October 7, 2021 by Sophie E Tallis

And the next Bond is..?

This light-hearted post is my way of shaking off the dreadful Covid malaise that has settled over so many of us for the last 18 months. So I’m not talking about mental health, illness, depression, heavy life stuff, art or writing, I’m talking about something entirely daft and wonderfully trivial…who will be the next James Bond?

Barbara Broccoli take note!

Daniel Craig – for many, the definitive Bond.

While I’m a fan of the Bond franchise I don’t count myself as a hardened aficionado, but I am a massive movie geek & cinephile though, so the question of who and how the UK’s most successful movie franchise will continue, does interest me. I’ll discuss the actors touted over the internet and papers as current frontrunners first, about 24 of them by all accounts, then pitch my own out of left field contender & why I think he would be the best choice to take on the new Bond going forward.

Firstly, excluding the idea of a female Bond, for which I think Lashana Lynch is awesome and has more than proved herself a brilliant 00 agent, by all means let’s have a female ass-kicking secret agent, but not a ‘Jane Bond’, but something new instead. As for James Bond, there are several of the male contenders that can be eliminated to narrow the field based on either age/height/acting ability – a short James Bond would be ridiculous! Although to date, Daniel Craig (53yrs) is the shortest James Bond there has been at only 5ft 10″ (most have been 6ft 2″ or slightly under), having a Bond shorter than Craig just wouldn’t work. Even ignoring the ‘tall, dark & handsome’ labels often attributed to Bond by its creator Ian Fleming and subsequent Bond incarnations, at the least Bond is supposed to be physically imposing, someone who can dominate or at least intimidate an opponent either by height/stature or physical size.

There are several frontrunners for the plum role to replace Daniel Craig, these are among the most popular names doing the rounds:

Mad Max’s – Tom Hardy (44yrs 5ft 9″) – The odds on favourite. Great actor with undoubted versatility & appeal but too physically similar to Craig’s brusque complex Bond and just too short, also, the Venom actor would be one of the oldest Bonds when he starts with only Roger Moore being older.
Luther’s – Idris Elba (49yrs 6ft 2″) – Used to be my first choice, wonderful actor who can easily do sexy, suave, dangerous and edgy but now sadly he is just too old.
Superman’s – Henry Cavill (38yrs 6ft) – The obvious safe and perhaps boring choice, but rather wooden acting at times and comes with Superman baggage and reported personality problems – bit of a dick. Not keen on yet another private school/posh boy either.
Bridgerton’s – Rege-Jean Page (31yrs 5ft 11″) – Would make the first Bond of colour which would be great and can certainly do sexy & suave but is he edgy, dark or imposing enough?
Rich Young Asian’s – Henry Golding (34yrs 6ft 1″) – Would make the first Bond of non-white Asian descent but too nice a guy? Not dark or edgy enough?
Outlander’s – Sam Heughan (41yrs 6ft 2″) – Another safe choice, has a good fanbase though not widely known by public and unproven in sole lead role. Perhaps too safe/boring, he is older too and is he edgy enough with enough acting range?
GoT’s – Richard Madden (35yrs 5ft 9″) – Too short and still unproven as sole lead.
Get Out’s – Daniel Kaluuya (32yrs 5ft 7/8″) – Great actor and very charismatic but sadly far too short and not physically imposing enough. If he were a beefed up 6ft he’d be one of top choices.
Spiderman’s – Tom Holland (25yrs 5ft 6/7″) – Great actor but way too young and far too short/small in stature. Fantastic Spiderman, but Bond, no.
Loki’s – Tom Hiddleston (40yrs 6ft 1″) – Would be a safe and popular choice. Good actor but is VERY known for Loki and therefore could be too typecast, also, brings humour but is he physically tough & edgy enough?
McMafia’s – James Norton (36yrs 6ft) – Would be the safe choice and nice to have a diabetic actor in the lead role. Has proved he can do dark and brooding in Happy Valley so a possibility? But yet another advantaged private school/posh boy background is not a bonus.
Star War’s – John Boyega (29yrs 5ft 9″) – Good actor but just too short and some Star Wars baggage.
Peaky Blinder’s – Cillian Murphy (45yrs 5ft 6/7″) – Good actor but far too short and too old to play a younger Bond.
50 Shade’s – Jamie Dornan (39yrs 5ft 9/10″) – Just a bit too short & damaged by 50 shades baggage.
Dracula’s – Luke Evans (42yrs 5ft 11″) – If rebooting Bond for a newer younger version, then too old? Also, his wannabe crooner status is a bit of a put off.
David Copperfield’s – Dev Patel (31yrs 6ft 1″) – Great actor and versatile, would be the first Bond of colour which is great, but could the Green Knight actor be sexy and edgy enough?
1917’s – George MacKay (29yrs 6ft) – Young actor with versatility, could be a young Bond? But is the Captain Fantastic actor too young though and not edgy or sexy enough?
X-Men’s – Nicholas Hoult (31yrs 6ft 2/3″) – Great and versatile actor, may be a possibility? Is the A Single Man actor too ‘pretty boy’ in looks though and not gruff or edgy enough?
Kiss Ass’s – Aaron Taylor-Johnson (31yrs 5ft 11″) – Good actor, though seen perhaps as a ‘pretty boy’ face rather than serious actor? Can do dark, sexy & edgy though as seen in Nocturnal Animals. Possibly a strong contender?
Downton Abbey’s – Dan Stevens (38yrs 5ft 11″/6ft) – Too ‘sweet & safe’ choice wise and rather uninspiring/boring. Loyal fanbase but not dark, edgy or physically striking/imposing enough.
GoT’s – Tom Hopper (36yrs 6ft 4″) – Not a well known actor and ironically, his VERY tall stature may be too tall, meaning the likelihood of him being able to ‘blend in’ in a spy context is doubtful, he’d stick out like a 6ft 4″ thumb! Not proven yet acting wise either or as sole lead.
Rocketman’s – Jamie Bell (35yrs 5ft 7″) – Great and versatile actor who can pretty much play anything, but far too short/small in stature and lacks sex appeal. I’m afraid this is one role he couldn’t pull off.
Viking’s – Clive Standen (40yrs 6ft 1″) – Not well known actor, so no massive fan base, would be an unusual choice. Is he versatile enough and too old for young Bond?
Dunkirk’s – Harry Styles (27yrs 5ft 11″/6ft) – Too young and not physically imposing enough to pull off Bond & FAR too distracting due to pop icon baggage. A total non starter.

So, those are narrowed down to 11 now…still a long list. If you discount anyone 40 or over, to reinvigorate Bond as a new younger Bond (which I think is definitely needed after Daniel Craig’s retiring Bond – re: my pitch idea later), then the list is narrowed further to just 8 possible contenders. Despite the fact that Ian Fleming’s Bond is supposed to be in his mid-late thirties around 37yrs, certainly in Moonraker, given that you would want any new Bond to have as many years as possible playing the role, then you could start looking at dismissing the older of the contenders too (meaning Henry Cavill at 38yrs and with his ‘maturity’ may not have much of a Bond run in him and would certainly struggle to play a Bond much younger than his actual age.) Do I seem fixated on age? There’s a reason for that…

How to overcome the colossal influence of Daniel Craig’s James Bond?

Daniel Craig has undoubtedly made a huge and lasting impression as Bond, for many he is now their favourite all-time Bond, with his mix of rough n’ ready physicality, that brusque side with a slight hint of tenderness beneath. So, how on earth do you follow such a powerful and definitive interpretation? Do you just offer up more of the same? The ONLY thing you can do, is to take Bond in an entirely new and fresh direction. Just continuing in the same vein but with another similar actor like Tom Hardy, just won’t work as brilliant an actor as Tom Hardy is, it would just be too familiar. Daniel Craig mark 2.0.

Here’s my pitch idea…!

The fact that Craig was playing an older Bond getting ready for retirement, means that the only way to really refresh and reboot the series is to take Bond in the opposite direction. Go from an aging older Bond on the point of retiring to a young Bond, in fact, Bond BEFORE he became Bond!

Restart the new series with a new Bond by having a younger actor play a youthful James Bond as a naval officer first, which, after some terrible event where he not only manages to survive against the odds but proves his bravery, cunning and skills, leads to MI6 approaching him and them recruiting him as a new agent! So the film charts how Bond became Bond, from how he was recruited to his training and first missions to what made him a 00 agent, with the film ending with him getting his 00 status and being directed to his first mission as 007. The series would then be up and running for years to come!

Not only would this approach give us something entirely new and fresh, we have NEVER seen a young Bond before he became Bond, what put him on the path, what drove him, what his training was like, what he had to give up, his mistakes etc., but it would give the new reboot a fresh start and one with plenty of mileage!

Now, my other pitch idea – casting…and here’s my out of left field suggestion. The name is Arnaud…Francois Arnaud.

Yes, this is NOT a British actor (remember Pierce Brosnan is Irish, George Lazenby is Australian), BUT, this French Canadian actor can bring something truly unique to the part. Here are just 10 reasons why:

Francois Arnaud as Cesare Borgia, a guy not to mess with.

Brit Accent – Francois Arnaud can do a perfect British accent as seen in his work on The Borgias.
Languages – He is fluent in English, French & Spanish – in today’s multilingual society especially in the world of espionage, spy’s & secret agents, James Bond would HAVE to be able to speak in multiple languages, especially when he was undercover and assuming another identity. How great to have a tri-lingual actor that could do this naturally as well as doing British AND American accents flawlessly, allowing him to change multiple identities effortlessly. James Bond with some subtitles, hell yes!
Height – Francois Arnaud is 6ft 2″ tall, therefore he has the height, physicality, body and stature needed for the part, and is loved by ladies and men alike!
Looks – He also has the looks (‘tall, dark and handsome’) to pull off a convincing James Bond, from his handsome face and great body to his deep voice and ridiculously thick hair. No (Sean Connery) toupee needed here!
Acting – Arnaud has great range and acting chops and is one of the most versatile actors working in TV & film today, working in both French speaking and English speaking roles. After winning the Best Supporting Actor in a Canadian Film Award (VCFF) early in his career in the critically acclaimed I Killed My Mother, he went on to famously play the dark and dangerous Cesare Borgia in The Borgias, displaying an ability to portray brooding, sexy, Machiavellian and violently ruthless characters to the point where he was outshining established star Jeremy Irons. He can play shady, duplicitous characters in TV’s The Blindspot, romantic leads in films like Permission & She’s in Portland, humour and more sex appeal in US TV’s The Moody’s or angst ridden unhinged characters in French film Rabid Dogs and most recently he can be seen as a disturbed ex-military soldier unable to adjust to civilian life in French Canadian film La Switch.
Solo lead/track record – Arnaud is never out of work! Unlike some of the other contenders on the list who have yet to carry a film or project single-handed, Francois Arnaud has already played the lead in both mainstream TV & independent film projects, from Midnight, Texas to French Canadian film Origami and upcoming Norbourg as well as joint lead with Lili Taylor in upcoming US indie film The Winter House. He has never given a duff/bad performance even if he is the only glue holding a project together.
Age – He is 36yrs old but looks younger so could easily play a young Bond recruit in his early-mid-late twenties onwards, giving him possibly the longest run as a new Bond.
Fanbase – Francois Arnaud being a French Canadian actor working in both French speaking & English speaking films he has the benefit of having a solid and very loyal fanbase, including those that love his work in independent films and network television shows like Heat Wave (Les Grandes Chaleurs) and Midnight, Texas. So although he is not a household name in the UK, apart from The Borgias, with the baggage and typecast problems others may have, neither is he an unknown and unproven actor with no following or fanbase.
Hidden talents – Apart from speaking three languages fluently and a bit of Hungarian too, the guy can also play the piano and sing…yes, multi-talented. Could we have a scene with Bond tinkling the ivories?
Something different – It would also be great, and a great forward movement for the franchise, to have an international actor in the role and one who happens to be bisexual too, although this doesn’t have to play any part in the role of Bond, it would show a more inclusive open policy on behalf of the movie makers and a major move away from being seen as old-fashioned and out-of-step.

There, there’s my pitch! I can see Francois Arnaud starting off as a young naval officer who’s unit comes under attack in South America or the Philippines (so he could use his Spanish to get out of his situation) or French speaking Africa etc., where he is able to survive a terrible assault, stop the bad guys, save people etc,. which makes MI6 take notice of him and decide to recruit him as a fresh new agent in training…hence the title of the new film ’00….’, as it charts the story of how James Bond became 007.

Barbara Broccoli, you can send me my cheque in the post! 😉 ❤ 😀

February 28, 2019 by Sophie E Tallis

Meh – Dealing with Despondency.

How you do you deal with those flat moments? Times when you’re just not feeling it, when you’ve lost or misplaced your mojo, find yourself in a rut or a creative desert, drained of energy, ideas or just dealing with extreme prolonged fatigue.

Those blank moments you find yourself struggling in, like wading through tar, can really test your mettle. Creative endeavours regardless of whether it’s writing, illustrating, art or craft and trying to run a business with those creative endeavours is tough at the best of times but nigh on impossible when you’re hitting that wall.

I’ve tried all the handy tips and tricks to ‘work through the impasse’, I’ve set achievable goals, organised my time and materials better, managed to say ‘no’ to people when their commissions clash with other projects I already have lined up (rather than always saying ‘Yes’, which just leaves you like a blue arsed fly dashing around trying to please everyone as you run yourself ragged then crash).

The 2019 Maker’s Yearbook by Nicola Taylor that I bought in January and wrote my last blog about has hugely helped BUT, even with it’s support, it’s fab daily goal setting and organised tasks, it can’t give you energy, stretch the time space continuum and find that lost mojo, and when you throw illness into the mix then you really struggle.

Antibiotics for a nasty chest infection which then triggered severe asthma bouts in addition to the usual vestibular neuritis, M.E, and fibromyalgia etc basically wiped out the whole of February. The only goals I managed to achieve is to have set up my first series of silk painting workshops in a local Arts Centre later in the year, where I’ll be tutoring people in how to use and apply silk paints.

I managed to send out some feelers too regarding local arts exhibitions, shops to sell my work in and competitions, but again besides continuing the map work I’m committed to, I haven’t been able to do any new work for either my Etsy shop or for the art fair I have coming up in a few weeks. Not producing new work is a major stresser when you’re working in a highly competitive field like the Arts, where your work and name is up against hundreds of thousands of other artists (of varying talents) who may be able to churn out new work far quicker than you and therefore gain an advantage in keeping their work high in the public eye.

Competition is good but it can also be a barrier if you find yourself slipping behind and trying to play ‘catch up’.

The only solution I can see, besides self flagellation (which I’m an expert on), is of course to take a leaf out of Maya Angelou‘s wonderful book ‘Wouldn’t Take Nothing For My Journey Now’ (an astounding book to live your life by full of such wisdom!).

“If you can’t change a situation, change the way you think about that situation.”

I can’t get back the month of February and the work I wasn’t able to do, so I wipe the slate clean and start afresh in March, onward and upward.

Don’t look behind, keep your eyes on the horizon ahead!

If your year has faltered somewhat, don’t worry, it’s never too late to make a fresh start and go from there.

So to that end, as we leave Winter behind and head into Spring, have a blossoming 2019 everyone and may your goals and dreams come true! ❤ xxxx

January 31, 2019 by Sophie E Tallis

Organising your arse and getting serious about your business!

Being a creative nerd I’ve never had a head for business or even considered anything I do as being a business and I know I’m not alone in that thinking.

Last year I took a deep breath and followed Lady Gaga and “jumped in at the deep end” by opening my first Etsy Shop – Sophie’s Artisan Arts. It was terrifying and exhilarating, and while I haven’t exactly set the world alight, I have had a solid first year, helped no end by my incredibly awesome and supportive friends – THANK YOU!!!! ❤ ❤ ❤

I admit I always thought that creativity and business weren’t harmonious bedfellows. But anyone creative who needs or wants to make a viable career from doing what they love (whether it’s writing, art, design, making crafts, photography etc etc), needs to develop a head for business.

Trust me, nothing makes me squirm more than the thought of dull accountants, business records, paperwork, profit margins, checklists etc etc., to me those are the antithesis of living a spontaneous and creatively fulfilled life. It’s just not how my brain works! 😀

But in simple terms, if you love what you do and you want to make a sustainable and consistently reliable living from what you do, then you need to sell what you create/make and that means developing a business brain and a strategy to help you achieve your goals.

Once you’ve realised this, then the next step is working out how the hell you go about doing that, especially when your chosen field is absolutely swamped by thousands of others doing what you do or something very similar (though no doubt to a poorer standard). 😉

Standing out from the crowd is the obvious first step, but to do that not only must the product you create be original and brilliantly created (quality NOT quantity – sadly so often talent only gets you so far and not to the winning post), but you need to market it expertly, get people to take notice of it and you. You need to approach what you do as a business not a hobby.

If people don’t know about the amazing things you create how can you sell any of them and make a successful business?

It’s the difference between being an amateur hobbyist and someone who is a professional in their field and is serious about pursuing their dream of making a career and a whole life based around what they love to do.

Not approaching your creative life seriously is a massive obstacle to your success, so snap out of it!

After a long chat with my fellow arty mate, Linda (and fellow giggly work colleague), where we discussed business plans and what we hoped to achieve this year and in the future, I followed Linda’s advice by getting the Maker’s Yearbook 2019, by Nicola Taylor, a goal setting workbook and planner specifically for artists, makers and handmade business owners.

WOW!!!! MIND BLOWN! 😀

Unfortunately I was too late to get the book which sold out, so I bought the PDF version and printed it off at home on 120gsm quality paper and popped it in a folder. I’d never heard of this Maker’s Yearbook before and even though I didn’t purchase it until halfway through January, I’ve been addicted to it ever since!

For a scatterbrain like me, who has all the business acumen and ICT proficiency of a fish on a bicycle, this has helped me no end!

I cannot recommend this enough. It breaks everything down into small achievable goals, so straight from the beginning you’re achieving something positive and succeeding rather than failing. It helps you to structure your business, your thinking, to get you to work more effectively and efficiently rather than just working harder and chasing your own tail while making no actual forward progress and burning yourself out. It makes you review the previous year (2018) and really identify what worked, what didn’t, what mistakes you made, what expenses and costs you had, what money and actual profits you made and how you divided your time between actually doing the creative thing you love and just flitting around like a headless chicken trying to gain attention in the hope of some sales.

It was a very interesting and reflective exercise. It made me realise how terrible my time keeping is, how unbalanced my life is, how disorganised and chaotic I am, how exhausted I’ve been and ground down, and how little progress I made, despite all my efforts, compared to the previous year (2017).

What a jolt to the senses!

Already, at the end of this first month (after only 2 weeks of having this Maker’s Yearbook), I have already booked an Art/Craft fair for March, have contacted numerous art centres, shops, exhibitions etc,. will be meeting the head of an art centre next week and have a clear plan and strategy about the year ahead – something I’ve NEVER had!

The moment I finish the long term map commission I’ve been working on for far too long, then the rest of my plans will start to kick in. For possibly the first time in my life, I actually feel that my creative life can actually have a viable commercial/business future and I actually will be able to make a career from doing what I love. It’s very early days, but finally… I HAVE A PLAN!!!! 😀

So to all my creative buddies out there trying to live off the thing you create, many of you struggling as I have, some of you on the brink of giving up while others are enjoying successes, DON’T GIVE UP or GIVE IN.

KEEP GOING, get yourself organised, set yourself real weekly and daily goals which all take you one step further to achieving your overall aim and GO FOR IT!

No-one can climb a mountain in one go, you start by climbing a low foothill first. Get that first achievement under your belt then move on and the same applies here.

Is it easy? Of course not, nothing important ever is. For me personally, one of my biggest challenges is overcoming my social anxieties and crippling self-doubts. This goes WAY beyond ‘imposter syndrome’ for me, this is more like paralysing fears, actually having to winkle myself out of my hermit hole and converse with actual real human beings, having to cold call places, put myself forward, try to exude confidence while my nervous sweats start in.

People that don’t know me well imagine I’m the height of confidence, the big bubbly girl, but I’m collapsing inside. Yes I know I have some measure of artistic talent, I could always draw and paint better than most of my friends even from an early age, but I am NOT a professional at networking, marketing, at selling my products to the actual public. Just doing one Art Fair last year showed me just how out of my depth I was. To me it seemed that everyone knew what they were doing, these were people who had been setting up stalls and selling their goods for years and had it down to a fine art. Their tables were eye catching and professional looking, they had prints of all their work so even if a customer can’t fork out a large amount for something they’ll still buy something small for £4, ie. they still make a sale and the stall exudes success which draws more people in. It was both awe inspiring and utterly terrifying!

Any introvert will know what I’m talking about. You just want to shrink into the background or hide under your tablecloth, but you have to sell yourself and your work and do both justice – so no, it’s definitely NOT easy, but like most things, it is a skill you can learn and improve on with practice. ❤

After all, we learn from failure and success.

Wishing you all the very best for 2019, may it make our dreams and goals come true!

❤ ❤ ❤ ❤

December 31, 2018 by Sophie E Tallis

Reality Bites – A Year of Art, Wolf Problems and Hard Decisions

2018 has, for many people I know myself included, been a really tough year. In terms of family, we’ve been through a lot of hard times, worst than most, and survived it, though it’s fair to say that my family now is considerably smaller. That means that close family friends we’ve had for years, and in some cases my entire life, really do mean the world to us! ❤

I learnt years ago that family is not about blood, it’s about who loves you unconditionally and who you love unconditionally, about special friends, people you can rely on in good times and bad and people you’d do anything for. I’d jump in front of a bullet for either of my darling Goddaughters and would do anything for my lovely supportive mates in deepest darkest Wales who I feel such a kinship with.

So when we faced the prospect of losing several very close and dear family friends to various cancers, including my lovely Godmother (who thankfully beat all the odds and the grim prognosis she was given); it makes you reassess things and clarify what is really important – a case of “Don’t sweat the small stuff!”.

While I’m able to produce a lot of high quality art relatively quickly, something I admit has always come easily to me, I must stop beating myself up for being less prolific in my writing. As much as I love writing and it’s always been a part of who I am, it does take a greater toll on my health and tends to burn me out quite badly.

Part of recovering from illness is being honest with yourself about what you can and can’t do and not castigating yourself for your limitations. Too many of us are our worst critics and being too critical of oneself can be tantamount to creative paralysis!

So despite being the world’s slowest writer (George R.R. Martin ain’t got nothing on me!) I’m determined not to spend 2019 procrastinating over how slow I am. I WILL finish Book 2 and Book 3 and finish the series, but I’ll have to do that at a pace I can cope with. Ironically, I actually have two brand new short novellas out, A Friendship Forged and The Siege of Kallorm, published by Grimbold Books on December 1st 2018, which are set before the events in my novel White Mountain, so at least that’s something new for my incredibly patient and loyal fans. 😀 ❤

This year it’s been great to see my illustration business take off and how ridiculously busy I’ve been with commissions, but the dominating factor has been the sadness surrounding one of my four wolfies becoming disabled. Anyone that knows me, knows how important my boys are to me, I’m called the ‘Mistress Of Wolves’ for a reason! So facing a horrible inherited disease that has no cure, that we can do nothing about and that is always fatal, Degenerative Myelopathy (DM), has been a devastating blow. 😦 My two white German Shepherds turned 9 years in June, not exactly old dogs, but long before that my beloved Tolly was diagnosed with DM. 😦 We’ve spent thousands we can’t afford on trying to fight this horrific disease but to no avail. The only comfort we have is the fact that we’ve tried our very best even using the latest cutting edge veterinary techniques like Platelet Rich Plasma to help combat this disease. It’s been heartbreaking to see Tolly’s startlingly swift decline over the year from running around in the snow in February to being unable to walk or stand by the end of August when he lost the use of his back legs completely and had to have a doggie wheelchair. We now face another devastating realisation that his biological brother, Korrun, is also now showing clear signs of having DM too. 😦

In a strange way, it was Tolly’s illness that pushed me onto creating more artwork this year (to pay for extortionate vet bills) and was the catalyst to me eventually opening my first Etsy Shop – Sophie’s Artisan Arts, which has really helped since setting it up in July. The highlight of the year though was being a shortlisted ‘Best Artist’ in the 2018 British Fantasy Awards and being an Artist-In-Residence for Dan Holloway‘s fabulous Oxford University funded game, Mycelium, which was launched in October and for which I created all the artwork (50 images in total). Still so proud to be involved in such an amazing project.

The other unsaid thing, which will remain unsaid by me for a while until I’m ready to talk about it, has also been all consuming this year. I’ve battled it alone as I just haven’t been in a place where I feel comfortable sharing it with anyone or asking for help (something I’ve always been bad at).

What the future brings, I don’t know…lol, but my life has certainly never followed a conventional path! 😀

Even when I was a kid I knew that certain paths were not for me. I never wanted that fantasy princess day, walking down the aisle in a white dress, centre of attention, to exchange one man’s name for another. Hell no. I know it works for most people, so good for them, but it’s not for me. I’m a great believer in personal freedom and in everyone choosing the path that suits them best rather than ‘doing the norm’. Life’s too short to waste it following someone else’s idea of how to live rather than what works for you and makes you happy.

With that in mind…I’ve decided NOT to make any New Year resolutions. 😀

2019 will bring what it will bring. I have aspirations I’d like to achieve, but I know life rarely follows the route you think it will, so I’m just going to plod on, try to learn to say “NO” to people when I know I don’t have time to do something (rather than killing myself to get it done in time) and just ‘roll with the punches’!

So…Happy New Year everyone, I hope 2019 brings you happiness and peace in whatever form that means to YOU.

😀 ❤ xxxx

October 31, 2018 by Sophie E Tallis

Frantic Fun at FantasyCon and BristolCon!

The last two weeks have been a manic blur of fun, meeting friends, train frustration, award nominees, artwork, dizzyness and desperately trying to get something to dry! 😀

This year I was humbled and honoured to be shortlisted as Best Artist in the 2018 British Fantasy Awards, held on the last day of FantasyCon in what is always a fun awards ceremony. This year it was held in Chester, a town drenched in Roman history that I’d never been to before. The Queen hotel where the event was taking place was COLOSSAL! You kind of felt that you had dropped into Pan’s Labyrinth itself!

I was staying at the hotel in a beautiful Chinese decorated room with a shower door that didn’t close properly and a Nespresso machine, so despite flooding the bathroom floor twice I at least started every day fully caffeinated! 🙂

FantasyCon itself was a manic blur, but in the nicest way. Meeting up with most of my fellow Grimmies (Sammy, Jo, Roz, Steven P, Steven G, Pete, Kate, Joel, Jason) and seeing other friends (Adele, Chloe, Juliet McKenna, Cheryl, Rosa, Anna Smith-Spark, Anne Stephens, Jen Williams – such cool people!) is always so lovely. The Grimbold Books table looked fab, (we have SO many awesome books!) and the panels I went to were so interesting. There were many highlights, but for me it was probably the panel on artists working in the SFF genre, as an illustrator myself I was keen to hear author and publisher thoughts on artwork in books and the process of using an illustrator.

I was flabbergasted though when Joanne Harris (of Chocolat fame) came into the room and sat down as a panellist! She wasn’t on the programme at all so it was a fab surprise and yes, I had to blurt out in a geekish fashion that “I love your books!”. 😀 Ian Whates, head of NewCon Press, was there as the panel moderator and hearing his thoughts on commissioning illustrators and artwork was really interesting. SUCH an incredibly useful talk and at the end of it I actually got to speak to Joanne Harris and give her my business card – it seems she’s on the look out for an illustrator for her next book! Eeeek! Fingers crossed! I also got to chat briefly with Ian Whates and his wife from NewCon who are always looking for new illustrators to use too, so some really useful contacts made there! He he he!

The only irritation, and I know I sound like an old fart here, is that a young 17ish kid decided to gravitate towards me, showed me her (ahem) drawings, which I dutifully smiled, nodded and praised, then continued to draw throughout the panel, not listening to what was being said and actually kept interrupting proceedings to languidly talk about her father writing a poetry book that she did some drawings in!!!!! WTH? If you’re going to be rude enough to interrupt rather than listen, then at least ask a question about what was being said, don’t interrupt in a totally inane and bizarre manner! Ian and Joanne were incredibly sweet and kind natured over the whole thing and probably guessed as did I, that this young girl had some problems. Hey ho.

But that’s the great thing about Cons, not only are you meeting friends, making new ones, soaking up the creative atmosphere like a sponge, making connections and contacts, expanding your own business reach and hanging out with lovely like-minded folk, but cons are incredibly welcoming and open to everyone, that’s their strength, so you get to meet people who may not ordinarily cross your path which is always very cool! 😉

FantasyCon ended in the awards ceremony and no, I didn’t win Best Artist. That accolade went to a very well established American illustrator from New York, Jeffery Alan Love, who has won several other awards and whose work is great. I was disappointed naturally but really didn’t expect to win so it wasn’t a surprise. I was just genuinely chuffed to bits to be shortlisted amongst such amazing artists! I was also thrilled that Jen Williams won Best Fantasy Novel for Ninth Rain, Well done Jen! 😀 ❤

FantasyCon ended I only had a few days breather before BristolCon, where I was exhibiting my artwork in the Art Room there. I showed a selection of my fantasy maps, silk paintings (many of them SFF themed) and my portraits which I set up on the Friday before the Con. I decided to show my portraits in a Game of Thrones style ‘Wall of Faces’ or ‘Rogue’s Gallery’ again but with new portraits in, including one of fab sci-fi writer, Gareth L Powell who spotted himself! 🙂

To add to the manic art making, I’d been asked by Vice Chair, John Bavistock in August to do a secret portrait of BristolCon’s Guest Of Honour this year, my lovely mate Joanne Hall (who is not only a kick arse uber-talented writer, but actually ran BristolCon for 8 years!). It took me about 4 weeks of full on painting to complete as, to make it extra special, I decided to do an oil painting portrait on canvas rather than my usual pencil portraits. Lol, BUT, that meant I HAD to get it finished before I left for Chester to give it a week and a half to dry in time for BristolCon! Hairdyers were definitely used in the last manic hours! 😀

BristolCon went brilliantly well as did the Silk Painting Workshop I ran there, where my lovely 5 students produced some gloriously wonderful silk paintings, and yes I’m looking at you Roz Clarke & Rosa – your work was sublime!!!!! ❤ It was lovely to see fellow Grimbold Books mate, Pete Sutton launch his awesome new book, Seven Swords, which I can’t wait to read (having been mesmerised by Pete’s short story collection A Tiding of Magpies which I read on the train home from Chester) and it was fab to watch the Q&A panel with Roz grilling Jo on subjects as diverse as writing, running BCon, life on the farm etc.

But I admit my highlight was seeing Jo being honoured as Guest of Honour for all her incredible hard work over the last 8 years as well as her amazing writing achievements…and seeing her reaction to her surprise secret portrait was just comedy gold!!! 😀

A gloriously lovely two weeks all round…now time to REST!!!!! 😀 ❤ xxxxx

❤ ❤ ❤

September 17, 2018 by Sophie E Tallis

It’s About Time for Sophie E Tallis

The lovely and talented Gemma Beynon, a fellow artist I met last year, was kind enough to interview me over the summer and here’s the interview! 😀 If you haven’t checked out Gemma’s blog please do, it’s full of advice gems about creativity and life! 😉

August 21, 2018 by Sophie E Tallis

Living in Trumpland

Living in Trumpland

Spectral shadows cloud my eyes,

Infinite distance to horizon’s demise.

We mindless children always at war,

Tearing into each other – the loudest voice gains the floor.

Hatred rises in peaks of crimson hue,

Death, mistrust, intolerance…nothing new.

Will sanity’s lessons ever be learned,

As this ravaged Earth is destroyed and we burn?

From nothing to nothing – particles collide,

Moon shapes, moonscapes that dance across soulless blackened skies.

July 18, 2018 by Sophie E Tallis

Shortlisted for a British Fantasy Award! Eeeek!

It’s taken a couple of weeks to sink in, hence the delay, but I’m thrilled to say that I’ve been shortlisted for the 2018 British Fantasy Awards in the Best Artist category!!! Yay!!!!

Can’t quite believe it but seeing my name listed as a shortlist nominee is surreal and a little overwhelming, but in a good way! 🙂 I’ve been nominated in the Best Artist category for the two hand drawn pen & ink maps I created for HarperCollins last year, for Anna Smith-Spark’s brilliant ‘The Court of Broken Knives’ and Anna Stephen’s wonderful ‘Godblind’!

It’s been a lovely surprise especially given that this has been a tough year for me personally, health problems, one of my beloved wolfies (Tolly) has been very unwell, massive financial worries (colossal vet bills!) and the latest gut punch – my wonderful Godmother (who I’ve known and loved my whole life and has been there for us through some pretty traumatic times) is desperately ill with ovarian cancer. It fact she’s having her operation tomorrow to try and cut all the cancer out. We’re all very worried and fighting back tears at the moment, so having something lovely like this happen has definitely been a much needed ray of sunshine in amongst a sea of crap.

I won’t find out if I’ve won until the swanky awards ceremony (October 21st). So in a mad dash, despite the fact that I’m totally skint, I booked up the hotel and tickets for FantasyCon 2018 up at Chester (October 19th – 21st) and will be sitting there during the awards ceremony with fingers and toes crossed while practising my ‘I’m not really disappointed’ face when someone else wins it! 😀

A massive THANK YOU to the British Fantasy Society and to everyone who voted for me. Amazing to see the other artists I’m nominated with:

Best Artist
· Ben Baldwin
· Jeffrey Alan Love
· Victo Ngai
· Daniele Sera
· Sophie E Tallis
· Sana Takeda

I also want to shout out my other friends who have been nominated too. Firstly a massive congrats to the lovely Joanne Hall who has been nominated in the Best Short Story category for her story ‘Illumination’ taken from the anthology ‘The Book of Dragons’ by AJ Dalton published by my publishers, Kristell Ink (an imprint of Grimbold Books). Congrats to Joshua Cornah another fellow Grimmie from Kristell Ink, who has been nominated for Best Comic/Graphic Novel for his hilarious Grim & Bold cartoons. Grimbold Books themselves (worthy winner of the Best Independent Press at last year’s BFS awards) are also again nominated this year as well! Woo hoo! xxx

I also want to make a huge shout out to Anna Smith-Spark who has been nominated for Best Fantasy Novel and Best Newcomer for ‘The Court of Broken Knives’! Way to go Anna! 😀 xxx

Yay!!! So stupidly excited and very honoured and humbled by the whole thing.

To check out more of my work, pop by my website: Sophie E Tallis Illustrations or if you want to BUY any artwork, check out my new Etsy shop: Sophie’s Artisan Arts!

Thank you folks! ❤ ❤ ❤ xxxxx

❤

July 12, 2018 by Sophie E Tallis

“Illumination” Shortlisted for Best Short Story at BFS Awards!

SO thrilled for the gorgeous and wildly talented Joanne Hall, a fellow British Fantasy Award shortlisted nominee. VERY well deserved for her excellent short story, ‘Illumination’. If you haven’t read it yet…what are you waiting for!!! 🙂

Joanne Hall

Great news this week (and a long overdue blog post, I’m sorry…). My short story “Illumination”, which appeared in The Book Of Dragons, edited by A J Dalton and published by Kristell Ink, has been shortlisted for Best Short Story at this years British Fantasy Society Awards, which will be presented at FantasyCon in October.

I’m thrilled to bits about this; I almost never write short stories and, I’ll level, I’d completely forgotten that I had promised Adam a story for Book of Dragons until he emailed me about ten days before the deadline to remind me about if and I totally told him I was working on it which was A Bit Of A Fib (ok, a complete fib) and then had to flounder to get it written at the last minute*. So to be shortlisted for a major award for it is just brilliant 😀

The full…

View original post 244 more words

June 30, 2018 by Sophie E Tallis

The Art of…Art. Diversify or Die!

The creative arts, particularly writers and artists, are littered with those who have failed to reach their own expectations, potential, dreams and goals. We all want to excel in our chosen path, all want to achieve the aim of making a living from what we love to do.

The harsh truth is that the majority of us will fail. We’ll have our lofty ideas and will fall short after a few exhaustive years of trying everything we can think of to reach that breakthrough point. We’ll cheer at the successes of others and wish with all our hearts that we could emulate just a fraction of it for ourselves.

So, for the majority of us creative types not quite finding the success we dreamt of, what are our options?

Give up chasing dreams that never come true.
Continue pursuing our goals in the hope that elusive breakthrough will happen.
Diversify.

Take a leaf out of current business practice. The businesses that do the best do so because they have learnt to be flexible to changing demands and needs and because they DIVERSIFY!

Businesses that cannot change with the times and cannot diversify are left behind and simply die. There are enough high street shops biting the dust at the moment for precisely this reason. Look at farmers for instance, the most successful are those who also diversify into other avenues, be it artisan cheeses, deluxe ice creams or holiday lets etc.

So…if you’re running out of ideas, head butting into brick walls or are just exhausted by the endless hamster wheel that ends nowhere despite your best efforts and talents with your aims, goals and dreams still unfulfilled…how can you break the pattern and achieve some measure of success?

DIVERSIFY!!!!!

With that in mind, today I used my skillset to run my second silk painting workshop. Although I’ve only been silk painting for the last ten to fifteen years and would not consider myself an expert in the field, I have gained enough skills to share my knowledge with others and get them creating their own original silk painting artwork.

Thankfully the workshop went very well, despite my sweating bullets on a boiling hot day with a large window magnifying the heat and my nerves. 🙂 I really was not a pretty sight! But, regardless of my melting, the event was very successful with many people asking if I did workshops nearer to them (several people had travelled nearly an hour to get there!).

Now although I choose to offer these first workshops as free workshops rather than charging, they have been invaluable in paving the way for me to do paid events like this in the future and in building my reputation as not only a skilled artworker but also as a workshop artist.

Again…diversify or die – I am looking to the future to use my skills to enable me to continue making a living from my art and not be dependent solely on commission work. You gotta think ahead people!

So how do you start to diversify?

As a creative writer you might well start by delving into non-fiction for a while, trying your hand at bid writing, academic writing, writing reviews even if it’s about a brand of supermarket cheese, hell even writing manuals, obituaries, websites, educational aids, essays etc. See what is out there. There are ads for writing in every magazine and newspaper and vast amounts online. Think, how else can you use the talents you have? If your novels/stories/poetry are failing to garner any success or even attention, how else can you diversify and use those skills?

For artists/illustrators the same applies. Even if you are currently inundated with commissions, that may not always be the case and usually it isn’t reliable in the same way that those monthly bills are. So unless you want to live your life either spending lots of money on advertising which may or may not work or waiting for the phone to ring/website email to ping for your next client commission, you need to start thinking about how to diversify and use the talents you have.

This is particularly important if you are specialising in a niche art field. For me, I’m best known in art terms for my fantasy maps. But out of all the fiction titles, all the fantasy and epic fantasy novels published every year, how many will actually need a fantasy map? The number is surprisingly low and as there are other artists out there who also specialise in the same field, vying for the same commission, how can you carve out a slice of that action/success for yourself and ensure it’s enough to live off?

Last year was undoubtedly my best in terms of commissions, exposure, and yes, money. I took on two large commissions for HarperCollins for ‘The Court of Broken Knives’ by Anna Smith-Spark and ‘Godblind’ by Anna Stephens*. That was swiftly followed by other commissions including one for Penguin Random House for ‘The Mad Wolf’s Daughter’ by Diane Magras and a massive Artist-In-Residence commission for Oxford University for a brilliant new game ‘Mycelium’ created by writer genius Dan Holloway, producing all the artwork for it (50 hand painted images) etc.

*I’ve been sitting on some VERY exciting news on that front, but cannot share it until official announcements are made. 🙂 *

So how exactly do you pay the bills when you’re between commissions?

Use your skillset to create other artworks, think about exhibiting your work in nearby galleries even restaurants – ever been to a pub or café and seen artwork on the walls with prices on? That could be you! Contact local art centres who sell work from local artists. Of course there are ways to showcase your work online, on your website and in places like Etsy where you can sell it direct. I admit I’ve only very recently joined Etsy and am yet to set it up fully and sell any of my artwork on there…but I definitely intend to use this route to supplement my commission work.

Perhaps you too could use your talents to run a local event or workshop like my silk painting workshop? Could you charge customers a one off fee for attending such a workshop?

Diversification is the key not only to success but also to LONGEVITY! You want to be doing what you love and making a living from it for as long as you can.

Good luck everyone and embrace the change! Diversify or die!

❤ xxxx