October 18, 2016 by Sophie E Tallis

Mapping The Imagination

Maps are a subject I keep returning to again and again and for good reason. Ever since I was a child I’ve held a deep fascination for atlas’s, globes, maps and cartography in general. The mystery of distant countries with exotic names, far flung foreign lands, strange topographic features or intricate maps of fictional worlds have always captivated my imagination and I know I’m not alone in this passion. Maps, particularly when used in fiction, are more popular today than they’ve ever been.

Check out my previous map inspired posts: For the love of maps! & Mapping your fantasy

In literary terms, the first map I’m aware of studying was probably E.H. Shepherd’s beautifully illustrated ‘100 Acre Wood’ for A.A. Milne’s glorious Winnie The Pooh, that was quickly followed by the maps in Tolkien’s The Hobbit, Tove Jansson’s wonderful map of Moomin Valley and CS Lewis’s Narnia map.

As all lovers of good fantasy fiction know, there is nothing as pleasurable as poring over a map of your favourite fantasy world, whether it be George RR Martin’s Westeros at the heart of his phenomenal Games of Thrones (Song of Ice & Fire) series, JRR Tolkien’s Middle-Earth in his Lord of The Rings trilogy, Ursula Le Guin’s Earthsea or Robert Jordan’s Wheel of Time series.

Now, as an illustrator and author, I create my own detailed hand-drawn fantasy maps for my books and for other authors and publishers. I’ve only illustrated 9 books to date so far but have several projects in the pipeline, and would like to share with you, my fellow map lovers, how I created my latest commission for fabulous fantasy writer, Juliet McKenna and her awesome new River Kingdom series.

Firstly, I cannot tell you what fun it is creating these beautiful objects – “The literal and visual distillation of an author’s imagination through graphite, pen & ink and paint.” It is true that not every great fantasy novel needs a map and some authors like NK Jemisin were initially not keen on them, but for me I love them as I think they create a tangible geographical point of reference from which the story weaves its magic. Funnily enough, Joe Abercromie who apparently wasn’t keen on fantasy maps for his First Law series then included 5 of them in The Heroes (to represent the battle movements)!

At the end of July I was approached by Juliet McKenna who was looking for someone to do a map for her latest fantasy series, the River Kingdom. That started a really interesting month of creative exploration. Juliet, much like me, is a stickler for detail, which I love. The devil’s in the detail they say and that is particularly true when creating fantasy maps, the more information the better!

The first thing I loved, is that her River Kingdom is landlocked i.e. set in the middle of a continent, much like my Fendellin map (see left), and avoids the over used cliché of a coastline and seas. This makes total sense to me – as much as I love coastlines, not every land is going to be coastal and yet if you follow the vast majority of fantasy maps they are all either islands or coastal regions! River Kingdom is inland and is all about the rivers and the regions and peoples they dominate.

For a starting point Juliet emailed me a few pages of notes about her fabulous River Kingdom world, the main rivers (Tane and Dore) in her kingdom, what they are like (winding? straight? navigable? deep? shallow? rapids? maelstroms? etc), how they flow, the settlements and communities along their banks, the different administrative ruling centres and fiefdoms, what the Hill Country was like and forests, a description of the Nilgeh Mire, how the land lies and towns relate to each other, etc. It was obvious from the beginning that this was going to be something rather special, as so few authors really fully imagine and realise the worlds they create down to the everyday detail.

From this, we started a wonderful creative collaboration, back and forth. To ensure that my clients are 110% with the artwork they receive, I’m a great believer in asking questions rather than guessing, that way you are able to really crystalize what the author/client wants and are far more likely to deliver it.

More questions and details followed, the colour of the waters of the main rivers, their tributaries, what happens when the two great rivers meet, adding wharfs and quays for river folk to travel and ferries, the types of trees in the forest areas, how high are the mountains, how to represent the towns with different allegiances, motifs to be used to represent the Grainland and Grassland areas and lovely nuances like adding subtle terraces to some of the Downland hills and what the geology and terrain was of drier areas like the High Plateau. Discussions about the lovely maps of 15thC cartographer, John Speed and the red colour of towns depicted etc.

Then, after the graphite and then inking stages were finished, a whole new conversation took place about colours and tones for the finished painted map. Mountainous regions in reality, vary hugely, another reason why I prefer to hand draw everything rather than using computer programs which just replicate the same mountain shape again and again, some smaller some bigger but none with any individuality. Were the mountainous regions alpine in nature, snow capped and grey granite or like the dry peaks of parts of the Andes or more like the Cairngorms and Snowdonia, greener lower peaks?

What about the woodland areas?

Most forests depicted in fantasy maps tend to be one generic shape repeated infinitum and if they are coloured, one generic green shade. We decided instead to have individual shapes, colours and shades for the different tree types just like a real mixed forest canopy of deciduous and coniferous trees. Yes these are still stylised trees, drawing an accurate observational study of a tree with all it’s intertwining branches would look dreadful in a map context, like a mass of spider webs and would become too distracting to the overall effect.

Then you have the map’s compass. I like to do an individual compass for every map and client, so they are unique to that client’s work. In Juliet’s case, I really wanted to include some of the mythos present in her story, namely the fact that her market towns have shrines to the Sun Goddess & Moon God, so I wanted a compass rose with a sun and moon motif at the centre (lol, Juliet is apparently now thinking of using this compass rose as a cross-stitch design!). 🙂

When painting the map, I found myself using some truly gorgeous pearlescent paints and gold inks for the details (there are amazing art products out there!), I only wish the sheen of these had fully translated into the final scanned map.

So, after a month and a bit of continuous work, we had a finished painted map for Juliet’s amazing new fantasy, Shadow Histories of the River Kingdom, which launches at *BristolCon in less than two weeks! Pop along and meet Juliet in person and grab yourself your own signed copy from the author herself! (check out the gorgeous cover by Ben Baldwin!)

*BristolCon – is a fantastic one day SFF convention in Bristol at the Doubletree Hilton Hotel on Saturday 29th October! The programme of events is here. (Juliet will be there signing copies of Shadow Histories of the River Kingdom and appearing on two panels & I’ll be there too supporting my publishers, Grimbold Books and doing a panel and reading – come along and join the fun!)

So, there you go folks…the process of actually creating and making a fantasy map, it ain’t easy but boy is it FUN! 🙂 xxx

🙂 xxxx

October 29, 2012 by Sophie E Tallis

Book signing – what you need to know but were afraid to ask!!!

Okay…I’m jumping ahead here, but seeing as I just had my fourth book signing event on Saturday and have my next coming up this Saturday, I wanted to share the freaky experience of author book signing.

Think you’re ready people? I can guarantee you’re not!

Well, like many of us, my only ‘experience’ of book signing was watching it portrayed on TV and in film, i.e. a pretty exciting, thrilling glamorous thing, right? LOL!!!!!! Oh dear… If you are a celebrity, you’ll have people thronging around you, lining up to get a glimpse of you and a signed copy of your latest tome. If you are a new writer…you’re a nobody. No lining people, unless it’s to the tills, no throngs.

Well, again, like every aspect of a writer’s journey, it will be unique to you. Some writer friends I know don’t do it all. Whether it’s because of time constraints or simply because they feel they can’t and don’t want to do the whole ‘selling’ thing, I don’t know. In fairness, it is an expensive venture, travelling, petrol, parking…it all adds up!

I must shout out though, to some brilliant surprises I had on my book launch at wonderful Octavia’s Bookshop, apart from selling out in an hour! Thank you to my gorgeous fellow fantasy writer, Lindsey J Parsons, turning up (a welcome distraction and lovely support) and my lovely and nutty mate Will Macmillan Jones who LOVES book signings – he has a natural confidence in talking to people and an ease when doing these events.

Then there’s me…the nervous jelly in the corner. Cold sweats, lack of sleep, bitten nails, dodgy tummy, dry throat and well, a host of other nervous complaints. It IS hard and difficult but what nobody prepares you for, is that it is also one of the most totally bizarre experiences a human being is ever likely to find themselves in!

Exactly like walking down the street naked. That is how it feels…and no, I haven’t gone romping down the local lanes and roads starkers! But you feel utterly exposed and naked in a room of crowded strangers…yeap…prepare yourselves guys!

Firstly, you will have to decide on what approach suits you best. By now we all know the changed policy from Waterstone’s head office regarding signings, so NO pushy hard sell! It doesn’t work and it’s at least one of the reasons Waterstones cites for changing their policy, because they were getting complaints from customers who had literally been frog marched to the tills!

Remember you are selling your literary masterpiece, not a tin of beans. Nobody likes being hassled, especially if they’re in a bookshop quietly browsing…so back off. Always go with a relaxed soft sell approach.

That aside, you still need to decide how to do this. Do you stand and wander round the shop? Stay permanently seated at your table? Or a mixture of both? Sometimes the bookshop will tell you what they would like you to do, so you can just follow those guidelines.

My friends all do it slightly differently, which works for them. You’ll need to find out what works for YOU. For me…I just don’t have the confidence to wander, so I tend to stay permanently glued to my table and let people come up to me, or not.

Even though all the Waterstones staff I have met have been absolutely lovely, very friendly, welcoming, helpful and ply you with as much tea/coffee as you want, you will most likely be given a small round black table only a little bigger than a napkin, to display your books. So be prepared! 😉

You may be placed in the fantasy section, teen section, children’s section or by the doors, it totally depends on the store. If they are planning to place you right at the back, you can very sweetly ask if you could be moved. Remember they want you to be every bit as successful as you want to be. You sell a lot of books, it’s great for the store, great for you and most likely you’ll be asked back.

As far as symbiotic relationships go, it’s pretty good – they are the oak tree and you are the nourishing fungus at its roots! Ummm…now doesn’t that sound sexy?!

The next thing you need to be prepared for is…people. Lots of them, none of them, crowds jostling past you, ignoring you, bumping into you. People glancing at you and your book then thinking better of it, shy people wanting to approach but nervously edging past, brash people, “So, what’s it about?” You start your well rehearsed but genuine spiel, “Nah…not for me,” as they drop it on the pile with a clunk. You notice the smear of finger prints on the cover and quickly pop it to the bottom of the pile.

Also, depending on where you are stationed, be prepared for arses (asses for my lovely American friends) and lots of them as you see them leave the shop having NOT bought your book, or worse still, as they queue at the tills and the queue goes back to you. Suddenly you’re sitting in a forest of people’s legs, backs and arses, totally obscured! 😛

You’ll find yourself with a gentle fixed smile, trying not to look desperate as you shift your weight, stare aimlessly into middle distance or try to make eye contact and lightly engage passersby with a, “good morning,” you check your watch. Damn it! It’s 12:30pm. So you change tact to, “good afternoon”.

Or you start to play ‘spot the fantasy fan’ – a fun game which entails eyeing everyone coming into the shop and trying to place which section they’ll head for. Even though I’ve only done 4 signings so far (my amazing book launch at Octavia’s Bookshop and three lovely Waterstones branches to date, with more going right up to Christmas) I’m getting pretty good at this detective game.

But the frustration comes, if you see someone heading and then lingering in the fantasy section and before you can get a chance to talk to them, they’ve left the shop carrying a Robert Jordan, G.R.R. Martin, Robin Hobb, David Brett and walked straight past you without noticing…despite the 7ft banner next to you! You could try a net or lasso, but I wouldn’t recommend it! 😛

Then, you get the ones who have no intention of buying your book but haven’t had a decent conversation with anyone in a while and as you’re just sitting there doing nothing, how about a chat? You know what? Always be gracious and grateful…at the very least you are talking to someone and look busy – this is good! Unless of course they stop you from engaging with those who really are interested in buying your book. Tricky.

Then, you get the good stuff, the reason you are there, putting yourself through this…the interested person…what a thrill! The person or people who ask questions, are really engaged when you tell them about the story, who ask about when and why you started writing it, your inspirations and in my case, those who get totally enthralled with my illustrations.

Btw, it really really helps to have visual aids! I’m lucky, I have my own illustrations so I enlarge them, colour some of them, even laminate them and put them in this flick through book for people to…er…flick through! If you don’t have any visual aids – GET THEM!

Now don’t get me wrong, even though the experience can be akin to having root canal, which I have had, there is a genuinely awesome payoff – you get to be on the frontline, talking to people about your book, the characters, the plot, how you created it, what your influences are, and most amazingly, you get to sign a book and watch someone walk to the tills and buy it!!!!!!!!!!!

There really isn’t anything like it!

If I hadn’t been sitting in public, I would have welled up and cried, it’s that emotional. A really unforgettable and moving moment.

That’s why you do it, why you put yourself through the nervous emotional exhaustion of it, not to mention the difficulty of travelling there, finding somewhere to park, finding the store etc – because the payoff is SO sweet. Isn’t that what we all want? To feel that sensation – pride, accomplishment and sheer joy? It doesn’t happen often in life so try to embrace it when it does.

So the next time you’re in a bookshop, do spare a thought for the lonely author sitting or standing there, being brave or possibly nutty, and go and talk to them. Even if they’re selling a manual on how to clean the inner tubing from a bicycle wheel and you couldn’t be less interested in what they are selling and certainly don’t want to buy it…spare a thought for them and go a have a natter and a smile, you’ll really make their day! 😀 xx

P.S. Make sure you have a bottle of water with a good screw top, you’ll need it. In your nervousness, if you knock it over you’re not going to spoil your precious books. Oh…and make sure you have at least three pens, at least one is likely to fail on you! 😉

P.P.S. I must say a special mention to my pal Lucy for stopping by and saying hello yesterday while I was book signing in Waterstones Cribbs Causeway, thank you honey! AND a special mention to Bryony, the lovely lady I meet yesterday who was so interested in my book and who I had a fascinating chat with. I hope you keep going with your writing sweetie, and DO check out The Alliance of Worldbuilders on the HarperCollins writing site, Authonomy www.authonomy.com or on Facebook https://www.facebook.com/TheAllianceOfWorldbuilders or on it’s own website http://theallianceofworldbuilders.weebly.com we’d love to see you on there with the rest of us nutters!.

Right, so that’s it, at least for now…everything you needed to know about author signing events, but were afraid to ask! HUGE good luck guys and I hope to meet you on the circuit! ;D xx

October 24, 2012 by Sophie E Tallis

OMG! The word is spreading…!

It is true that the world is a strange and bizarre place, but wow, sometimes it can surprise you in an utterly delightful way!

Firstly, there seems to be a small but growing ‘word-of-mouth’ about my book. Exclamations like, “It’s better than Rick Riordan and Harry Potter!” “I never read fantasy but I loved this!” “Beautifully written and captivating!” etc. All wonderful comments that fill you with butterflies and a nervous kind of energy you can’t quite explain.

Reviews? The ones I’ve had so far have all been great, but like any author, I’m desperate for more. Reviews after all are what people turn to when deciding what book to pick off of a shelf. They are also essential in spreading the word about your book.

Well, all of these are fantastic but what about the gritty reality of how your book is doing?

I’ve had a little inkling that my debut novel, White Mountain – Book 1 of The Darkling Chronicles, is selling well. But of course, as an author you are a little removed from the hard-line of sales figures.

Instead, we tend to focus on what people think of our books – Did they like it? Were they swept along with the story? What were their favourite characters? Did they like the way it was written? etc etc.

We naturally love our stories and want others to love them too, for an author, there is no greater feeling than having a reader tell you how much they loved your creation. So, actual hard sales don’t really enter the consciousness…maybe they should, but I’m just not a business type person, my brain is far too chaotic for that!!!!

Anyway, imagine my joy when out of curiosity I popped onto Amazon and looked at epic fantasy paperbacks for the last 30 days and found my own book on the first page at No.12!!!!

I couldn’t believe it! My novel was higher in the charts than established authors like David Tallerman, Robert Jordan (Wheel of Time), A. E. Marling and even G.R.R. Martin! It won’t last of course, and by tomorrow I’m sure it will change…but WOW!

Totally unbelievable!!!!!! 😀 xx

12.

April 5, 2012 by Sophie E Tallis

For the love of maps!

Ever since I was a young child, I’ve had an absolute fascination for maps.

The ‘tone and timbre’ as I call it, of an old map, holds within it such beauty and mystery. The texture of the parchment, the ink used and how it has aged over time like the best of wines. To follow the winding paths and coastlines, the mountain ranges and sprawling settlements. Every mark, every crease, every nuance holds a story. As objects, they are works of art and are simply gorgeous to look at.

But of course, maps can and have been highly divisive. History shows us that in the wrong hands they were the latest and most effective tools of warfare, propaganda, divisions of state, ideology, ethnicity. They were the bringers of colonialism and with it, the most terrible atrocities and suffering through the destruction of indigenous tribes, the conquering of nations and the carriers of disease. In a world without the internet, without weapons of mass destruction, the nation with the most skilled mapmakers found themselves at the top of the ruling tree. Empires were made or broken by those who could claim the seas and conquer the new chartered lands. Maps were the driving force of every expansionists dream.

But, in literary terms, maps can be the most wondrous of additions to any story!

Cartography, and particularly fantasy cartography is the stuff of dreams.

As a child I would get utterly lost in the detailed maps of Milne’s 100 acre wood from ‘Winnie the Pooh’, Lewis Carroll’s ‘Alice in Wonderland’, C.S. Lewis’s ‘Narnia’, and of course Tolkien’s ‘The Hobbit’ and ‘Lord Of The Rings’. Now, maps are just as prevalent and cherished as they ever were, from Warhammer to Jordan’s ‘Wheel of Time’, Paolini’s ‘Eragon’ and George Martin’s ‘Song of Ice and Fire’.