaching) I never intended to do, and though to my own surprise I was very good at it, it was hugely draining and creatively very unfulfilling. But, I thank that career for my house and mortgage and the boring adult life stuff it gave me.

On the creative front – yes, I’ve always been blessed with the ability to draw and paint to a high standard, even from the age of 3 apparently. It led me to do a National Diploma in Foundation Art followed by a BA (Hons) Degree in Fine Art/Visual Arts, which I loved every moment of. But, having completed said degree and not having any money, I foolishly turned down the MA place I had secured at the prestigious Slade School of Fine Art in London. Instead, after yet another disastrous relationship break up and aĀ marriage proposal (yes, I still have feelings for him but no I have no regrets saying “No”), I escaped as far away as I could, 15,000 miles away to New Zealand for four months – backpacking in blissful solitude and stunning landscapes! I’d never been happier. šŸ˜€

On returning, without a job or prospects of getting one, I did a post-grad teaching course and fell into teaching for 16 long years – many of which were enjoyable but many of which were not.

Life passes so frigging quickly…how the hell did I get here?

Then, my first completed novel, White Mountain, was published. I was ecstatic, a childhood dream and passion had actually come true and to make things more perfect, I had illustrated my epic fantasy novel too, combining my two great loves.

What happened?

Well, an 8 date Waterstones book signing tour and numerous independent bookshops, sold a ton of books, which gave me my membership to the Society of Authors, newspaper interviews, things were moving fast and brilliantly and then…it all promptly collapsed. Despite my jubilation at being published, it was with such a thoroughly unscrupulous and dreadful publisher whoĀ had ruined my book (something I had taken ten years to write and research), had given me possibly the worst contract terms in the business, broken that same contract numerous times, bullied me terribly and finally shafted me out of hundreds if not thousands of pounds of royalties. I left them and after only 4 months of the book being out there on shelves and in bookshops, it was withdrawn and I skulked away badly battered and bruised by the whole ordeal.

It very nearly stopped me from ever writing again and certainly contributed to my permanent illness and my problems ‘getting the words down’. 😦

Fast forward, amazing thing upon amazing thing happened and my beloved book was taken on and re-published by another publisher, the wonderful Grimbold Books based inĀ BanburyĀ (and their imprint, Kristell Ink Publishing). It was re-edited, re-formatted, given an amazing new cover from the dreadful one it had been landed with and was completely overhauled and released out into the world once more as a beautiful fresh thing! šŸ˜€ ā¤

I was thrilled and elated beyond words. That elusory second chance had come along and the book was how I had always dreamed it would be. BUT, despite Grimbold being utterly brilliant, which they are and the book being brilliant too, that initial momentum had been lost. Yes sales were steady, but not the fast flow they had once been and in the intervening time Waterstones had changed their policy about small press authors signing, and so suddenly, despite having sold well in every Waterstones I had signed in, the doors were slammed shut. I believe, slowly, that is beginning to change…we’ll see.

Now, with a crippling illness and mental constrictions on what I can do (short term memory loss and severe mental fatigue as part of my ME/CFS and Vestibular Neuritis), I have struggled on, writing a slew of short stories, novellas and poetry and trying my hardest to still write the second novel and follow up to White Mountain. Now at least I finally have a first draft of Darkling Rise from which to work.

I kept drawing, painting, mostly for myself and friends and started doing book illustrations. Nothing major, all very enjoyable but hardly paying the bills, especially as once my teaching career ended I found I physically and mentally couldn’t work fulltime anymore – I work part-time in a library now, a job I love.

So yes, some ups, undoubtedly, but lots of downs and certainly lots of practice for failing.

Then suddenly, this year after a strange string of ‘word of mouth’ and luck coincided, along with a large dose of THANK YOU to author, Anna Smith-Spark, I was actuallyĀ approached by the big boys – HarperCollins! šŸ˜€

They had seen the hand drawn fantasy map I had done for Anna Smith-Spark and her wonderful fantasy debut, The Court of Broken Knives, and seen my other illustration work and wanted me to be one of their illustrators/suppliers! It was a strange dream, but a wonderful one.

Of course I jumped at the chance and quickly found myself doing a second commission for them only weeks later, for Anna Stephens and her highly anticipated fantasy debut, Godblind.

But here is where theĀ – are you prepared for success?, comes in…

Because I really, REALLY was notĀ ready. Suddenly I had HarperCollins contacting me on almost a daily basis, tight deadlines thrust on me, and yes…MONEY! They were valuing me and my work in a way I was unprepared for.

I was having to deal with purchase orders and invoices. I’d always given clients a receipt if they wanted it, but no, these were bonafide invoices, each one for a different hardback edition then paperback edition of the books the maps would be in and each for a handsome amount.

I was stunned. I still am. I just received 6Ā purchase ordersĀ from HarperCollins a few days ago, for me to send back with 6 different invoices. Then, I got contacted by Dutch Publishers, Luitingh-Sijthoff, who want to use the same map too, and Orbit from the USA will be using one of them as well, etc., etc. OMG!!!

It’s been utterly bewildering. For someone not used to any kind of success (other than the fleeting kind), despite all my hard work, efforts and dreams, to have this happening now is frankly bizarre.

To all of you out there, plugging away as I have been, trying to find that magical ingredient to finding a market for your work, or ‘making it big’, finding success, having your dreams realised…take some heart. Although I’d never claim that I’ve ‘made it big’ because I haven’t, I have suddenly found myself in the big leagues in illustrative terms at least, with the prospect of making a good living from what I create – there is now a small space for me at the grand table.

So keep working at it guys, keep having those dreams, don’t give in, work your ass off and grasp every opportunity that comes your way because they don’t last and may not come again.

I for one have no idea where all this will lead me and am convinced it won’t last, but I’m hanging on for the ride with every intention of staying on this rollercoaster for as long as I possibly can! šŸ˜€ xxxx ā¤

Holding Your Nerve!

A great deal of success, beyond the working your ass off, talent and smattering of luck, is also down to youĀ ‘holding your nerve’. Recognising that moment, that opportunity which could go either way, and making sure you swing the pendulum towards the ‘YES WE WANT YOU’ direction and not the ‘THANK YOU, WE’LL PASS’.

Holding your nerve is a deep breath as you plunge through the ice and hope you don’t drown kind of a moment. It catches your breath and if you play it wrong, you’ll be self-flagellating yourself for years to come, bemoaning that one last chance, that one opportunity you had but messed up.

So, that’s the precarious limbo I find myself in now, trying to swing that pendulum my way.

Shortly after my last post about possibly getting an agent, or at least having an agent interested in me, I hit an unforeseen road block in the shape of posh celebrity funny woman, Miranda Hart!

Yes, the same Miranda Hart that used to have the TV show on BBC 1 called ‘Miranda’ and who, apart from being posh and famous,Ā is also fabulously rich.

Well, like a slew of other celebrities,Ā Miranda HartĀ has decided to go into the realms of fiction, specifically children’s fiction, after all to write a children’s book is the easiest thing isn’t it? That’s what Madonna did and David Walliams does? Sigh.

Now, normally this wouldn’t elicit much of a response from me, beyond the usual groan that once again here is a celebrity that had never written a book before they were famous and who, now they are a well known name, decide to capitalise on that fame and invade the bookshelves of our local library and bookshop (often at the expense of full time writers who depend on writing as their sole income and who don’t have the celebrity lifestyle, bling, fame, money etc., and do not have the cache of having an instantly recognisable name).

I don’t mean to sound bitter, but it does piss me off. The publishing world is tough enough for all writers, especially those like me from a small press or many of my indie author friends, so to have even well established authors squeezed off the shelves by sparkly, shiny celebrities, seems grotesquely unfair and means we have zero chance of getting there ourselves. I don’t have a problem with the endless celebrity cookbooks and autobiographies, but I do have a problem with them invading the fiction shelves with an automatic get out of jail free card – ie. an unfair advantage that no one else has. Even well established authors will not garner the massiveĀ publicity, the huge marketing budgets, the momentum, the TV interviews and media coverage that these celebs get, just for being celebs! If they always wanted to write, thenĀ why didĀ not one of them write a book before they became famous?

Our library, like many around the country, reflects this trend. So while I’m doing my job I’m seeing Judy Finnegan, Richard Madeley, Fern Britton, Dawn French etc., etc., etc. It’s depressing tbh. Perhaps some of them are good writers, but they have used their celebrity status to get huge publishing deals most authors could only dream of, and remember, they hardly need the money!

Well, on this occasion, this latest celeb to go into fiction has made a huge and direct impact on me personally, in all the worst ways.

A few days after my last post I received a very sweetĀ email from the interested agent giving me a head’s up. It was terrible news.

http://www.thebookseller.com/news/miranda-hart-turns-childrens-book-author-499821

The children’s book I wrote back in 2013, when after 16 years of teaching I suddenly lost my job and career through a nasty long term illness which I have for life, and when, at the same time I also left my dreadful ex-publisher and was utterly heartbroken over how they had treated me and ruined my beloved book, it was fair to say that 2013 was an awful pissing year. As such, IĀ not onlyĀ lost my way that year butĀ I alsoĀ lost my smile for a long time. It was those events that inspired me to write my children’s book, ‘The Little Girl Who Lost Her Smile’, in the hope of it helping me to find my smile again and start over.

Well, I wrote the book back then and have been slowly and meticulously designing and drawing the 24 illustrations needed for it (for a normal 32 page layout picture book). It was this same book that these agents were interested in.

What happens? Miranda bloody Hart has written a book with an almost identical title and by the sounds of it an almost identical story! So after 4 years of hard work, writing, drawing and polishing this children’s book, in one swoop it’s all gone up in smoke! Thank you Miranda millionaire Hart! To say I’m gutted and annoyed is an understatement! All that work, all those years, for nothing! 😦

I am now left in the precarious position of having to completely rework my story and illustrations for these lovely waiting agents, and yes, the pendulum has severely swung away from my direction towards the ‘Thank you but no’ side. It is up to me to now ‘hold my nerve’ and produce something amazing out of the hat to show them, something that will allay their fears about another very similar book already heading for the shelves. The only advantage I have, is that my book is aimed at a younger audience than Hart’s.

But boy oh boy, talk about bad timing, bad luck and sheer annoyance.

“Fuckity, fuckity, fuck, fuck, FUCK!”

So, here I am, holding my nerve, grasping the nettle and stepping off into the ether and hoping against hope that I’ll be able to still grab onto that fleeting opportunity.

Wish me luck folks and if you do see or know Miranda Hart, give her the middle finger for me please! šŸ˜€

Agents and Taking Chances!

This is kind of a follow on from my last post about the randomness of good luck and how ‘word of mouth’ can set off a chain reaction of happy outcomes. For me last month that started with HarperCollins approaching me because they loved the fantasy mapĀ I createdĀ for one of their new authors, Anna Smith-Spark,Ā and that led to them wanting me to be an official HarperCollins illustrator!

Pencil portrait of poet Ben Okri by Sophie E Tallis

Pencil portrait of poet Ben Okri by Sophie E Tallis

Well, what I didn’t mention, as it happened so soon afterwards, is that I was also approached by an agent! Yes, an agent! Again, how this happened was so so weird.

I work at a library, a very inconspicuous job and one I love – who wouldn’t love being surrounded by books all day?! Now, apart from doing my normal library duties, I also paint murals on the huge glass panels of the library windows, which not only brighten the whole library up but do encourage kiddies and more people through the doors. I did a Christmas scene from Narnia, a huge homage to Roald Dahl and the latest one, my own version of ‘Twas the night before Christmas’, complete with my old cat, Kitty.

My mural interpretation of Quentin Blake's Roald Dahl character, Fantastic Mr Fox by Sophie E Tallis

My mural interpretation of Quentin Blake’s Roald Dahl character, Fantastic Mr Fox by Sophie E Tallis

Anyway, one random day last year, just before Christmas, a customer came into the library and asked if I did the windows. I said yes, thenĀ she asked if I was an illustrator, again I said yes, then she revealed thatĀ she worked in publishing, specifically children’s publishingĀ and loved my artwork! I was gobsmacked.Ā I told her I had written a children’s book and was busy illustrating it and she was very keen. We exchanged email addresses and emails then after Christmas she contacted me again and asked to see the book. I sent her the text, layout and a few sample illustrations then waited. About two weeks ago she got back to me. They loved it. It wasn’t an immediate “yes we’ll take it now”, but it definitely wasn’t aĀ “no”, they gave me really detailed feedback to tweak and improve it then want me to re-submit it to them inĀ the nextĀ few weeks. OMG! šŸ˜€

Pencil portrait of poet Benjamin Zephaniah by Sophie E Tallis

Pencil portrait of poet Benjamin Zephaniah by Sophie E Tallis

It’s just such a bizarre set of circumstances!
So, all this arty madness and my continuing daily Artmaniac Challenge on Facebook, got me thinking…yes luck plays a great part in getting opportunities, what were the chances of an agent coming into the library and approaching me? Zero I would have thought. But, by that same token, we can do more to try and maximise and even create those opportunities. Ten years ago I would never have had the confidence to speak up, if a agent had complimented my work I would have said thank you and left it at that. So yes, we do have to push ourselves out there whenever we can.

Pencil portrait of musician Rick Wakeman by Sophie E Tallis

Pencil portrait of musician Rick Wakeman by Sophie E Tallis

Simple truth – shrinking violets don’t get anywhere.
All that lovely good stuff got me thinking about taking chances, being more proactive beyond the usual internet stuff we all do, which let’s face it, doesn’tĀ really get us anywhere beyond having a good time chatting to our friends.

So, in a mad flurry, I decided to enter the Sky Arts Portrait Artist of the Year 2018, a national art competition which is televised of all things, where professional and amateur artists have four hours to paint a celebrity sitter then have their work judged. Believe me, the last thing I want to do is expose my wobbling chins on television, but this was something so totally out of my comfort zone I just felt I had to at least try.

Pencil portrait of actor Al Pacino by Sophie E Tallis

Pencil portrait of actor Al Pacino by Sophie E Tallis

First stages of my self-portrait by Sophie E Tallis

First stages of my self-portrait by Sophie E Tallis

Given that I haven’t actually painted in years (and many of my oil paints are so old they’ve gone hard!) and it’s been twenty years since I painted a self-portrait (the pre-requisite for entering the competition), it was a totally mad idea! So, with the deadline being Friday 3rd March midday, I started an oil on canvas self-portrait the day before! INSANE!

Next stage of the self-portrait by Sophie E Tallis

Next stage of the self-portrait by Sophie E Tallis

With literally a minute to go (and yes I mean one minute), I finished the portrait Friday morning, quickly filled out the online form and submitted it before I could think too much about it.

Work in progress of the self-portrait by Sophie E Tallis

Work in progress of the self-portrait by Sophie E Tallis

A few minutes later, I got the confirmation email saying they had received it, wow, I actually did it! I also got another lovely email from one of their assistant producers asking for a higher res photo of my artwork, which I did.

Now, I have no delusions of grandeur here, the likelihood is that my art won’t even be longlisted let alone shortlisted, but you know what, that almost doesn’t matter. I took a chance, a mad chance and really pushed myself out there. I’ve learnt that things I thought I couldn’t do anymore I actually can.

Progress on the self-portrait by Sophie E Tallis

Progress on the self-portrait by Sophie E Tallis

So…the next challenge? I HAVE to put that same energy, that same risk taking, chance taking in my writing. I’ve been frozen on the writing front for so long it’s now a joke. Yes I eventually managed to get to the dodgy first draft stage with my second novel, but I know it’s such a long way from being finished – what the hell has been holding me back? Illness plays a large part, but not all, I’ve been using that as a crutch, I realise that now. It’s fear. Fear that I can’t do it anymore, that all I can do is short stories not novels, fear that the second book will be a failure, that it won’t be as good as the first book, that it will be crap. FEAR.

So folks, this has been my very round about way of saying…

TAKE CHANCES GUYS!

You may fail, most likely we all will, but by god it will help you, inspire you, push you out of that rut you’ve fallen into without even noticing. If you fail, fail gloriously, fail having taken that chance not having stayed on the couch and ‘what if’d’.

So there you go. Opportunities are what we make of them, be brave and challenge yourself. Good luck guys, good luck to all us creative crazies! šŸ˜€ ā¤ xxx

Final oil on canvas self-portrait completed Friday 3rd March 2017 by Sophie E Tallis

Final oil on canvas self-portrait completed Friday 3rd March 2017 by Sophie E Tallis

YOU SHALL NOT PASS!!!!

When it comes to writing or any creative endeavour that you are serious about i.e. not a hobbyist, but that you actually want to make a paying career from (again not fame & fortune, if you crave that you’re in the wrong game – go join a Big Brother house or Britain’s Got (f**k all) Talent), we are so often faced with failure.

So often I feel like the Balrog on the bridge in Khazad-dƻm, trying to gain access to a path closed to me, a world full of closing (or slamming) doors.

Just need to add the appropriate sentence ending:

“YOU SHALL NOT PASS – this slush pile.”

“YOU SHALL NOT PASS – this competition’s shortlist (or even longlist).”

“YOU SHALL NOT PASS – this agent’s/publisher’s criteria.”

even “YOU SHALL NOT PASS – this selective writing group.” etc., etc.

Trying to make a living out of any creative field in a marketplace so utterly saturated with other writers and artists, is tantamount to wading through tar to reach that Avalon-like island on the horizon. It takes a hell of a lot of hard work, some random luck, some ‘who you know’ and a decent product that you’re trying to sell.

Unfinished pencil study of James Norton by Sphie E Tallis

Of course writing and art are completely subjective, what one person considers to be masterful, another perceives as being rubbish. But I still think some basic principles apply – the mechanics of writing a good sentence or drawing a good picture, of forming those images whether in the mind or on canvas.

Sadly, the path to success is littered with amazingly talented people who never quite got to grips with marketing, social media, ‘branding’ or simply had the bad luck not to reach that agent or publisher at the right time who might recognise their genius.

Pencil portrait of James Norton.

Pencil portrait of actor, James Norton by Sophie E Tallis

Annoyingly, the path to success is also littered with those who seemingly had only a tenth of the talent needed, but who were either fabulously well-connected (all areas of working life will always have an element of nepotism, the famous name, the ‘who you know’ element etc.), or were either bloody lucky in their timing when approaching said agent/publisher, or were so fantastic at the marketing/branding side that they had tremendous success before people realised the tripe they were actually peddling.

In writing terms, the author E.L. James comes to mind, whose actual writing (aside from the dubious pro-abuser content) is simply dreadful. In terms of the art world, for me, Tracey Emin is also the perfect example of brilliant self publicity/PR with minimal talent required. As a former history of art and fine art student & artist myself, I am not anti-modern art at all, just people like Emin. Damien Hirst may not be to everyone’s taste, but like Louise Bourgeois, Jenny Saville, Rachel Whiteread etc., they had a huge underlying skill level. I actually saw Hirst’s early work before he made it big as part of the 1990’s Brit-Art explosion and the guy is actually very talented. Although I cannot pretend to like a lot of his work, the guyĀ CAN at least draw, his draftsmanship skillsĀ are very good, he just chooses to explore abstract and conceptual art. For me, as a drawer and artist, that is my benchmark for art, as it is for writing, that the person needs toĀ have good basicĀ skills in their chosen art-form. Emin cannot and never could draw proficiently, even the most basic forms, her drawing ability is quite frankly poor, and no, the irony that she was employed a few years ago as theĀ Professor of Drawing atĀ the Royal Academy of ArtĀ is not lost on me. 😦

Pencil portrait of actor, Trevor Eve

Pencil portrait of actor, Trevor Eve by Sophie E Tallis

But back to writing. At the heart of the matter, the writer/author needs to have skill at stringing words together, at spinning a yarn, telling a compelling story, writing memorable characters etc., etc.

“YOU SHALL NOT PASS!” goes the voice in our heads as we contemplate sending work off to the latest narrowing submission window, chasing any opportunity that passes no matter how fleetingĀ – like too many bees chasing the one elusive queen, or in fantasy speak – butter spread over too much bread. We’re all chasing the same thing, the same elusive target –Ā to be published, to have an agent, to make a living from what we love to create.

For me, so far this year, the successes I have seen have definitely been in my art rather than my writing. As dearly as I would love more people to read my work and review it and yes, love it, I am still yet another small voice amongst the din, I know thisĀ (I will be doing a separate post on ‘branding’ with some tips I’ve picked up and stolen!). But, my illustrationĀ work has, rather surprisingly, started to take off and accrue a real momentum of its own!

Pencil portrait of Stephen Fry

Rough pencil study of Stephen Fry by Sophie E Tallis

Some of that is due to content, to being prolific. As a writerĀ I have always beenĀ glacially slow, I’d like to think it’s quality over quantity, but in truth I wish I found writing as easy as drawing. I struggle with illness, concentrationĀ and mental exhaustion to get the words down, it seems to use a part of the brain that simply is not needed when I’m busily drawing. I don’t have to try to thread complicated plotlines together and continue a narrative over a longĀ period of time when I’m drawing. Art allows you to switch off the brain and just use your eyes, instinctsĀ and fingers to form the image you want. Because of this, I have been able to create new artwork every day as part of my daily 365 day Artmaniac Challenge,Ā whereasĀ sadly IĀ seldomĀ manage to write every day no matter how hard I try. 😦

So, success definitely is due at least in part, to being prolific, having more content out there for people to look at, assess, discuss etc. Something I fear I may never achieve with my writing. 😦

Another element which I have seen first hand, is the ‘luckĀ & who you know’ factor I was talking about. In my case it was a simple snowball effect. The lovely Juliet E McKenna heard in fantasy circles and shared contacts that I was an illustrator and specialised in fantasy maps. So she contacted me and I ended up doing a fantasy map for her and her wonderful ‘Secret Histories of the River Kingdom’.

watermarked-300dpi-finished-map-amended-bw-version

Then, because of that and again ‘word of mouth’, the equally lovely Anna Smith-Spark asked me to do a fantasy map for her debut novel, ‘The Court of Broken Knives’, to be published in June 2017 by HarperCollins. That in turn led her editors at HarperCollins to look at the map I did and my other illustration work, which then led to the Head of Fiction Art at HarperCollins contacting me directly to say how much everyone at HC loved myĀ work and to offer me a contract to be an official HarperCollins illustrator (supplier)! *SQUEAL* šŸ˜€

The contract came through two weeks ago and yes, I signed it straight away! šŸ˜€

Since then I have had almost daily requests from various people to do commissioned artwork for them, including from a New York literary group who want me to do the main image for their magazine and website. It’s insane, I don’t even advertise and am now having to say, “No, sorry, I can’t take anymore commissions on at the moment!”

Madness!

HarperCollins were also lovely enough to tell me that I had been MASSIVELY undercharging people and advised for me to raise my rates. I did, a little, but not as much as they were suggesting otherwise that would stop any Indie Authors from being able to afford me and I know how damn hard it is for indie and self-published authors anyway, so I’m certainly not going to price myself out of their reach. šŸ™‚

So, yes, creating more content and having that ‘word of mouth’ and lucky break does play a massive role in creating success. Now, if only I could apply that and get the same reactionsĀ to my written work! šŸ˜€

If you’re having the same struggles or successes, do let me know! šŸ˜‰ xxx

Pencil portrait of Rayleigh Ritchie

Pencil portrait of actor Rayleigh Ritchie by Sophie E Tallis

 

Face to face: face those fears and show them the door!

We are all in our own way battling fears and self doubts, about decisions made, life choices, jobs, creative endeavours, pretty much everything. Yes there are those lucky few who sail through life never second guessing anything they say or do, who have unswerving self-confidence regardless of any reasons pro or against – well good for them. But for the rest of us mere mortals, especially those of us who are pursuing a creative career, writers, illustrators, actors, singers etc., crippling self-doubt kind of comes with the territory. 😦

The fact that you have chosen an entirely subjective career path which by the nature of it, is open to a great deal of criticism, speculation and even ridicule, hardly helps. Neither does the fact that most creative people tend to be very sensitive – almost a precursor to being a writer, poet or artist of any kind.

Pencil portrait of Richard E Grant

So, apart from navigating the choppy waters of crippling self-doubt and external criticism, sometimes, just sometimes you have to man (or woman) up and face your fears.

For me, some of that is allowing myself to be bold enough to actually set goals for myself. To say that this year I am going to achieve ___________.

Setting goals is a scary business, it’s laying your cards face up on a table and saying to the world – this is what I’m going to do and risk that ridicule and criticism if you don’t manage it.

But, as a brilliant writer friend of mine has said, someone who has ambitions and rightly so (watch this space people), what’s holding you back? Face those fears, fly your flag, pin your colours to the main brace and declare “I am here, and here is what I am going to do! I WILL achieve this!”

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So, I am riskingĀ the embarrassment of setting out my goals for this year – there is no try, there is only do or do not: šŸ˜€

  1. Completely finish writing and edit Darkling Rise (the very long awaited sequel to White Mountain that has taken me FAR too long to write!).
  2. Lose a minimum of two stone (hopefully three) for long-term health benefits and a major life commitment I have made to myself (before I’m too old for it to work) – I’ll be less cryptic when I’m nearer to achieving this goal.
  3. Continue writing short stories and my dark novel, Ravenwing (hopefully to a first draft stage).
  4. Continue building my illustration business. So far I haven’t had to advertise as people have been approaching me, but I need to step up my game and get more commissions going and widen my reputation.*
  5. Build a stronger online presence, as my mate calls it, sort out my ‘brand’, which will help grow followers, fans and help sales as well as getting more reviews and make me more visible to potential opportunities. Yes we’d all love the Game of Thrones success of George R. Martin (though I’ve never fancied the fame bit)Ā but at the end of the day, most of us just want to be able to write and create full-time and make a living from it (enough to pay the bills at least).
  6. Finish my picture book ‘The Little Girl Who Lost Her Smile’ (the story is written but I need to finish drawing and painting all 24 illustrations – I had no idea just how much work is involved in making a picture book!).
  7. Bite the bullet and try subbing to agents, both for my picture book and Ravenwing (once it’s finished) and stop being afraid of success or trying to be successful!!!!
  8. Continue the daily Artmaniac Challenge, creating new artĀ EVERY DAYĀ for a whole year!**
  9. Pay more attention to my lovely little blog (yes, you guys) and blog more often – Sorry!

So there you go,Ā 9 goals for the year. Will I achieve them all? Only time will tell, but I’m going to try my bloody hardest.

Face your fears…

So, what are YOU going to achieve this year?

Pencil sketch of Christopher Walken by Sophie E Tallis

* Yes, I have some exciting news to share to do with HarperCollins. I have signed a contract with them and will fill you all in very soon! šŸ˜€

** The reason for my doing portraits at the moment for the Artmaniac Challenge, is due to the wonderful inspiration that is the Sky Arts Portrait Artist of the Year (and yes, I am thinking about doing it next year!) šŸ˜€ xxx

 

Life in perspective – car crashes, glass and tears.

This rant…ahem, post was written a couple of months ago, but, I was feeling too delicate to post it. Although the situation is still ongoing – lawyers and insurance companies take FOREVER, I thought I’d post it anyway. šŸ™‚

***

On Saturday 13th February I was involved in a rather serious car crash. I say involved…I was driving to work when I approached a set of traffic lights at the Tetbury A46 junction in Gloucestershire, UK. I slowed down but then the lights turned to green as I approached so I thought, “Great, I can keep going!”

Two cars on the opposite side of the junction were indicating to turn right, across my path. They are supposed to wait and give way to incoming traffic, as the yellow signs say. They did not. The first black car crossed right in front of me, I flashed my lights at him and slammed my feet on the brakes. The second blue car hesitated andĀ stopped, as they should. “Great I thought, bloody right, it’s my right of way!”. So I continued on…unfortunately the idiot woman in the blue car then changed her mind and thought she could somehow make her illegal right turn in front of me before I reached her. She was wrong.

As I’m crossing the road this woman’s car slams right into me, ramming into the side of my car, shattering the windows, setting off the door airbag (which I didn’t even know I had) and ramming my car off the road and towards a solid stone wall.Ā WithĀ the force of the impact, according to the police themselves, if I had hit that wall head on I would not be here. They actually praised my driving! The strange thing is the whole thing happened in slow motion. I remember suddenly being slammed into then the wall coming up, I managed to turn the steering wheel and slam my foot on the brakes as I was sliding, missing the trees and solid wall completely and resting high way upĀ the grassy verge.

I sat there in stunned silence, covered in glass. The woman who rammed me was already on her phone, I suspect she was on her phone when she crashed into me. She asked if I was alright but I couldn’t answer.

A very kind passer-by stopped and helped me. The car was filling up with smoke. The driver’s side was completely mangled, so he opened the passer door and helped me out. I was shaking violently and couldn’t stop crying. He put his coat around me and eased me back to his car to sit in the warmth. He and hisĀ kind lovely wife looked after me, gathered my bag and things and were just…amazing. I can’t thank them enough.

The police and ambulance turned up. The police took my statement, between my ridiculous sobbing.

The shock still hasn’t sunk in fully. In over twenty years of driving, I’ve never had a point on my licence or even a parking ticket and have never been involved in a crash.

The car, my beloved car, is completely totalledĀ – aĀ total right-off. Her car had damage to the front corner where she drove into me, but looks easily fixable. The woman in question looked wealthy, well-to-do, but me? I’m on minimum wage, money is so tight it keeps me awake at night. Long gone are the days when I was teaching and on a high salary when I could afford a new car. Since my illness ended my teaching career and a job I had slogged my guts outĀ for 12 years, I am unable to work full-time and can’t teach at all as I get too dizzy and sick. So, having always worked, I found myself in a dire situation, no job but still with a hefty mortgage and huge bills to pay. I ended up finding a lovely part-timeĀ job working in a library with lovely supportive people which also gives me time to continue my writing. The only down-side, is that the pay is terrible, minimum wage, so when something like this happens it is truly devastating.

Despite having insurance, at best it will still leave me without a car in the short term (and living in the sticks that’s no joke) but could possibly leave me withoutĀ a carĀ in the long term. My car is 6 years old and worth very little now, so the probability of my being able to get the same car again on that money is remote to say the least.

The ambulance checked me out, whiplash, bruising, shockĀ andĀ a few cuts from theĀ glass but miraculously unhurt given the force of the impact. Of course I was shaking uncontrollably andĀ couldn’t stop crying. But I must say a huge THANK YOU to the Gloucestershire police and ambulance service and a MASSIVE thank you to my knight in shining armour, Neil Fraser and your wife…the kindness of strangers, eh? THANK YOU so much for looking after me, in my worst blubbering state. ā¤ xxx

I was picked up andĀ taken home, was sick with terrible head pain and promptly fell asleep for about 6 hours+. Amazing how the body goes into preservation mode and there is nothing as restorative as sleep. And yes, shock meant that I was absolutely FREEZING. So now I’mĀ at home, finally awake and under a pile of duvets and copious amounts of sweet tea. My whole right side especially my hips, neck and shoulders are very painful and will no doubt come up in an assortment of bruise colours, but despite feeling rather sorry for myself, being desperately worried about the money/car situation and being very angry at that stupid cow who caused all this…I have also been very lucky and I know it.

So…in the spirit of recognising when something could have been so much worse…I forgive that driver. Yes your actions were stupid and thoughtless and I’ve been the victim of them, but, it was an accident an occurrence with no malice behind it. So, I forgive you.

Tomorrow, I will have to take a deep breath andĀ deal with life again. My crunched car is still out there on that verge where it was rammed into, albeit with a police sticker on it. So tomorrow I will have to phone the insurance people, garages etc and get it towed and start the whole process. My lovely work colleague even phoned when I was asleep and has even sorted cover for my shifts on Monday knowing I’ll be too shaky, which I will be. I still have pretty bad head pain and pain all over really, but I am a lucky lady…

So…what is the lesson to be learned from this?

  • The kindness of strangers really is a thing, a beautiful thing.
  • When you’re feeling down, or if things are going badly, just take a deep breath and realise that things could be so much worse.
  • At the end of the day, despite our worries, the pain we mayĀ carry (emotional, mental or physical) …we are all pretty lucky. šŸ™‚ xxxx

Love to you all and drive safe. ā¤

Passing 20,000 and planting seeds of success!

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Spring has finally sprung and thank the gods that it has!

Everywhere, I see the signs of winter being discarded like a weary woollen coat that has out-stayed its welcome – too heavy, too grey and too oppressive for the youthful zest of crocus colours, the flash of dazzling daffodil yellow and the yearning of the trees to sprout new growth. Spring is here! YAY!!! šŸ˜€

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Well, with all the wonderful signs of nature beingĀ awoken and the inherent hope and optimism that brings, together with the oh-so-welcome warmth of our first sunny days, I too have begun to plant some seeds of my own, in the hope of them growing into fresh shoots of success!Ā A fewĀ of these seeds I shall keep private for now, but others I wanted to share with you straight away.

So, as my little blog passes the heady heights of 20,000 visitors (for which I amĀ hugely grateful andĀ tremendously humbled), I begin another chapter in my strange little life and take somewhat of a spring leap!

890Having completed a BA (Hons) DegreeĀ in Fine Art, way back in the mists of time when my hair was blonde and I was…ahem…a little lighter on my feet, I was an artist. Yes, a takes-herself-way-to-seriously-full-of angst-entirely-black-clad-deep-and-meaningful-and-more-than-a-little-pretentious artist!

998It was the 1990’s. I was seriously into grunge music, Soundgarden, Pearl Jam, Nirvana, Alice In Chains, even Mother Love Bone and Soul Asylum, as well as heavier rock bands like Guns N’ Roses and Metallica. I took to wearing all black, apart from the odd green or red lumberjack loose shirt, a kind of torn uniform for all us Seattle-loving-grunge-rockers. I had the usual paraphernalia in my student room – incense burner with sticks and various yellowed bottles of pungent fragrance, aĀ load of melted candles (much of the wax embedded into the carpet fibres), LOTR posters and music posters, my ‘ghettoblaster’ and Hi-Fi with a large selection of tapes and vinyl and near the end of my student days, some new fangled CD’s, an Indian throw with other ‘very cool and multi-cultural’ objects around the room and yes…the ubiquitous bright orange flashing traffic cone! Don’t ask me why, but every studentĀ HAD to have a traffic cone!Ā But amongst all this ‘stuff’, there was me and my ‘art’. Huge canvases, some way too large to transport in my VW Beetle, ‘Mr. Jiffy 2’, even with the roof off, and so these had to be carried right through the centre of Cheltenham up to the art college – a prized moment to show off to people, asĀ the plastic wrappings to protect the canvas would invariably waft open, revealing snatches of the masterwork beneath…dear dear!

050 - CopyAnyway, despite the pretentiousness of all art students, and yes, we’re ALL like it, I really did just love to draw and paint. Above everything, any crap that was happening in my life, any traumas and dramas (for which there were many) …for me, I was never happier than when I was either reading a book, writing a storyĀ or holding a paintbrush. I still LOVE the smell of linseed oil, liquin medium (alkyd resin), white spirit…ahhhhh….glorious concoctions in messy jars, palettes so encrusted with paint you could hardly use them but always did, brushes stiff from hardened oils, the excitement at the sight of the massive roll of canvas…then stretching them likeĀ giant sails across the floor. A quick trip to B&Q with some tw0-by-fours, a handful of nails, a saw and a staple-gun, and suddenly you had a stretched canvas panel, ready to be primed in white wash, readyĀ to be made into something…astonishing. A world of possibilities just there in that bobbled linen fabric! šŸ™‚

013 (3)Yes, I loved it, every single moment of it. In fact, back then, without the life experience I have now, the only thing I didn’t like about art college, was the selling part – having to ‘talk the talk’, sell yourself as ‘creator extraordinaire’ and your work, as the next big undiscovered super-talent. I simply couldn’t do it back then. I didn’t have the confidence or the inclination. I saw other ‘artists’ who couldn’t draw a damn, had no idea about composition, had lousy technique and really just couldn’t paint to save themselves, excel far above those of us who did have the talent and skills. Why? Because they understood the dynamics of it better than we did. Art to them was a business not a vocation, not a way of soulful expression, but a way of getting ahead, getting to where they wanted to be. They could ‘talk the talk’, spout poetic jargon phrases that made no sense to those of us that knew, yet elicited the cooing responses of the ‘art world crowd’. They made contacts, and used them effectively, they succeeded where the rest of us failed.

Am I bitter? Certainly not. For me, my art was never about being ‘in fashion’, and I was never about being the focus of attention. I wanted the work to speak for itself, rather than me spout some pretentious twaddle about what a certain brush stroke meant! So no, I had several very successful exhibitions, beat off those art schmoozers and over 10,000 other students across the country to get second place in a very prestigious national photography competition with my work exhibited in London, and sold a few paintings to very happy customers along the way. The point is, I never fell out of love with art, because I never viewed it as a business. I was and am simply small-time me, not showy, not shouting, not glaringly anything. Just little old me, now wearing other colours rather than just black, still listening to my music at ear-splittingly loud levels, still lighting candles and standing in my garden staring at the stars at 2am, still forgetting to wash my brushes properly and sniffing linseed oil like it was Chanel No.5. Just me! šŸ˜›

So…why all this elaborate walk down memories past?

Because, finally I get it! Chapter Twenty-One - Into The Light (4)

Much like life itself, things are never really just black or white, we all live in shades of grey…er…no, not that crappy book, lol, I mean…life is beautiful and complex and full of hard edges and soft fuzzy bits…it’s a messed up fruit salad of emotions and happenings and all we can really do, despite our yearnings for control out of chaos, is simply to dip our spoon into the bowl and see what fruit lands on our plate!

In other words…all these years later, I still LOVE to draw and paint, it’s still a huge part of who I am and how I function, but I don’t need to get so damned pernickety about it. Art and business CAN live together, without one diluting the other. I finally got what those students were dong all those years ago, using their heads as well as their hearts.

Sophie E Tallis Watermark - CopyAnd so, with head and heart in tow, I have decided to combine what I love to do with how to make a living. I have started a business, Sophie E Tallis Illustrations!!! Yes, a business, albeit in tiny baby steps, but a business ofĀ illustrating books and producing original commissioned artwork for other authors…and I absolutely LOVE IT!!!!

I’ve only doneĀ a fewĀ commissions so far, one of which involved creating 7 pen & ink illustrations for a children’s book, Snort and Wobbles http://www.willmacmillanjones.com/snort–wobbles.html, by multi-talented author, Will Macmillan Jones http://www.willmacmillanjones.com/, but IĀ adored every second of it. Already, with just a few illustrations on LinkedIn andĀ some other places, I have a small publishing house in Kingston-Upon-Thames who is interested in having me on their books as an illustrator, have several authors asking me to do some illustrations and book coversĀ for them and I have just set up a sparkly new website http://sophieetallisillustrations.weebly.com/Ā (and Facebook pageĀ https://www.facebook.com/SophieETallisIllustrations) and loaded some of my illustrations and paintings on there! Already the response has been tremendous and utterly overwhelming! Why oh why didn’t I do this years ago???!!!! šŸ˜€

Finished Chapter 1 S&W

So, my little Spring seeds…it is never too late to change direction and change your life, to shake things up and remember what it was that you loved all those years ago. For me, it was remembering my loving and wanting to doĀ something creativeĀ for a living,Ā and now it isĀ finally happening. What better way to make a living than to combine the two things IĀ cherish most in the world – books and art!!!

Lol, Spring is definitely in the air, as I plant my little art seeds and see them take root and grow…who knows what tomorrow will bring! Check out my new website guys!Ā http://sophieetallisillustrations.weebly.com/ šŸ˜€ xxxxxxx

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A HUGE thank you to all my family and friends and my lovely fellow bloggers, all 20,000 of you, who got me through my illness and the last difficult year and who have helped me toĀ stay positive and to see all the marvellous possibilities of life…!

Thank you, Thank you, Thank you! šŸ˜€ xxxxxxxx

ā¤

Winter haze, snow days…life goes on!

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It’s been a little while since I last posted, sorry folks for the delay, just a few unforeseen bumps along the road of life, but hey, what doesn’t kill you makes you stronger, right?

SAM_2173Just over aĀ couple of weeks ago I was staring out of my window at a scene of almost indescribable beauty.

SAM_2120Everything lay shrouded under a mantle of magical white. Landscapes I knew so well, were suddenly alien. Formless lumps and bumps smothered beneath snow. The trees and thickets, so stark and mournful in winter, had grown frosty fruits of their own over night. Icicles adorned gutters and everywhere lay a stillness and silence so strange to behold in a garden which usually resembles an aviary. SAM_2181

Little three-prongedĀ footprints skitted across the lawn, looking this way and that in the hope of food. Deeper imprints from the various wild creatures that frequent our wooded garden, could be seen gathering round the feeders we put out.

SAM_2269The pond had frozen solid and there, as reminder of the beauty and cruelty of life, was a track, leading from the edge of the pond across the frozen water to the little island where the moorhens live. A mink.

A creature never intended to be on this little sceptredĀ isle of ours, not indigenous but introduced, brought over here for the cruelest of reasons, to farm them not for meat, for us to live from, but for the vanity of fashion – for fur to adorn the wealthy and arrogant. And why was this mink suddenly roaming our countryside? Because it’s freedom had been given by those who oppose the fur trade. A noble endeavour, but of course a short-sightedĀ one, and our indigenousĀ wildlife has paid the price. Much like our poor English crayfish, on the brink of extinction from introduced foreign invaders, our otters struggle against the competition and our birds fall prey.SAM_2258

And so, in this scene of snowy loveliness I was reminded of the arrogance of man, the ‘great interferer’, who has through ignorance, apathy orĀ intention caused the suffering of so much of our planet’s wildlife – species that were here long before us but whose lives now hang in the balance on the most tenuous of threads because of us.

041The moorhens, a breeding pair who had mated for life, had been living on the little island in my pondĀ for longer than I have been living in this house. Last year with utter delight, we saw them raise three broods of chicks – little black balls of fluff with outsized feet, 18 chicks in total! We put out corn for them daily in addition to the wild bird seed mixes, peanut feeders, vegetable suet and dried fruit we put out dailyĀ for all the garden birds. Helping nature where we can. Anyway, there was the track of this mink, heading straight for where the moorhens have their permanent home. No, I didn’t see any blood, just a few brown black feathers. But unmistakably, there will be no moorhen chicks this year.Ā Ā Only aĀ single moorhen remains, the male, left alone nervously swimming the pond as it thawed, running and flying at the first sign of danger, seeming to look for its lost partner.

SAM_2145A sad tale to be sure…but it got me thinking about life, about all those calamities that befall us, those obstacles we have to overcome, those hoops we jump through, those times of strife.

Certainly for me, tough times are when I “go to the mattresses”, I’ve been through enough really tough times to recognise when something trulyĀ qualifies as a major disaster or simply another pot hole in the journey we all find ourselves on. That’s not to minimise anyone’s ‘bad time’, we all have days even weeks when we just shouldn’t have crept out from under the duvet, when everything we touch turns to pig slop, but you do find a perspective in life when you’ve really had struggles. As a result, youĀ are able to deal with the odd crisis or recognise simply when things aren’t as bad as they seem – a lucky escape wrapped in a drama!

SAM_2135For me, everything is a matter of perspective. Everything I have and have achieved has been through damn hard work, sweat, blood, tears and persistenceĀ – no fickle luck, no easy hand outs or rich family members, just slog, but that does build character. SAM_2179

So, when the dust settles and you’ve picked yourself up. Look around. Smell the air, breathe deep and realise that things always happen for a reason. That you may just have had a lucky escape from a bad situation that could, and probably would, have become a lot worse. See those silver linings? They’re for you.

SAM_2235So, the next time something ‘bad’ or unexpected happens to you, take the time to reflect,Ā look up from your duvetĀ and simply breathe and you may just find that a new door opens up for you and a new horizon brighter than any you could have imagined! SAM_2104

SAM_2294As for my lonely moorhen, I cannot promise that he will find another partner, that life will get any easier for him, despite my efforts, but life does go on. Within days a pair of wild ducks arrived and a couple of pheasant have been taking up residence…life goes on. SAM_2232

So good luck to you all, my friends, my supporters, my family, life IS a wondrous and beautiful trip, make sure you don’t miss it!Ā  šŸ˜€ xx

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