sketches | Sophie E Tallis - Author/Illustrator

As I have a dreadful memory for things, I have a plethora of notepads around me at all times to scribble and sketch ideas down on. Now, I’m not placing myself into the illustrious company of the grand master himself, Leonardo Da Vinci, but I do understand the need for notepads (good old moleskins!). Well, imagine this…seeing Leonardo Da Vinci’s own notepad!

Wow!

Now THIS is a book to truly cherish! Leonardo Da Vinci’s notebook, the ‘Codex Forster I’ (1487-1505).

Who wouldn’t want a glimpse into the mind and internal machinations of one the greatest geniuses to have ever lived?

Leonardo Da Vinci, one my favourite artists of all time, whose sheer ingenuity and skill as a draftsman, in my opinion, has just never been matched, was also a prolific writer and doodler in his time. Any ideas for paintings, inventions etc, any mathematical mechanics he had to work out, any information he needed for research – he meticulously wrote down, often accompanied with a sketch.

What an object of beauty and wonder?!

Well, having had the extraordinary honour of seeing some of these precious items for myself, in the V&A Musuem in London some years ago, they are now ‘on tour’ travelling around the world and the lucky people of Atlanta, Georgia, will now have the opportunity to view them!

A HUGE thank you to Beattie’s Book Blog – unofficial homepage of the New Zealand Book Community, for this. 😀

http://beattiesbookblog.blogspot.com/

Ever since I was a young child, I’ve had an absolute fascination for maps.

The ‘tone and timbre’ as I call it, of an old map, holds within it such beauty and mystery. The texture of the parchment, the ink used and how it has aged over time like the best of wines. To follow the winding paths and coastlines, the mountain ranges and sprawling settlements. Every mark, every crease, every nuance holds a story. As objects, they are works of art and are simply gorgeous to look at.

But of course, maps can and have been highly divisive. History shows us that in the wrong hands they were the latest and most effective tools of warfare, propaganda, divisions of state, ideology, ethnicity. They were the bringers of colonialism and with it, the most terrible atrocities and suffering through the destruction of indigenous tribes, the conquering of nations and the carriers of disease. In a world without the internet, without weapons of mass destruction, the nation with the most skilled mapmakers found themselves at the top of the ruling tree. Empires were made or broken by those who could claim the seas and conquer the new chartered lands. Maps were the driving force of every expansionists dream.

But, in literary terms, maps can be the most wondrous of additions to any story!

Cartography, and particularly fantasy cartography is the stuff of dreams.

As a child I would get utterly lost in the detailed maps of Milne’s 100 acre wood from ‘Winnie the Pooh’, Lewis Carroll’s ‘Alice in Wonderland’, C.S. Lewis’s ‘Narnia’, and of course Tolkien’s ‘The Hobbit’ and ‘Lord Of The Rings’. Now, maps are just as prevalent and cherished as they ever were, from Warhammer to Jordan’s ‘Wheel of Time’, Paolini’s ‘Eragon’ and George Martin’s ‘Song of Ice and Fire’.