Paolini | Sophie E Tallis - Author/Illustrator

Ever since I was a young child, I’ve had an absolute fascination for maps.

The ‘tone and timbre’ as I call it, of an old map, holds within it such beauty and mystery. The texture of the parchment, the ink used and how it has aged over time like the best of wines. To follow the winding paths and coastlines, the mountain ranges and sprawling settlements. Every mark, every crease, every nuance holds a story. As objects, they are works of art and are simply gorgeous to look at.

But of course, maps can and have been highly divisive. History shows us that in the wrong hands they were the latest and most effective tools of warfare, propaganda, divisions of state, ideology, ethnicity. They were the bringers of colonialism and with it, the most terrible atrocities and suffering through the destruction of indigenous tribes, the conquering of nations and the carriers of disease. In a world without the internet, without weapons of mass destruction, the nation with the most skilled mapmakers found themselves at the top of the ruling tree. Empires were made or broken by those who could claim the seas and conquer the new chartered lands. Maps were the driving force of every expansionists dream.

But, in literary terms, maps can be the most wondrous of additions to any story!

Cartography, and particularly fantasy cartography is the stuff of dreams.

As a child I would get utterly lost in the detailed maps of Milne’s 100 acre wood from ‘Winnie the Pooh’, Lewis Carroll’s ‘Alice in Wonderland’, C.S. Lewis’s ‘Narnia’, and of course Tolkien’s ‘The Hobbit’ and ‘Lord Of The Rings’. Now, maps are just as prevalent and cherished as they ever were, from Warhammer to Jordan’s ‘Wheel of Time’, Paolini’s ‘Eragon’ and George Martin’s ‘Song of Ice and Fire’.